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r 1043 „ , ^ The , Pablisliers :1 Circul...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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R 1043 „ , ^ The , Pablisliers :1 Circul...
r 1043 „ , ^ , Pablisliers : 1 Circular .. , _ Oct . 16 , 1 * 82
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AN ILLUSTRATED DICTIONARY OF WORDS USED IN ART AND ARtMOLOCY . Explaining Terms frequently used in Works on Architecture , Arms , Bronzes , Christian Art , Colour , Costume , Decoration , Devices , Emblems , Heraldry , Lace , Personal Ornaments , Pottery , Painting , Sculpture , & c , with their Derivations . tty jr . ^ w . i ^ oi ^ x ^ ett * s *^ ., Offictrb db ^ 'Instruction Publiqur ( Fkakce ) ; Authok of * £ ifb of Rsmbbaxbt & c . Illustrated with about 750 TFiwtf Engravings . Small 4 to . strongly bound in cloth , 15 s . [ Ready Oct . 16 . gether the The decoration recent unknown remarka of a modern few ble years and homes rap ago id , ) h spread is ave still created of to the the ( % stud new general y popu of ancient public lar literature a art subject and 0 the of / which doubt application the and vocabulary hesitat of its ion form . ( al s B to to y - all this that doubt can the be expression said , a great of deal independent more on the lay instinct opinion of is good embarrassed taste than on on questions any tradition which . depend , after The ' Dictionary of Art Terms' is intended to be a vade mecum to all who have at times felt their gestions and wide information of fiel the d to of jog large at connected fault the class memory . It subj of is su ects , not and bjects , on it references is any which a safe of the may to guide subjects standard he and politel referen that works y described it ce , touches are for all the as that exhaustive groundwork ' things are required foi , but of ^ ot , . the / spreading for stud which y of over each sug a - , possible The compass necessari consistent ly large subject with the of Greek purpose and of Roman the book Antiquities ; and for has the others been kep , the t down princi to the ple narrowest has been adopted Architecttjue known . of This treating , app Costume lies at to the certain , Ancient greates technical t Armouk length details the , aDd most of such Old obscure subjects English and as least Wobi Hebaldby > likel 8 , Music y , to Christian be , Needlework already Antiquities popularl , and y , Embroidery . Engbavikg The Tine hare A been rts of worked Painting upon princi and Sculptube ples special , to and each the ; necessarily newest inventions excluding in a reproduction range of subject by which are all would that hare is descri swelled bed ; the in work Sculpt to ure fi — fty material volumes , such methods as this , and . In something Painting— of pi allusion gments and to tho method great s world the processes -knovi u chefs and - the d ' eeu tool vre * of are anti all quity that ; hare in . Engraving been dealt , with Etching . , acd the new photographic processesreading An ; attempt and nothing has been has made contributed to render more the to Dictionary this than livel the y ( authori and readable sed ) insertion as a book of a for few consecut charming ive nat illust ions rations , and and extract explanations s and euta of 3 from Irs . B BouteU ury Palliser ' s Heraldry ' s Historic , Jacquemart Devices of ' s the Pottery chivalry , and of all other ages great and taken unfamiliar monog There to rap make hs , remains but of the special which descri a large branched the ption new cla s ss of of movement of this aesthetic words class with record full has broug and which . free ht tho into from average prominent technical read myste notice er was ry . , at Great until the recentl same care time has y total been that ly Puttkby the substance , Fubnitukk of them , has and been every drawn branch from of Decorative sources now Art classical in iro in n their Btone prov lass ince or . wood These . as subjects well aa are in can Kensington the more he Final consulted precious ly , Museum the by whole ivory the , indisputab , work reader silver has , who gold ly been the , wishes an comp best d gems for specia iled . furth in l library the er knowled reading in the -room world of , a of detail , where the , g Art and all Library where the works , of referred the work South to of consequence , in every language and of every period , is available ge for reference . , every : London : SAMPSON LOW , MARSTON , SEARLE , & R 1 VINGTON , ; Crown Buildings , 188 Fleet Street , E . C . ( 676 ) II ^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ V ^^^^^^^^^^^^^^^^^^^^^^^^^^ B ^^^ HM ^^^^^^^ VVI ^^^ HMI'M ^^ VHQIBVMVHIil ^^ V ^ BHlMfHMVVVMHVVMtfVMHpVVHIflViMMtfl ^^ PB ^ flBMfltH ^ P ^^^ v ^^
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Citation
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Publishers’ Circular (1880-1890), Oct. 16, 1882, page 1042, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/pc/issues/tec_16101882/page/30/
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