On this page
- Pictures (1)
-
Text (2)
-
i546 The Publishers' Circular Dec. 6, m$
-
a^grg* g>tdt$ & Co.
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
-
-
Transcript
-
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
!3$E£Jsr£* <J5eoroe Ihoutlc&Sc & ^ Ons?.
There ' s lots of things to be done hereabouts in the way of getting a livibut as a young
gentleman . ' It is much the same nowadays , we believe . Harry Treverton ngs , however , had a brave heart and was not ashamed to work . The story of his subsequent adventurous
career is full of thrilling incidents , until the hero , like many another , is settled and done
for in the bonds of uneventful matrimony ^ . AjKAl ^ h ^ feL / Vk ^^^^^^ M ^*^ . ^ ¦
I546 The Publishers' Circular Dec. 6, M$
i 546 The Publishers' Circular Dec . 6 , m $
A^Grg* G>Tdt$ & Co.
a ^ grg * g > tdt $ & Co .
IIU | fea ' Eh ( b || HOSE book who illustration love books which will continue be delig throug hted with h several Mr . Hanierton numbers ' of s charming The Port dialogues folio . In on
| lid tfgtCT K 3 UI [ Conversation S > i I I -W . is , encountered I I 1 the I t rivalry 1 between 1 I Art At and Literature T • • . We TTT quote ¦ the -. beginning , which , we venture to affirm , supplies a key to the whole discussion :
temptuousl * r ' y ( opening ) . Another a volume illustrated on the edition table , of and a popular stiutUng poet it at ! once I wonder conhe tolerates these things .
edition * Artist is a . confirmation Perhaps he of feels his rather fame . flat Publishers tered . At do any not rate select , an illustrated unknown
men Poet for illustration . That is . one of the numerous advantages of obscurity . * Critic . When you are dead you will probably be illustrated also .
some and appear astonishing amongst ly showy the Christmas binding books . Add , with to
advertisements tions less tnis tne typograp by gilt the edges h first y have , and , artists the it the . ' toned of " exquisite the paper day , , the " illustra as fault the - -
And so on . Let the reader
intereste ' The d Portfolio in books ' and get
peruse ton ' s remarks Mr . Hamer ; they —^
-are sound discursive in argument , ,
and , from an artist ' s i point of viewfree
from bias . Besides , the question of Art
ject there / of ari * utilit the y 9 in
-< book illustration , and this we find
most ingeniously argued ^ . The subj — — — ^ ect , _
to the outer mind is so intensely
mundane that there may appear little — in —— it ; j
but j - jl -the philosoph y of book illustration
is is the as p r rono > hilosoDhv unced as of
volume Art in pi form gments . This or stone part 1 or of metaL i The Portfolio We should ? is , h like owever to see , in Mr teres . Hamerton ting only ' to s work a limited J ^ produ section M ced * V in of the readers of the periodicalmanof whomnaturalllook the illustrations—the
, y , y upon work superb ^ M M . etchings Readers a ^ h , ^* of ori this n g inal calibre drawings ^^^ _> will , lose and themselves other adornments in the _ interest —as the of irresistible other articles _ charm written of the by
the ' Earlier distinguished English editor Water , -colour and in such Painters contributions , ' the as descr Mr . ip Cosmo tions and Monkhouse criticisms ' s account by Mr . of F . the G ^ . Stephens ¦ Mr . A . H . PalmerProfessor # fc Church and others ¦» ¦¦• While looking over the ¦¦ pages
national of the J— — volume art , j , for ™ ~~ ^^ one in no ¦ w cannot " ~ - publication - " -- ^ >^ — * » - * i' . ^^ , w hel . !»¦ p » -- » F ^ fc being of - ^^ r ~^ « i * ^ its - ^^ ^ fc " » l struck •»« ind . ^»^ . ^^ ^ kjfc is , a b British ^ r ** y » ^*^ a ^—^ feeling * # *» ^^ art f ^* . more of ^ national A , A trul J * ^ - ^ Jk y ^^ > - and ^ * * fc ¦*• sympath ^ ¦¦ ka more ^ ^^ * ^^ ¦*• thoroug y ¦ * towards " ^^ B ^ ^ " ^ hl /^ i y
represented Ley — / land ^^^— — — ' s — article — , or 1— m on o re the win dili * gentl Seventeenth ¦ » y encouraged rf i ¦« jki «/ Century ^^ Vir ^ h / . The Halls ¦ Mavv ' illustration >* M of West in Yorkshire bur pages ' is * from The p >» Portfolio # « Mr % ¦ . Joh i —* n '
_~ r-- - » - ^ --v - ^^ - — -- | ~ -- ,.. - ~*~ w ^~ r ^ - ^ - ^ •« v ^^ - ^ ••¦ -.- A * ^ w-a > w _ . a ^'^ •*•• • ~ -W ** ^^[ fttJ */ ^ M . ^_^* i T ~ _ r rTi ~ ML" . ^^ . k ^ ^^ ^* *• ^ r •*¦ <••• ^^ may mav abounds it it continu ftrmtimiA with e * bits to fr > do Art ' of so no ! this I character , besides its soberer and higher characteristics , and long
, ! , Xtolly The ana author Xiaisy of * , Cri a b fresh and Fl breezy y' has story done of well Eng in lish the new country volume -house , The life Holiday . The ' two Pranks young of ^ aau ! ¦ , ,, , , . , a , _—__— ,,., _ ,,- ^ j
Pc05201
-
-
Citation
-
Publishers’ Circular (1880-1890), Dec. 6, 1888, page 1546, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/pc/issues/tec_06121888/page/52/
-