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    4 riMgr , ^ - * $ >!* of A % ojir » g ? -tflftU i ^ y . ^ lfwa ^ ^ gj iaced itflrinflilM : ^^ fjS giir # iue r Claude ; I beseech you to > spare me ^ " ahe 8 * id , r # iiib < tb £ > Q * H * Si « fcer voice were low , hollow , and sepulchral a ? thos ^ of -a- < % ! $£ / { ** < $ & .. ^ Uter , " I sfrid , and there was tenderness in my a ^ cpe ^ nt ^ " 9 f t aj ^ taV ^ - ? u ; e you troubled , —are you ill ? " . V . , " Ix you do not desixe to kill me , " she replied , in the same low , deathlike voice , ** if you do not desire to see me fall down " a 6 orpse at yd \ ir feet , i ^ all me not by that name , and speak not to me irithat toic 6 * itoftxorrbMr , spare me until to-morrow / 1 —Vol . iii . p " 68—72 . v TSii $ needs no comment . The fine and delicate touches , the

    nice discrimination between different natures and differerit cirj c ^ utnstances , must be apparent to all who have the power of ^ jj > repififion . We have purposely avoided giving any : abstract orjt ^ e ^ tory contained in these volumes . No justice could Be !* $ && tp it in such a way , and we would not willingly destroy 40 Kwrl of its interest to those whom our remarks and brief inay induce read work far above

    ^^ tracts to a so the , ordinary rua-rpf novels . It belongs to a very different class . of

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    ifE ' l ^ t ? ' AK ACCOUNT OF THIS LEADING INSTRUMENT , AND 1 l ITS MOST EMINENT PROFESSORS , &C .

    ? . . ( r By George Dubourg . Colburn . 1836 * ) Ke are upt aware that many of our subscrihers are fiddle $ p ^ yer $ « , Thpugh we know that numbers of them have music 5 f « their soul ^ , " we conjecture it to originate more in the tones

    dfcftdPWtSy ^ 4 philosophy , than in their fingers' ends . But J ^ pqw . ing that the Monthly Repository circulates " here there , 4 | jad < $ v ]^ yyvi ^ re / ' and that sundry copies penetrate into , most JNtqxnected . p lajces—not to say in quarters where no syrppathy Y < WllWr # ^ y ^; V ^ expec ted , —vye doubt not t > ut the sul >)^ c | i of ^ h § i fff ^^ Ut little book will prove very interesting to nuaierous 4 | in % teMVs of viol sweet , tenor , guitar , and bass . It wjll ajfford jfllitel ^ c 4 if » to many * and am usement to al ) . Tlxe matter is

    pffo&Mi $ wwUout being in the least pragmatical ; the 3 ty ( e ftfayfuU yet ever well-timed , and to the purpose . The author 4 yfcru ## * v * 4 fr BkiiUjlJJ ^ % pd ho * t ^ eld in gra ^^ Cu l eaqp ^ uc } by a mti ^' k * Qfy * f ¥ t Of , ip « inprf |» W 9 P Uftder hi ^ le ^ t . arjq , ancj gx ~ Ufp ^ t ^ k ' ^ fl ^ t Jji ^ nd , towards the audience , wbil ^ a sin ilmg "JiMiirHljrjTIllirP nUfflMf . nnnnfrninr r comui + uczz ifa hfruxxoniou * ii « M « uau || rtjyM » ftC Hi % lf « tol £% u * : * ^

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    £ « 6 M « FvV * -

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    roii ! l THE VIOLIN . f'loi ¦ ; . ¦ ¦ . ¦ . . : _ -

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• Citation
  • Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Dec. 2, 1836, page 766, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2664/page/50/