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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Untitled Article
Coflscktoce , never utterly destroyed , and jttdgiaeat * -if t * # Hn naturally acute , would eaoh continually add something to F « ftkW the wounds from which she suffered . Deficient flattery ' siiggggtttt fears about default * and then conscience would ask , Do Wu
deserve faith , fealty , or firmness ? ' Excessive flattery suggetftett suspicions of sincerity , and then judgment would exclaim , Is this daubing meet for a classic eye like your * s V But conskaew&e , judgment , every high and noble thought , were flung asid * a * she hurried to the accustomed crowd , as if she had set ' her * lift upon a cast , and must stand the hazard of the die . '
Perhaps beauty is of all human power the most perfect ; effortless , instantaneous in its action , it may say , with Caesar , * I came , I saw , I conquered . ' Yet perhaps it is also the least fortunate kind of power , since it is most subject to corrupting influences durin g its rise and meridian , and suffers most intensely from moral reverses during its decline . But nature had not doWeretl
Isabella merely with beauty—the mental jewel was worthy of the material casket ; energy and fine spirits also formed a part of her gifted nature , and these , in co-operation with a high , free , dill- * gent cultivation of her powers , might have carried her to some point of greatness where she might have lived blessed and bledsing as well as brilliant—whence she might have been * rxhaled to other heights in that region to which , rapt and reverent ,
imagination rises . The principal characteristic of Isabella ' s mind was concentration : born in circumstances which strictly confined her to the woman-sphere , —vanity and wedlock , —she chose the field whicli the first offered her . With feelings free from every sordid taint , when she first entered the paltry arena in which art forms the means and marriage the meed , she was like a young Arab barb put upon a mill-wheel , who would circle it again and again like wildfire , till he destroyed himself and the dull instrument of his
torture . Virtually , not actually , her plan of action was prescribed tp her , but the poisonous policy inculcated could not shape her course to mercenary conquest—her quarry was the heaft . But , with the conqueror ' s ignorant and insatiable thirst for dominion , to win and waste was her bent : —like him , reckless and destructive , she remorselessly left to desolation the region she had irtvaded and subjugated .
War is called a noble science—the soldier an ennobled being : the ambuscade , the surprise , the assault , the carnage , which is ine consummation of th © whole , are all arrayed in the pages ptf history ~^ in the columns of the ' Gazette ; * and people , perverted b y false impressions , nee nothing but glory aiid greatness : ndtv W the same compliment paid to tin * coquette ; let her have , at teMt , ft&fe leaf ffonU the soldier ' * cJhaplet . ' ' It is constantly observed that we cannot say to the pa » ffttftft >
Untitled Article
Sketch * of Dtmetti * IAfk Kfi&
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Aug. 2, 1835, page 555, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2648/page/55/
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