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-giaotaB ^ - heights , and depth s and dista « eesi dsniak ^ « i th ^; Woi ld , who . se solitsfty'ffce'itety * we Irafre a lgif * a # fe *> f iin * hi& ( 3 te # Leaden , -a # d the inhabited r *> K * idn of which we hive elsewhere beheld sw&wmhg with countless ttfyMadB of pe >* * ple , > ari& ^ oattfdg Wnieath Mt ^ inteWe ^ aees afcd * towers whose f&pfc ffcatfh temn . Martin is the portrait''tyfiiitor Ib * Jnfhilte sfcaee to sit t ^ > wii& me mt *
Jainty of his producing ft godd hfc&teSs $ and a very l « Jw per-deiifc&ge «» M 3 builfi-4 Hg « wouM make the fortune $ f a&ar * chitects and surveyors , $ ast > jMtes&tifcvahd to come . How poor > after this , seems even t ^ at Eh ^ etibreitsteiii , ( fty Pye , from Turner , ) in the Literary Souvenir ? and yet it is a noble engraving Of a noble fceene . The Eddystonfc Light-house * in the Forget Me Not > is also Well engraved > fcut the scene is feeble . The waves carl
gracefully , a $ it they had been trained ; $ ie boat is dttrfcittg , as if % o a ine ^ tired -air 4 the lightnings are playing $ and the iwkole makes tip a very bfeautifnl « % orm for & drawing room . For afiaatetil-fe <) f single figures the choice lies' between SSii * Walter S ^ ott , ( by Danfcrthy from Lfeslie , ) in the Literary
SoUvfeolr , and % he S ^ &aifeh Flbwe * r t 3 Hri , iromI ' fUfuHtio / ( by l GravH , ) In the AniU' - let » Both are eapital engravings , and capital iikeneSeeS . Yes , both ; for he or she Who eannot testtry to the actual tfodify exlmkee aM per ^ OMl identity of that Flowet Girl , tfeed iit ) t trouble him * - m \ t W hteVself khy fufther abo » t paihting
or engrftvift ^ , tale or poem , Or any thing cine Whktsbevertb tlie fine arts apper * taiuingi f fhfeis the pleasantest likenfess bf Scdtt'thafe we re ' nWiiibev to have seen . tPhePe ! s * w » thing of ihe baronet iabdnt it ; the f&et preabmfnates ov ^ i the $ hre \ vd b ^ eiW ^^ d'the 4 iititd * htalted nian ove r
r fn ^ na « h ? p \ s Oflferiirg has twb very good groups , the Parting , ( by Romii ^ , it 6 m Hayo % ft , ) and the Warning , ^ ( by Warrein ] rrdhi Cooper ) . r fhe last is | he be « tfc ^ The Spectre , with her distitet features hty ihistyforin , gradtiiilly meHi ^ jg AWayinto aiid blending wltfr the dir , is e * teUem \ bu ^ t we are not siii ^
whfet *\« ir tH ^ BlM Pit > er , ( by Shento ^ , fttyn Clentteli ) in the Forget M ^ Nfe ^ inay t ^ t ^ iic ^ t ^ m bdtli , W ^ Wffihftkh ^ phpti V Ma i ^ dhi ( id 1 Vead ; hW ^ onirig fi ^^ s , his factions s feet ; Us wMt 6 figure and iamtud ^ . -ir € J aU # bUtid ' as bliWd <{ & * be . And [ oh ! the ' tP ^ : that hei « going to ' ' 6 < jt * fc < e& tDWt of that'W ! Hi «» fa < i ^ ahd hw ^ lbow are a ffehrftil prophecy of the forthcoming notes $ and
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j ^ t that 'fti ee vehei l ^ fae ^ 'ffraf rerv Well bei wit ^ ut be % r ^^ rsl < 5 filif fnd W-ijbA kli ^ 6 n ^ ot i % s Wn wnieh ^ lOri ^ Ho the bh oi ^ S of Ith e hnrrf fth heitrl ; a « d « hai pfl beHiihd is ^ tlrte fel ^ nMh . Who mUfeSfef ^ er meote , t ^ Tief , Ktitti ^ e , affectionate , unspoken Wpfb&L-i t ? r Wfti awajr without dropping something in that hat which she does not thrust forward ,
but holds as one who would not receive your gift the less grattefUiLy for h&rntg expected It anobtrdsively . The Literary Souvenir has two very beautiful things of this class , the Sisters , and the Young Novice . They may be looked at and talked of long . But the Gem has three 5 The FareWell , and the Death of Keeldar , { both frotti CGopfc *; the one by Mitchell ,
and the dtfter by WaiTen ); and What % 6 our ej-es is the very geih of the i ^ iii > and of all % he res % > the Wfaow ( by r ^ vetijjort , ft 8 m Leslie ) . -Hew are ^ ho iitafrtling cforitraSIs % V& Grange effect $ ? Hght and shade s ttb vMent action , nor indeed afettoin %% ail $ no eMl > 6 rate gvmmiig of
of fibres of ari ^ geme tit drapery ; % here is pWy a ^ ale ^ lovely , abstiafcteti woman * hfer e ^ fesM oil vacitttty , With a liltleaffeetio ^ aifie boy , pleaded 'With the pressure ofwhifchshe i ^ UnconSciofiiS ' , ? lM feeling a dim desire to allevi ^ a gjfc ' f , * of tlie e&teiVt Of whfeh his eompr ^ heii ^ n is as dim ; That cambric hatidfrercfciefin
the left hahd i « rather Ephesian j btit she is not guilty , iibt aware of tKe seem ing affectation : it fc evident she HI Mi ; fbriti her deep and mournful reverie , bkv tight hand is as senseless of the e 6 ld marble on which it rests , as is that cMd marble itself * '
In pictorial embellishineiri of the highest pretensionj that wfiidi aspires to conibine aelora atW scenery , pi'e ^ eiiClii ^ some memorable incident on a not tin-Worthy theatre , the fieM must be cMrt ? d for two ebnipetitors , Marcus Cttrtius , ( by Le Kenx , l ¥ bm Martin ' , ) in tne "Forget Me Not , 4 M Clebjpatra embark-S-n ' g on the Cydmis , ( by Gbbdall , from Datiby , ) in the Litetorf Souvenir . Lfct * hem share t 3 ie epithets of sublinre % M
IWHfliitiftil between them , if indeed btklittt % l be a tei ' m Itixitribu ^ enough for % M % 4 oft , tjilfceh , gohleti , balmy essetice Of all tliat is'fiteh j ^ tid delicts whlth the fctftHft - % y tMWiX iip in honour of the te ^ ft itth Qut ^ n ; Or If " sublii « e can mm ^ mi h&W ahoiild it ?—ttiiy tio-Woii W'te ^ lottg l and lofty pliiea p bf to : ^ ers ^ 'pai ^^ i arKl te ' hvpli ^ , in ' Which MaVtlii 'has ' cnlfeo ^ iell tfit ^ ' lhajesty" hf ^ Yc 4 eht « otiie ^ ^ ¥ 'ti ) iit black ami fearful a-byfes '; Of ihtiti agHatcd and cVyuntless tritnl-
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846 CVtftW Nottcts .
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Dec. 2, 1828, page 846, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2567/page/46/
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