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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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* g $ m prg ^ rs and thanksgivings , r many things relating to cfuftV , mm % e fejipineiis of mankind . * f is ra used
J ^ H ^ narkoW ^ s a very gen el ^ pre ^ idri ^ in distinction ^ fironfn ^ rbftriie arid worldly songs . " •^ 'THfe grand point is , respecting the dfetihf tion between singi rig ¦ A ^ bMtei ) y and the word ( psalfontes )
Mftiicbr is translated , making melody ( or father harmony ) . After Hie Statements which I have adiSatred respecting the import of the 4 Wter ( in No . 3 , and tinder the Hmrd \ tse \ t ) the reader will be ^ te $ 8 Lt £ & " for the position , that if
Hie ferine * here signifies the use of ^ ocal music , or singing properly io called , the latter as far as I can f ^ dfeKre , must mean playing ou i ^ tni rrients of tmisic , or singing € ? ith instrumental accompaniments . Tsee no room for doubt ,
t&BtAve should literally render the * Idifle ^ fc words , and give them S $ ir ^ iact force , if we were to ffliy , * sliiging and playing , with ^ hearts to the tord . " The
ambiguity of the last word , and IKe aWKwafd Associations connectefl wtth it by constant use , would nriiike me averse from employing k-llia ^ ansletion bf the scriptures , and ( as we h ^ e no word of exactas
ly , t ^ te sam e forc e psallo ) I should mffifljffici to the more general ren * d ^ Fing , ^ singing and making ^^ iim ony \ " but then it should be cjp ^ rly understood 5 that this bar-Sy was by accompany iog the % yii % in # uhiet ^ frtiusic , p ^^ V ^ l ^; jpr ; m . ,., ild l l > I IJp » ililiim . i " i <» i UM ! l ... 'l 4 ltW V " ,. ' t'l UlH- ' * ' I" ! " "" hif
f ^ feSp C ^ Iip '^ mM ^^ . ^^^^ HaB ^^ ffi ^^^^^ S Sffl ^^ j ^^^ B ^^^ Sr j ^^^^^ ^ gg ^^^^^ 'Be 5 iW « PlrW ? OTWP-
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^^^^ ' ^ l ^^^^^ fe Sdom ^^^ S ' fe ^^ twflHt
that Ionia was liie land S ; MK and tfce Ej ^ eifete # i ^ li t ^ r ^ ly employ instrlimetttsff ^ dortf ^ --niments with " th ^ ir ^ WKiiW s # ffgi , unless it had % een fdrfefdffetftbeM ; that the apdstle , so fat from & 6 lri $ this , act dally makes use df ffife
word the most appropriate' in t ® e Greek language to playin ^ upSti stringed instruments , or sfn ^ tfe with such acc 6 * BpMiifiie « ts , wHisA
which was nevet ^ s ^ ft fe ^^^^ singing eKtXvL $ i " V&y ; antf %€ toitft quently , thttt ^ t | eaist h ^ ca € I « # f& supposed to discountenance ^ riging with instrumental aedoifiipaiii
m ^ nts ; still ^ thef ^« ftt ^« % be understood % y tlitl ^ tdr u ^ fe he addressed MSicttC ^ ^^ M ^ fe explained its meaning in oral <^ dni » munication , ) as authbttsfng their
employment of instrumental as well as vocal music with their spiritual songs * ^ , I know but of two interprettttiotts which oppose these ideas , fbe flt | t raav he derived from ^ ctttoiii ^ i : -
so as to leave a // musical mcrdulaw tion out of view . But 1 thin ^ I have suffidfently fitic ^^ f tti ^ 4 H *> tber ^ a ; (^ rfo ^ por ^^ »^ will allow of this extreiMe generalization of their meaning ; 'fhe second is wBat ' % ^ N ? W fl ^ 'tfeMp- W i
those veif vdi »« | » theFratres ^ olo ^ ^^^ ftf ^ S ' . says CrelUus oyi ' - ^ M ^ Mte like a musical hi ^ tril ttte ^ V which w ^ ^ K ^^ m ^ imm ^^^ m ^ W ^^ so is' to' Irfit ^ jfMIl js ^^ 4 l | fflM word */* ¦ . A ^ ptm' ^ . mmmm Ethics / as abd ^ ve qubtW ) b ^ srtVk ilf ^^^^^^^^ OT'
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Feb. 2, 1813, page 120, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2425/page/40/
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