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With respect to singing , ( whether alone or accompanied with instrumental music ) , I see no reason in the New Testament to conclude , that it was designed by Jesus or his apostles to be introduced into public worship as a
part of public devotion . This position may at first sight appear to some of your readers as altogether unfounded ; and so it would have done to myself before I examined the New Testament and
the practice of the early Chris , tians , with a specific view to this object ; but the result is what I have stated . The grounds of the ppinion , and of some other conclusions respecting devotional music , I shall proceed to shew , only
premising , that I do in no degree mean to say , that the employment of chorus . singing in public worship is contrary to apostolical precepts &nd practice , but simply that it is altogether without any direct support from them .
To clear , the way a little , I shall first consider the import of those words in the New Testament which are . connected with my object ; and next examine in their order the different passages in the
history and epistles of the apostles which have any reference to the use of music , in connexion with devotion ; and then the other passages of the New Testament which bear upon the inquiry .
Adou ( ado ) is the verb which is most clearly appropriated to the act of singing * It is continually employed in the Septuagint as the representative of shur , the generic
force of which appears to be , * to regulate , and thence to regulate the voice in singing , to sing , to utter musicall y * " ( See Parkhurst . ) It is employed in Eph . V- 1 £ . Col . Hi . 16 . Rev . v .
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9 . xiv . 3 . xv . 3 , Schleusner gives aJiw a second meaning , viz . to praise , to celebrate , and refers to the two above-mentioned passages in Paul's Epistles , and to Hos * vii . 2 . Jer . xxx . 19 ** but it is
greatly to be doubted , whether there is any sufficient authority to suppose that it means praising in any other way than by singing . £ 18 r ) ( ode ) is the correspondent substantive , and is well expressed in English by song or ode . It de » notes a verse or system of verses designed to be employed in sing » ing .
< Ypveoo ( humneo ) according to Schleusner , signifies to repeat a hymn ( hymnutn dicere ) to sing a song , to celebrate , to praise ^ to give thanks either by a song or hymn , or in any other way * Parkhurst says the verb is used intransitively , to sing or recite a
hymn , and transitively , to celebrate or praise with a hymn or hymns , to hymn . In the Septuagint it is three times used for eude , ( to confess , to praise , to -give thanks , ) twice for elel , ( to praise , ) twice for eshir , ( 10 sing , ) twice for zsmsr , ( to sing with music , to
hymn , ) and twice for rsnen ( to sing or utter joyful ty ) . The substantive c v ^ vo $ t a hymn , from which the verb comes , has its ori - gin in vdou to celebrate , to sing ;
? In the passage in Hosea there is nothing in the Hebrew corresponding to the word : in Jeremiah , the word is used for thude , praise or thanksgiving , " With two exceptions , which do not respect the inquiry , it is in all other instances used as the rendering of shur ; and it is , I should suppose , most likely ' , either that the LXX found in their
Hebrew copies of Jcr . xxx . 19 . a vord denoting praise by singing , or thnt they considered , from the connexion , that the import of our present reading it praise by singing .
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Oh . the Use of Vocal and Instrumental Music in Public Worship . 45
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Jan. 2, 1813, page 43, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/mruc/issues/vm2-ncseproduct2424/page/43/
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