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often remain any alternative , but the total rejection of what , in most respects , is unexceptionable ^ but -in how many instances h $ * ve we seen liberties taken with this kind of writings , where little better reason
could be offered than t he caprice or speculative notions of a compiler , who in his turn is supplanted by other innovators of still more varied fancy , till , at length , we are almost at a loss to recognize the original author through the disguise imposed upon him .
It has become of late years a prevailing fashion for congregations to become editors of their own hymnbooks , and these have of course varied in merit , according to the taste or talent of those employed in their compilation . T am free to admit that the
system , of which for some reasons L complain , has been of considerable service to the cause of religious poetry , hy calling forth the talents of contemporary authors , who have contributed to enlarge the number of unexceptionable compositions . But if good
have incidentally followed , I cannot but lament the perversion of talent , which , in a large proportion of these publications , has led to the mutilation of even the best compositions , and the bad taste engendered by an affectation of refinement . A kind of puny criticism is made subservient to the
detection of that , for which the poet alone is accountable , or is employed in raising matter for petty philosophical or theological cavils . And why is religious poetry alone to be
at the mercy of every compiler , do matter how little he may possess of that sacred fire which originally gave birth to the object of his unsparing attacks ? Who can view without
regret the tasteless mutilations of living and dead authors , which are not infrequently brought together from various quarters in the most unseemly manner ? With as little scrupulosity , we may often observe the name of an author retained , although he would scarcely recognize his own productions , still less would he have
sanctioned so unfair a proceeding . In questioning the justice and propriety of subjecting the works of others to the arbitrary alterations of individual editors , 1 am well aware of the motives by which many estimable per-
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sons ^ ave been actuated in these well-mieant labours : at the same time I must be allowed to inquire , whether any of their praiseworthy objects is not counterbalanced by other more important considerations , not to mention the inconvenience to which
strangers are subjected in our places of worship . I may also be permitted to doubt whether we -do not depart , in a great degree , from the original intent of poetry in public worship , when we make it merely a vehicle for moral sentiment and Scripture
paraphrases , often possessed of no other of its pretensions than , that of mere rhyme . Surely this kind of versification adds little , either of dignity to public devotion , or of weight to the precepts of religion . A * regards the moral and religious improvement
of children , \ cordially admit that much may be done by putting into their hands practical hymns adapted to their capacity , which can hardly be expected to appreciate the higher order of compositions ; and I think it desirable to admit into our selections
for public use , such a variety of subject as shall be suitable to different classes and circumstances . This , I conceive , is perfectly compatible with the rules of propriety and good taste , which , as 1 have endeavoured to prove , ate violated by too many of our modern compilers .
In making the foregoing remarks , I must observe that nothing invidious is intended . livery publication is open to fair criticism , and while , in many instances , I disagree in the views of the editors of our modern
Unitarian hymn-books , in others I think a great deal of judicious taste has been shewn , without encroaching unnecessarily upon the undoubted prerogative qf the poet . B .
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On the Division of the Decalogue . 467
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*_^^ n >—_ Sir , July 8 , 1819-IN addition to what R . II . [ p . 29 <)] has replied to E . S . [ p . 164 ] , your readers may be referred to the following ; writers .
Mr . Hallett , in his third volume * ( 1736 , ) says ( p . 52 ) , that "Austin undoubtedly joined the first and second commandment into one , and divided the tenth into two . ' * He then proceeds ( pp . 52—55 ) to point out the variations iu the * editions of the com-
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Citation
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Monthly Repository (1806-1838) and Unitarian Chronicle (1832-1833), Aug. 2, 1819, page 467, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/mruc/issues/vm2-ncseproduct1775/page/7/
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