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Onk of vmi ILvS'J^pscES'r DunDiRaa in; JjOkdon, saya the gimps, Nowspapoi', is PaVtricko and Colons' Stationavy Wtti'phpuso, IsTo. li?a, Fleet-stvoot, cornev of Olianoory-lano. Tho largest nn<j pheaposfc house uyLiuju *)wuvwwijujf i jjuiui uu i/iiv
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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»» nw «» . » * aw * ^« : jyu » - n » v . v « ' »» fju country on orders ovovSOa . JN o p ) iai'go for Stamping . XJsprul ovoam' -laid note , flvo qniroa fox * 0 d , > supor-thiok ditto , ilVo quires fovls . ; Javgo oomraeroial ditto , ds . ( 3 d . per roam ; thick qi'eam .-Uud onvelopoe , Cd . wv 100 j , luvgq blue pffloe ditto , 4 s . ( Jd . pov 1 , 000 , pi' 5 , 000 ; . foi' 21 s . Od . Sujpcrilne blue foolsoap , 10 s . Gd . por roam j straw paper , 2 s , Gd . por roam ; good eopy . ' -books ( 40 pagep ) , 2 s . per doaon * Illustrated Pnoclist popt-free . Copy address—i ' lU'trictgQ and Oozena , manufuoturing statipnore , No , 1 , Ohanoory » livno ,. nn < l 102 , Fleot-etroot , j&iQ . i- ' ^ Ad'dertisame' ni , ' ] ; .
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Groynosfl , buldnosp , nnd othoi' disonsoe of thp haii \ thon * cause and veinody , with " Hints o \\ tlio' Hai »« , its o » i « o rtnd euliii'o , " by F . M . Wei-ring , 02 , JJauinghaU-streot , London i postfi-ou , 0 d . " A yory useAiMittle treatise ,, that may bo consulted withadvatango , conveying voonflidorable ivinpttrtt pf infomttt ion . rpsnootinff tho j ) ono / lpj « l oflcpjs to be do « y ive l ft'pni the nnpropQir oared oumvatiort of M » . e } inU \—MQrmw JTeraW ,
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. pei-quisitee , the business-like distribution of programmes withe charge , upon the principle adopted in all respectable concerts ; tli ( are no inconsiderable elements in the sum total of playgoers' comfo There ai-e theatres in the world , that we could narnej at which t visitor is actually fined sixpence for the privilege of knowing t names of the performers and the dramulis persona—that bei the charge of a " bill of the play : " \ Ye verily believe th the harpies and Barabbaa himself . -were but antitypes those sleek impersonations of predatorineas and imposition , w ' can never find a seat for the visitor who has Y'aul once alrcac until he finds out that an additional payment is the only mca of quickening their power of discovery , and that when that is . fort coming their eyes are suddenly and miraculously opened , and C £ perceive whole rows of vacancies that were invisible to them befoi Thus tho payment at the door only admits to the theatre , that is 1 the passage and the lobby ; another payment is a condition preceden . and a sine qua -non' to the ; acquisition of a seat . "Oh ! reform altogether , " as Mr . Webster has done . We merely look at tl question here from the business point of view—in a commercial ligli Payment for anything twice over upon any pretence , directly c indirectly , is bad upon principle . We do not wish to go into the evL arising from favouritism , and undue preference incident to the perqti : site system ; but a poor man , who can just afford to pay for his seat ouc < is , by this system , placed at a disadvantage in favour of tlie rich mat who , besides , can bribe the attendants in addition to the legitimat charge . Then there is the impertinent civility , the courteous insolence whenever the expected largess is not forthcoming . Again we say , " form it altogether , " as Mr . Webster has done . Let the attendants b paid once for all by the management , and let part of . the duties the ; are paid for be attention and civility to the visitor , without fee or re ward ; and let a , proper programme of the performances go with ; seat , as a matter of course * . : I / rcETnvr Theatre . — -At this house novelties being the order of tin day , a week ' without some novelty would be no inconsiderable novelty in itself . The first novelty of the week was , T / ie MidAy Ashofe , witli tlie fascinating danseuse , Bliss Iiydia Thompson , in the character , ©; Harry Halcyon . There was no diminution in the . popularity and : attraction of the other pieces and the artistes appearing in them , sc fully noticed in our last , during that , pai-t' of the week apportioned to their continuance . . But variety is charming , and on . Thursday we had the Lone Chase , in which Miss 0-Ougenheini , as the heroine ,, has added fresh laurels to the wreath she has won so well and wears so gracefully . She was admirably seconded by : some of tlie leading members of the numerous and powerful company of first-class artistes whom Madame Celeste hag assembledat her admix-abl y managed : theatre ; notforgetting Mrs . Keely , Mr . George Vaning , Mr . ¦ Xyori , and '"' the new actor , ifr Neville . There was also ait additional ancl a two-fold novelty qti Thuirsday , in the first appearance of' Miss Rose Howard ( an artiste who , in the double capacity of singer and actress , had attained a high reputatipp in Ameriea ) as Prancine in Grist to the Mill , revived under the personal superintendence of its talented author , Mr . Planche * . At this late period of the week , hoTveverj our space being occupied compels us to defer a detailed critique until our next impression . Therei is no end of novelties at this theatreV On Monday a new piece , entitled The JPioneerSyis ; to be brought out for the : purpose of introducing to the London , public ? another of the new" importations from America announced in the preliminary nptice- — -in the person of Miv Watkhis . In addition to this , two iio . w pieces ai-e in preparation , the advanced stage of rehearsal having been already arrived at , and pno pf wliicli will afford , a vehicle for the incompai'able talent of Miss Xydia ThpiniJsonV ' Sadmb ^ s W $ xiz $ i— -Mr . Pljejps . has shown his zeal iii fostering . genuine histrionic talent by bringing out young actors of [ sterlingl merit in prpminenfc characters . Mr . Marstpn has recently , boeri introduced , to the pub'lio in oiio of thoso fampns charaoterizafcipns wliibhv Mr . Pholps had- made his own } arid ; j \ o \ y wo have to record the appearance of Mi \ ljemiann yojziri , asPosthumus in Cjfmkeline , y With the | iinpvession q £ M , v . Pholps fresh in pin 1 memory , any other actor injglifc wpll bo . , oxpcoted to have great diOioultiea to qontond wi ^ i . Mr , Vozjn , howevcaylias succeeded in . winniyg goldoh opinionsfroyn nil ports of people . This pei'foct absence of aiiything like . jealousy is iri , tho highest dogrod worthy of . coniinondatioii .. Tho h ' bight of Mr . PhciJps ' a laudable arabijion spoms to bo cpntercd in piwfioting the beat . interests pf . thpdx'ainn , by finding a school Which / may give -really great 1 actors to , tho' IJi'itiali stage . Wo heartily wjali him that sucpess whioli shauld . attond the ppsaossipnpf tho highest lnovit himself , combined with tho prniaowoi'thy di ^ psitipn tp rocognise mevit in othovs , ' and cause it to bo Icnown and n-ppvepjatod by tho publio under the most favourubio HUSpicCB . 3 LM . UTI ax St . James ' s Halt ... —This masterpiece pf tho lTondelss . o ] m sohooHs to bppprfohnodat £ t , Juinoa ' s Hall , on | Wpdnosdnynoa ; t , under the auspices of Jhv Jlenry 'yfyldd , whoso name in the direction of tho now Phllhamripuio Concerts is assooiatod with some of tho most cpmiploto and poi'footly cvgamse ^ p ^ phestvn l and misoolbnopus annsioal porformanoos evov gi ^ on iii the niptrppolis , TnnP ^ QPi / n ' s PrrixttAmiONio OoNon « TS .- « An dxoelloi . it eoriea of penoprts , undor tin ' s title , hoa boon oorjimonopd at . TSxoter Hall , nnd the two opening poi-fcrmanoos of Monday and Wednesday wove highly oroditablo to tho managamonfri On the sooend pf these nights , the «• Messiah " was perfovmocl willi a dogbee of oomplotcmpss -qncH escollonoe , implied in tho Jnot thai the ? bnnd and ohovus inivnbproa 500 powfovraors , that tho names of s , uph nvtistps as Kfr .-Willly , and M . Buziau the . yiplin | ats | and Mr , Bori ^ ainiii Wells , t-Jio . fliUjflt » ftpportivns mombove " of ihe oroliestra j and uiat thq solo pnrte \ n this grand pvatpi'io wores . us ( aine < J by , Mesjrlamoa UttWionno Hnyos , Q-ilbovt , and Laura ^ axtpr , p « d Mpssra , Wilbyo Oobpo ^ nnd Weiss , M » % Jolly prosirlpd at tho organ , Tiio . prpgramnV lov the ^ flrot night ^ fts jtiisoeljlanqoufl , It comprised the avaniXMale to Mendel s ohn ' s «'¦ Lo veley , ? ' in whigh Madame OftthorineHftyea sang the Boioe } tins jiriepnipav ^ bl fl singop alpp gave MQwivnd jo qiiltfai jia l $ Qr , *
ut mandie , " and " Robert , toi que j'aime , " with a felicitous grace of so delivery , and a degree of feeling and expression never surpassed . Some rt . favourite part songs , including Mendelssohn ' s "Oh , hills ! oh , Vales !" lie were sung by the chorus . Mr . B , Wells' flute solo " Malbrook " was Lie encored , when he substituted " the Tln ^ ee Jolly Fellows" an old English ig air . Mendelssohn ' s violin concert in 3 < J minor was excellently performed at by M . Buziau . The great orchestral works gn-eu were Mendelssolm ' s of Italian Symphony , and overture to . Ruy Bias , and Rossini ' s overture to 10 Iia Gazza Ladra . Mr . Alfred Gilbert was the pianist . It will be seen y , from the initiative already given that tlie people ' s philharmonic concerts ia bid fair to be ranked as the best series of the kind , both for the colossal a- proportions of the scale on which they have been undertaken , and the n excellence of details , that we have yet seen established in London ; e . Dr . James Pech ^ who , we understand , originated the idea of these cono certs previously to their establishment , is the conductor and musical ty director . For Thursday was fixed the production of Beethoven ' s ifc symphony in A major , and his overture to " Ooriolanus , " with a miee cellaneous selection of the most attractive character . r Tiie Buckleys in" LoNDOX .- ^ -Who and what are " the Buckleys ?" 3 who , with Miss Julia Gould , constitute a noun of ' multitude , or a plural unit , or a multiple duality , . which seems to bo universal , , , ubiquitouSj and protean ; liere , there , anel everywhere at once , and in , all sorts Of characters . The Buckleys , as far as we can learn by the iu-3 formation of our eyes and ears , are a tronpe of melodious " niggers , " f with the style and voices , and cultivation of Italian artists—they area brass band ; they are an opera company ; they are comic a " nd * senti-> mental balladists ; they are capital solo instrumentalists ; in their r hands , the " bones" are almost made to sing and produce ; eff ' ects of crescendo and diminuendo , as we can fancy the necromantic chin-: ! t player of a former generation used to do , to the astonishment of our ancestors . To employ a geographical solecism , tlie cremdha of China , in the hands of the Buckleys , gives forth the ''¦ Carnival de Venise " , from its one string with extra-Paganinian power of effect . They have a repertory of burlesqiies of standard operas , and a whole book ' -full of . songs ; containing some pieces as remai'kable for their exquisite pathos ; as others are for their literally hai'rowing drollery ; they compose their own mu 9 ic ; they adapt their own ; arrangements , and arrange their own V adaptations ; they have a miniature but highly effective orchestra' ( including a piaino ) which goes . with the regularity of clockwork ' .-without the farce of a conductor ; they make jokes , which are a treat tp hear , from their aptness , simplicity , and smartness , to say nptliing of novelty ¦ and originality ; they . are . singers and actors of no ordinary talent Jin , sh , they do everything , taking the public by storm wherever they go , included . Miss Julia Gould has a fine voice , well cviltivated , and ¦ combined with considerable : histrionic power . We should be . disposed to say that , the musical and dramatic abilities displayed by the company , were above the roles iii which they are exhibited , did they not possess the power of elevating a subject to their own level instead of deseehding to that of their subject . . St . Jarnes ' s ( minor ) Hall , Piccadilly , ia nightly filled with an overflowing audieriqe to witness their" attractive performances . The NationAi < GAi . l'EiiY . ^ -The iiniirovements being : efFectedat the Ifatibnal Gallery , Trafalgar-square , for' the ' . more effective display of the collection of paintings purchased by the nation at such an enormous cost , have already made considerable progress , and it is now expected that the gallpry will bo re-opened to the publio daring Jl ^ dvoniber ^ or earl y in pecembcrj being much sooner than was originally expected . djliQ division hi the central hall , separating ^ the national collection from that part of the biiildiiig devotpij to the Royal . ! A . cadeiny , ^ has he en entirely removed , as also the circular erection in the rear ,, next St . ¦ George ' s Bin-rflcks , and tlie space .. . tliuspbtained is now being prepared for hfengiiig the pictures , a floor being thrown across the liall lovel witli . t f jiat of the old gallery .: Considerable alteration is also to be madei , in the .. staircase leading to ; the Uoyal Academiy , which will now bo mi ^ de to luih iip i » to the miniatUro room . These ai-rangemonts are only tern ? pprary , a 3 , on tho edmpietiori of tho Building abput to be preefcod for the Royal : Academy , the whole of the . gallery in Trafalgar-square will bo appropviated to tho publio . obllootion ,, and those paintings removed from Marlboi'ough House tp Konsington bo bi'pught . here . ; Tina Temx'I / B Gabdeks ;— -The show of chysanthomiims in . the two Teinplo Gardens arc now open , to the public ( free ) ovevy day from ilioo till dusk . Visitors a , vd respeotfuHj ihvito 4 to' an inspeotiop of the oxtraordiuary pollectibn Of pp ' niponos , a d ^ vurf . cpllpctipii of , this autumn flower , in tho gnrden of the Middle Toinpio ; tho ontranoe to tin ' s gavclon is from tho bi'oad flight of stops in front pf tho fountain , within . « i fow minutes' walls of <; hp Wgo . garden , and near Kssesj-street , adjoining tho'librar ^ , no \ v nearly finishod .
Untitled Article
Oct . 20 , 1860 ] The Saturday Analyst and Leader . 887
Onk Of Vmi Ilvs'j^Psces'r Dundiraa In; Jjokdon, Saya The Gimps, Nowspapoi', Is Pavtricko And Colons' Stationavy Wtti'phpuso, Isto. Li?A, Fleet-Stvoot, Cornev Of Olianoory-Lano. Tho Largest Nn≪J Pheaposfc House Uyliuju *)Wuvwwijujf I Jjuiui Uu I/Iiv
Onk of vmi ILvS'J ^ pscES'r DunDiRaa in ; JjOkdon , saya the gimps , Nowspapoi ' , is PaVtricko and Colons' Stationavy Wtti'phpuso , IsTo . li ? a , Fleet-stvoot , cornev of Olianoory-lano . Tho largest nn < j pheaposfc house uyLiuju *) wuvwwijujf i jjuiui uu i / iiv
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Citation
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Leader (1850-1860), Oct. 20, 1860, page 887, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2370/page/15/
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