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TKXT.VnVK NOVEL >\"KIT1NH.*
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ODD JOL'KXICYS."
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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83 i The Saturday Analyst and Leader . [ Sept . 29 , 1860
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It is a remarkable fact that diseases of the heart are naturally confined to the human race ; though in . domestic animals exposed to moderate inuseular exertions , such as the horse , tlic heart if « frequently found ' -diseased . ' In wild -animal's diseases of the vascular system have seldom or never boon observed . In -mankind , the hearts action is so frequently -interrupted by their habits and passions , that from the influences of the blood on every organ , the heart becomes the seat of many diseases , and the exciting * cause of disturbances in their organs . The various irregularities and unequal distribution of the blood , which inevitably result from these changes , \ iltimately create derangement of structure as well a : s disturb the function of those organs whose circulation has been disordered .. Diseases of the heart are more frequent than is usually
supposed . . It is another curious fact that the size of the heart varies in different persons , as also at different periods of life . Kieherand wiys . tltnt according to the size of the lieart , it is supposed a man is strong or weak , and lias more ' -or less moral courage . Ihe heart is inoi'e-powerful in courageous animals- than in the feeble and in the timid . Hence , he remarks , the common expression of a person having the : heart to make any great ¦ etlbrt , The heart , though the source of ¦ sensibility is itself next to insensible , even in disease ; Even when the heart is . seriously disturbed , tlu ? ve is little or no local pain , the uneasiness in breathing- and the other 1
symptoms arisingfrom ' changes in the distribution of the blood , [ t . must , however . be considered a central nervous orgran . which may -be-. 'illustrated in-the nervous system of animals , the structure of which goes far to prove the position . In many , . for instance , of ¦ the invert eb ' rata . nervous centres , consisting of detached ganglia , or connected by nerve fibres , are placed in different parts of their body , each of the ganglia supplying- a particular part , which part can act separately , or in conjunction with others . Each organ is independent of the brain , and can live , after it has been separated from it ; but whilst the body of the animal remains entire , all the organs perform their functions conjointly .
Irregularities in sleep and waking are symptoms of henrt disease . Irvsonni-oleuee is one of the most distressing 1 symptoms which of ' ten accompany a disordered heai't . The quantity of sleep required is . however , ¦ different ' 'in different individuals , . Men generally spend one-third of their time in sleep : exceptions-are nevertheless-frequent . The celebrated John Hunter only ' slept five hours . A man . not named , is said ¦' never to have slept , and yet he enjoyed good health , living till his seventy-third year ; he had a kind of dozing for about . ' a quarter . of an hour once a day , which was all the rest he was ever known to take . Napoleon found a single hour of sleep sufficient to restore . ' him niter twenty-four hours' fatigue : he could also fall asleep at will . Somnambulism is , also , an effect of a disordered heart , it is a condition of the oerebro-spinal system in which some onlv of the orsra-ns of that svstern are awake .
The Chinese pay great attention to the heart ' s pulse , and Dr . Wardrop is . strongly convinced that the habit of examining the arterial pulse , in place of the beats of the heart , has been a . fruitful source of error in the practice of medicine . The arterial pulse is . indeed , felt only for information on the state of the central organ of circulation . Some common expressions in reference to the state of the heart are pathologically correct , such are " a full heart . " "' a heart ready to burst . " The heart is in a state of congestion when an increase in its cavities has taken place , beyond a certain limit , and when they have no longer the power to empty themselves sutricientlv .
Those who are fond of the pleasant exorcise of dancing will be glad to learn that its exhilarating effect a are good for the heart . Indeed nil kinds of bodily exercise are beneficial . Walking invigorates the mind after fatigue ; driving in a carriage bus an exciting influence . A gallop across the -boundless desert is perfect Iv intoxicating—it produces u sensation approaching to rapture . ' which is inconceivable . Muscular movements on the orator are alike most influential . "His gestures keep pace with his mental excitement , and his gesticulation * become move oxtvuvngant in proportion as he becomes impassioned ; the heart thus acquiring an increase in the quantity of its blood , and consequently the brain receiving a proportionately increased supply of the vital thud . " Thus it is that nuir-vles , by their ' contractions ' . iuen . u > e the quantity of nrtorial blood in the heart : and our author is ¦ sumi-i ^ od that
physiologists , when endeavouring to account for the benoricial influence of various exorcises , though they wciv nwave that Mich exercises iiuToased the return of the von ' ous blood to the central organ of the circulation , should not have advanced a sup further , and considered what must bo the etleot of the contract Ions of muscles on those nrt «? ries which are adjacent to thoin . On the pathology of the heart there is no work capable- of competition with the present . It is complete in all its part * , well arranged , mul written in so lucid a stylo , that the unprofcssivm . il may readily understand the full relations of the argument . On this account , it' on no other , tho book would bo a valuable gin to the publics hut . combined with tho numerous excellencies that it po :--ses-ses , it cannot be priced too highly , ami ought to bo found on tlso * helf of t'votv adequate librnw .
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4 WOKlv undor tho above titlo . by Mr . Ilohi ! i-r-nca . ,. - ' ¦•; XjL vailed , and very successfully , cimparativu ' ly now giV'UiSk . \' - is composed of a select ion of nrtieks c . mtril . nite . l to Mr . l ) : ^ : i- ¦; pori'xlioal . taking tln ^ o only which dealt with u particular > ... i s * ' •' subjects , such as travelling in o < kl place : * , or underb id c : iv ; . - - Ntanco . —mv . l c ; . nbodied theiiutlur ' s own ii . > rsnnal oxivriouiv . _ > •; lyoWil the look witli tho oxpoct-. ition of l » oiiiyr I 1 > tliin :-mu-t ,. : iv . 't aunis < nl-. n ' nr hnvo' wo'bocn uJMippointod . Mr . ll > lii ' . i « >' 'O . ul . * ¦¦ '•• ¦ of those writers , produced by the oxigouoo < -f tho ( > -r i-. " . Uc : tl I 11 "" * wlio is most aj . t in reporting scUntitlo an-. l >*> vi : ' . l piv-rro- , ¦ •';• IK'nulari .-inir scientific ui' -.-ovc ' ry , thus making app-.-. u * ca ^ ' . " ' - ¦ ¦ ' reader what lu * i \ . i !! y boon dirneult to the U-. v-hor . >>'•> i- ' -- !' " iluovs thi * kind of imiole in better style , and wo c . r . iu- ¦ : lu . ^ ugni-dhig Mr . H dlitifcrskead in the light of a public Ivnefuet . ;•
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" i' It J .-urn ty * n ii , ' .-: f / l . nd . I , Uy J iin IM : iu » h .. i . t . Or . vtn ' : •»• . 11 . 1 t . :. » .
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contrarieties , yet through the mere force of the earnestness of the writer , and the evident goodwill with which he or she has entered upon their undertaking , together with a natural flow of language , and a certain dramatic power in the arrangement of the materials of the story , succeed in gradually exciting the interest of the reader-in behalf of the several individuals which compose the drama . There is also an indescribable charm in the freshness and impulsiveness of feeling which particularly characterise the works of young writers ; and though we may discover here and there certain -incongruities and shortcomings " which betray the inexperienced hand , yet the mind naturally skims lightly over these weaker poi'tions , and dwells with : ill the greater zest and enjoyment upon the parts in which arc depicted i . ll the vivacity and spontaneity of a young ^ enthusiastic artist . ' Over the Clifts , " bv Chavloite Chanter , is . a fair specimen
of the kind of novel we have described . The authoress possesses considerable talent , and it is not difficult to perceive that her heart is thoroughly in her work : there are , however , certain errors and inconsistencies in her story , and the manner in which it is developed , which , with further experience in her art , she will not be so liable to fall into . For instance , the character of the elder JDa / c-ioii is not only somewhat exaggerated , but is besides scarcely kept up and sustained with sufficient power and ingenuity . This man . who has early engendered habits of intemperance , which -render him subject to violent paroxysms of passion , to one of which his wife had formerly fallen a victim , though the deed had at the time been hushed up , and the murderer allowed to escape the fangs of . justice , cherishes within his breast an intense hatred , of his only daughter Gntceov GnrHaun , whom lie subjects , not onlv -morally but physically , to treatment-at
once cowardly , brutal , and inhuman . Thus in aii early part of the first volume we find this monster of iniquity striking the unlucky object of his spleen , then a child ton years of age .-mercilessly s ' , < .-r-. » :. the . head and : shoulders with a heavy hunting whip , v . iifully lacerating and disfiguring , undeterred hy any conscientious scruples ' , * " the' offspring of his own . flesh and blood . Again when the young lady " has attained the age of ¦ sixteen , we find her , for some comparatively slight offence , suddenly strr . ck to the ground-by a blow on the temple , administered by the hand of her infuriated parent , who , thereupon , without summoning any assist ance . turns the key upon the unhappy girl , leaving her to lie in a state of insensibilitv till the ensuing morning . Such a ' . character
necessarily requires to be strongly delineated ; Either it shoaucl bo something or nothing : either it should bo worked out deliberately , without reluctance or hesitation , or it should be dispensed with altogether . -l / Y .- ' -v C / ninfer seems to have been alarmed at the monstrosity of her own conception ; and consequently at . different portions of her narrative , when , the brutalities of the above-named individual are about to become particularly glaring , she suddenly draws in . with a kind of half apology , implied rather than expressed , a * though she were fearful of offending too far against the natural feelings " and prejudices of her readers . Ultimately . Mr . Dav . "son . supposing himself to have been the immediate cause of his daughter s death , fall ' s into a state of idiocy , and , of course ; dies miserably . Miss Chanter is . however , more successful in some of her other
characters ; that of the heroine Grace herself , with her bitter sorsows , against which she bears lip heroically , with true Sjmrtan fortitude of soul , her wild energy of disposition , her goncr ' . ms impulsiveness of heart ; . —inheriting some of her father ' s- violence ' > t temper , but softened and toned down by a true womanly inMim-t and a deep solicitude for the feelings and happiness of others ' : _ over seroi-ning her father , and jealously confining the secret of her wrongs to her own breast , when a word spoke in public would have drawii around her a host of sympathising friends , and porhap- protectors—were not unworthy the pen of many a more celebrated and gonenilly-aeeopted novelist . The character of Lily K ^ wk-r i- < a !>" ably and artistically drawn , and her history forms a melancholy but interest ing episode in the book . Art-print oi' ImhJ anJ Sm Tales , by the " Old _ Sailor . " k-U .-r known i \ f > the author of the " Warlock . " " Tough Vann . " Ac hajust « i > poarod in Itoutledgo ' s cheap edition of novel-. The tuk- in this volume , which comprise " The Fanner ' s Daughter . " " 1 Drink tho He . id- * . " " llo-lvoir Castle , " "The ( Jrcat H-.-U . " and " 'Lh > . ' Painter of Port . " in * e all written and constructi .-. l with euiisj ' . k !' . ! ' e p .. > wer und ingen \ iity . Tho livst on 111 i » H- t . "The I * avi . ; . : ¦ < PaujrUt or . " mude up iw it is of all kin-. l- * «> f ^ tiirtlingin .-ilcn .-. -u h as > t ^ luetion . rolihory . murder . \< -.. \\ i \< ahv . idy iV-umsI . ar ,. l v , . il doubtlos still continue to find . h <» t * ot a < ln » ircrs aui-n ^_ it Lr-iv circle of readers , whoso tastes lie in a somewhat incl ' . »< . lnni ) ati ..- d \\\< :-tton .
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" Orei- r »« i " " ' - *' ' . Hy i'h ill- ; ' . <¦• \ ' ! i » i ; :.-r . . ' . ; ii :-.. t >• . ' "I \ ri ' , v I ' .-n ' . w . " - '\ ¦ ' . * , 1 a » ii > U » i i Smith , KMit . . <; C \—! .. iilo > it ^ V . i r- \ l <* . Uv Ou- O \ t S . » l ' . < r , iiutl .. r i >< " Tl . c Wnrlov W X , « u -t \ Yriru * , " . V » , ! .. : i » l <> : i ! li . ' t . i ¦' ., - . ' , Wrtr . A , aui KvuiUv . v ,
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r I ^ HKKK are some u . ivol * which , though thoy exhibit n <> groat JL s * t \ iII in tho pourtrauil o \ tho ditleront ]^ a * si »> ns und eiu < 'U"nr » . and link aoi } v . iu ' ntJiiKv with human nature in its vaiu-us
Odd Jol'kxicys."
ODD JOL'KXICYS . "
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Citation
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Leader (1850-1860), Sept. 29, 1860, page 832, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2367/page/8/
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