On this page
-
Text (2)
-
Untitled Article
-
Untitled Article
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
-
-
Transcript
-
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
Untitled Article
Like > to a . diver ia the pearly seas * She like a swimmer-who has found his Forward he stoop'd over the airy shore , ground ,. And . plunged . aU noiseless into the deep Came rippling up a silver strand of cloud nighfc ( Hyperion . " } And . plunged from the other siSe into the night . ( p ; 52 . ) This is very ^ close . Yet there are touches of originality . O Sorro-wy why dost borrow Alas that yeara should harry Tiie natural hue of health from vermsil Gloss from life and joys from lips , lips ? .... Love-lustres from the eyes of Glari ! The lustrous passion , from a falcon eye ? ( p . 61 . } (" Endymion , " B . 4 . ) " Z" discover plagiarism in this , as he does in so many other instances . We leave him in full possession of such sagacity . Of the same character are the following from Shelley : —
»¦¦¦¦ A Eower Thou art a rock , Girt round with weakness la weak ware wouM break en tbee and A breaking billow;—even vrhilst we speak die . ( p . 3 . ) Is it not broken ? ( " Adonais . " ) ¦ ¦ All deadly shape 3 yrete driven Across thy soul dark herds of demon Tumultuously across her sleep . dreams . ( p . 180 . ) ( " Marianne's Dremn . " ) . And this from Leigh Hunt : — The birds . . . As darts a bright bird in and out the S . ixng and darted . ia and . out the boughs . leaves . ( p . 159 . ) ( "RLmiiri , " B . iiL ) ITo one , of" course , erer observed a bird dart in and out of trees until Leigh Hunt observed it ! But so resolute is " Z" to " refer to their original sources" any passages or words he finds in Alexander Smith , that he actually instances the following as examples : — Here are ( in or out of season ) Jove , Bacchus , Mercury , Dian , Ou . pid , Venus , Apollo , Hercules , Orion , —Caesar , Marc Antony and Cleopatra , Hero and Leander , — Bacchanals , Nymphs , Naiades , Memnon , the Sphynx , Egypt ' s Gods , Adam and Eve , Moses ' s Serpent ^ Loves of the Angels , Jacob and Rachel , Absalom , Satan , Dives , — Paradise , Hesperides , Labrador , Ind , Indian air , Ganges , Indian morn , Cub of Ind , — lutes , timbrels , swans , < krv « s , falcons , larks , panthers , leopards , fawns , water-lilies , daisies- on graces , " like April unto May , " ' . * ' populous -with , bees , " " bathed in sumset , " moon whitening o ' " piled sheaves , " wine-cups , heart-pants , queenly maidens , crowns , palaces , haunted springs , worlds of greenery , purple nights , blue days , throbbing stars , spooming seas , old gods , old kings , great queens , earls , " wild-eyed " persons , singing 1 rills , ancient woods , windy woods , brooding thunder-eaves , braying trumpets , —orling , ringing , reeling , broadening , far-splertdouring , grandeuring , — mighty Bards , Poets of ihe Age , Poets' deaths , Poets' fames , "O Fame ! Fame Same ! " ¦ ¦ « Poesy ! Poesy ! " &c . &c . Is "Z" a lunatic ?
From Leigh Hunt tliree passages are said to be plagiarized—a charge ¦ which we are quite sure the veteran will energetically disclaim . They are very fine passages , and . Alexander Smith ' s passages , also fine , !> ear a faint , Tery faint , resemblance to them ; but if such , be plagiarism deserving public reprobation , woe upon the poets to come !—And flung scattering The foam b&hind , as though he scorn'd With scornful breath the kissing , flatt « rthe sea ; ( Hero and Leandor . " ) ing foam . ( p . 17 S . ) The wind is mad upon the moors , The terror-stricken rain And comes in-to the rocking town , Mings itself wildly on the window-panes , Stabbing all things up and down , Imploring shelter from the chasing wind . And then therre is a weeping rain ( p . 2 { fc 8 . ) Huddling ' ga-inst the window-pane . ( " Captain . Sword and Captain Pen . " )
ghastly pnaon , that eternally An old fort liko a ghost upon the hill Holds its blind visage out to the lone sea . Stare in blank misery through the blind-(" Power and Gentleness . " , ) ingrain . ( p . 237 . ) We cannot go through the list of examples ; but we have given specimens of all kinds , and . now we ask our readers what they think of a writer producing such evidence , and on the strength of it saying : — In all thesft instances the appropriation is simple and direct . Mr . Smith has not troubled himself to smear the faces and change the garb of the stofcft-thildren . But a favourite secret of his composition seems to consist in taking three or four passages from various writers and marrying them together—not in immortal verse . Was our interference in such a case justified , or not ?
Untitled Article
MEMOIRS 01 ? RICHARD CUMBERLAND . Memoirs of Mcfiard Cumlerfond . Written by Himself . " With Illustrative Notes by Henry glanders . TrUbner and Co , The Memoirs of McliarH Cumberland—Courtier , Poet , Dramatist , and Philosopher—were published some yeara before his death , but never reached a second edition . They are largely interspersed with anecdotes of the men of his time , with most of whom he was intimate . The cumbersome style , however , in which the events he has to record , and the gossip ho has to narrate , ar « placed before the . reader condemned the work to an oblivion from which a little humour and sprightliness would have rescued it . In vain wo look for the witty air of Walpole . Another characteristic which the work possesses is not calculated to detract , from its duhteas . It is evidently \ yrittcn with a ¦ vie w to apologize for the author ' s many ill successes ; and a work written to patch up a man ' s character must always be tinted with a false colouring In America , however , tlie " Memoirs" have been revived . They are recommended , in the short notice which prefaces this edition , as being peculiarly interesting : to the American student of history , inasmuch as they re lute the episodical eareoT of Cumberland as British envoy in Spain at a timo when the ex-President , Jay , was Minister of the struggling republic at the same cour * . Cumberland received his early education at "Westminster , -where ho had Warren Hastings , Colman , Lloyd , and Vincent as schoolfellows . From
Westminster he removed to Trinity College , Cambridge , and , whilst only a student , had the good fortune to obtain the office of Private Secretary to Lord Halifax , then First Lord of Trade and Plantations , and afterwards Lord-lieutenant of Ireland . This connexion with bis lordship procured him the offer of a baronetcy , which , being but a hollow honour , h « declined . On the death of Lord Halifax , he received the Secretaryshi p of theBoard ., of Trade , and signalized himself by a steady discharge of its formal duties . His next step was a failure - Being sent on a mission to Lisbon to treat with the Spanish court , then at war with us , on the articles of a peace he exceeded nis instructions , and proceeded to Madrid . Considerable mystery hangs over the causes which led to his recal . Some aifirm hi 3 advancing into Spain was the real ground ; others maintain that he was not sufficiently firm in earrying out the injunctions of the Ministry , the cession of Gibraltar being laid down by them as the basis of any negotiation . Whatever was the cause * it is generally admitted that he was harshly treated both in his-recal and on his return . He therefore retired to Tunbiidge Wells , where he spent the remainder of his life in writing pLays , epics , and
operas * How difficult is it to keep silence under a delusion of wrongs ! The account of the " Spanish Mission" affords many a complaint which might find a parallel in the heart-burnings of our late gallant Baltic Admiral . Cumberland receives letters from the Foreign Office- ' — " If the enclosed letter was not altogether what I hoped for , the covering letter was most decidedly what I had not deserved , for it conveyed a more than implied reproof for my having written to the Spanish Minister , and at the same time acknowledges that my paper was cautiously -worded , and that I had most certainly succeeded in iny argument . " Again :- — "If , in any one part of my conduct or conversation , I bad . advanced a step beyond the line of my instructions , or varied from them in a single instance , 1 should not have sought to shelter myself under the peculiar difficulties of my situation , I must have met the reproof I merited . " But whether under the lash for his political or literary conduct , Cumberland always manifested a most sensitive disposition—so sensitive , indeed , that he was nicknamed by Garrick " the man without a skin , " and caricatured by Sheridan in the character of " Sir Fretful Plagiary . "
Cumberland s public life presents three distinct phases—its political , its dramatic , and literary phases . His political life threw him into the society of the court politicians of the day , arid we have an The Memoirs , " as has already been observed , sketches of many characters known to history . His dramatic and literary career is that upon which his reputation will longest last . By his connexion with the stage and the press he became acquaint ed with Grarrick , Foote , Kemble ; Bannister , Mrs . Siddous , Miss Farren , Johnson , Burke , Goldsmith ,, Reynolds , and others . It is unnecessary to enter deeply into the merits of Cumberland as an author . He tried his hand at almost every kind of composition in prose and poetry . He wrote an epic , making Milton his model ; but who ever hears of the Calvary" now ? He gained great eelat as a Gi-eek scholar and essayist , and his " Observer" has been
incorporated into the popular edition of the " British Essayists ; " but since it has become known how much he was indebted to Bentley ' s MSS ., even his character , as a Greek critic is no longer sustained . " Arundel , " a story in two volumes , principally supports tis claims as a novelist , and at the time of its publication obtained a considerable circulation . His principal reputation , however , is based upon his powers as a dramatic writer , and on this it will continue to be based . In this branch of composition he exercised his inclination for variety , and produced pieces of every description , from tragedy and comedy down to the broad farce and the light vaudeville . Of his numerous productions , however , only " The Brothers , " " The West Indian , " " The Jew , " and " The "Wheel of Fortune" now to be found in the repertoires of theatrical managers .
Here is a characteristic anecdote o-f Johnson , which we give as a specimea of Cumberland ' s style : — At the tea-table he had considerable demands upon his favourite beverag-e , and I remember when Sir Joshua Reynolds at my house reminded him that he had drank eleven , caps , he replied , " Sir , I did not count your glasses of wine , why should you number up my cups of tea ? " And then laughing in perfect good humour , he added , " Sir , I should hav « released the lady from any further trouble if it had not been for your remarks , but you have reminded me that I want one of the dozen , and I must request . Mrs . Cumberland to *» und up my number ! " When ho saw the readiness and complacency with which my wife obeyed liia call , he turned a kind and cheerful look upon her , and said , " Madam , I must tell you for your comfort you have escaped much better than a certain lady did a while ago , upon whose patience I intruded greatly , more than I have douo on yours ; but the lady asked me for do other purpose but to make a zany of me , and set me gabbling to a . parcel of people I know nothing of ; bo , madam , I had my revenge on lier , for I swallowed five-and-twenty cupa of her tea , and did not treat licr with as many words . " I can only say my wife would have made tea for him as long as the New River could have supplied her with
. In the following , both Garrick and Foote figure :- — I remember full well when Garrick and I visited him , poor Foote had something worse than , a dull maa to struggle with , and matter of fact brought homo to him in a way that for a , time entirely overthrow his spirits , and most completely frighted him from liia propriety . We had taken him by surprise , and of course were with him some hours before dinnor , to make sure of out own , ii wo had missed of his . Ho acemed overjoyed to see us , engaged us to stay , walked with us into his gaxden , and read to ua some scenes roughly sketched for his " Maid of Until . " Hia dinner wae quite good enough , and his wine superlative . Sir Robert
Hotelier , who had served in the Eaat Indies , dropped in before dinnor , and made the fourth of our party . When we had passed about two hours in perfect harmony and hilarity , Garrick called for hia tea , and Sir Robert rose to depait : thore was an unlucky screen in the room , that hid the door , and beliind which Sir ltobert hid himsel ] for some purpose , whether natural or artificial I knew not ; but Ifoote , supposing hin ; gone , instantly began to play off his ridicule at the expense of hia departed guest . 1 must confess it was ( in the cant phrase ) a way that he had , and juBt now a very unlucky way , for Sir liobert , bolting from behind the screen , cried out , "I am not gone l ' ooto ; sparo me till I am out of hearing ; and now , with your leave ,. I will stay til theao gentlemen depart , and then you . ahull amuse me at their coat , aa you hav < amused , them at mine . "
Untitled Article
. . ¦ 0 a aruAB » 1 O , ' 1 S 5 &J THE LB-ADBE . 43
-
-
Citation
-
Leader (1850-1860), Jan. 10, 1857, page 43, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2175/page/19/
-