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f^LlIP ^iriS ^Kyi) ** avmai *
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- ROMAIC AND MODERET GREEK . Romaic and Modern Greek . By James Clyde , M . A . Simpkin , Marshall , and Co . W * said some time a ^ o , that living Greece must henceforth be regarded as ^ Sy- we may now add , that the modern Greek tongue offers materials ^ rthv the ^ onTideration of the studeut of modern philology , ascompared ^ Ji fue ancLnl The treatise of Mr . Clyde is to show the distinctions Indtbe points of resemblauoe between the Romaic and the modern Greek ? 2 dbeween these and the ancient language . He treats , therefore , of the elements and principal characteristics of the Romaic dialects of the various modes by which these dialects began in former tiroes , and still continue , thanks to the efforts of literature , journalism * and ecclesmstical science , to transform themselves into a language , and also of their tendency , amid philological dissensions , to a nearer approach to the classics of antiquity . The history of language without hesitation , be considered the history
may , orfche intellectual , and , in a certain degree , of the political life of a nation . Those conquests which changed the existence and governments of nations have also reconstructed modern language upon the ruins of the ancient idioms . To those who would retrace the historical traditions of the human race , no monument is a safer guide than philology to point out the changes effected bv conquest or migration . Thus , although the inhabitants of ancient Greece had their peculiar dialects , some of which were exalted to the rank of alangua ^ e by the genius of great writers , yet the Romaic , so called from its admixture with foreign , and , in the first instance , entirely Roman elements , is the result of corruptions introduced not only by the Romans , but also by the Sclavoniaus , Saracens , Franks , and Turks , and engrafted on tlie ancient popular language , which thus retains traces of each of these
conquerors : — " The Romaic dialects are in fact , " says Mr . Clyde , " like the acropolis of modern Athens , a fcuthful historical monument . As the temple of wingless victory the Pxopylseoam , the Erichtheium , and the Parthenon connect it with the age of Pericles , so do the ruinous state of these erections , the rubbish which encumbers the stranger ' s path , the mediaeval lower at the entrance , and the heterogeneous wall which encircles the crest of the rock tell of repeated disasters and long decay . In like manner , whilst the time-worn ^ Solo-Doric basis of the Romaic dialects connects thenr with the highest Greek antiquity , their superstructure is mingled with heterogeneons materials of a later date , on which conquerors , civilised and barbarous , have inscribed their language and their name . "
Greece had not that power which easily enabled the genius of a Dante to reoTgattise'the fragments of a barbarous Latin into a new language . Hence , while the * Italian language , founded on the Latin , either cancelled all traces of barbarism or naturalised them , the Romaic dialects merely corrupted the Greek idioms , without moulding them into a new language . Whati then , is the modern Greek language ? It is the imperfect result of this multifarious mixture of foreign elements , uncertain in lexicography as in grammar , arbitrary in the written as in the spoken language , sufficiently fine-to remind us of its noble origin , but , at the same time , so far debased as toindicate all the phases of a long period of servitude . The ancient
language , from its variety of construction , from its etymological changes , and ffoin the varied elements of civilisation , has been , and still is , left far behind . As might naturally be expected , the revival of Hellenism gave new life to the study of the Greek language ; and Riga , who , like Giovanni da Procida , made the tour of Europe to stir up Philhellenism , and who fell by the hand of the sanguinary Austrian , first victim of the Greek revolution , sang a hymn to Liberty ; this was the first echo of the new language . Since then many 'have ; aspired to become the Homers or Dantes of Greece ; and thus the-schools of the Philologues were divided . We may here quote Mr . Clyde , to-describe this period and its results : —
• Tne immediate restorationof ancient Greek was the fond delusion of a few scholars , and the adoption of the Romaic , the enthusiastic expression of devotion to the popular cause ' on the part of a few poets and politicians ; but both worft wanting in the elements 6 f success , and failure was due to the uninteUigibility of ancient Greok on the ¦ one hand , and to the inadequacy of Eomaic on th& other . The compromise , which resulted in modern Greek , gave the requisite lingual expression to the national unity , and" established that intellectual intercourse between the several classes of society which is indispensable to sound national progress . Still unsettled in all its parts of speech , it cannot yet be considered a perfect language ; aud this for a very simple reason . The Greek writers -attempt as far as possible , to recur to the ancient grammar and lexicons , but the style of thought among the modern Greeks is essentially European ;
hence , the result of these two facts would , as a whole , merit the criticism passed in Italy on the Abbe" Cesarotte ' s translation of Homer : " The statue of the great poet appears in the coat , waistcoat , cravat , and trousers of the present day . " Mr . Clyde ' s short pamphlet , notwithstanding the sterility inseparable from philological disquisitions , is not wanting in historical observations gleaned on . the spot , and we consider it to be as important to the student as to the learned . It however suggests a few considerations of a different nature . It is strange that in a country like England , where everj ^ new obj «; ct of investigation is anxiously sought for by a very numerous class of literary men , the people , the student , and the learned should be so slow in directing their attention , to that which other nations have for some years made a subject of
deep research and labour . The study of the modern Greek language , out of Greece , began in Paris , and at the various German and Italian univeruities , where Greek youths , particularly from the Islands , were sent ; hence , those countries were provided with grammars and dictionaries far loss imperfect than those of England , many years before Colonel Leako , Professor Siackie , Mr . Donaldson , and Mr . Corpe placed their comparatively meagre prodnctions before the public . Louis Philippe maintained several pupils in Athens for that sole object . The French colleges established in the East make it one of their principal studies , and the language becomes in their hands a powerful instrument of political and religious influence . We will say nqthing of Germany ; the influence of the reigning , family of Bavaria in Athens speaks sufficiently for itself . There is nothing similar in England ,-yet , independently of the importance of the study for the correct pronunciation of the ancient Greek , why not study for itself that which is still one of
the living languages of Europe ? We have carried war into a country where the greater portion of the inhabitants are Greeks , where trade and commerce are in the hands of the Greeks , where the most vital interests of state belong to the Greeks , and where , consequently , the G-reek language is the most generally spoken , even more than the Turkish , and yet there are scarcely a dozen Englishmen who know or care anything about the living G-reek language . We trust our youth of the industrial classes will soon be taught to consider modern Greek as a study of the utmost importance , more especially for those who are preparing to carry on that expanding commerce which is but now springing up in the Archipelago , and on the Asiatic and European coasts of the Ottoman Empire .
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BOOKS ON OUR TABLE . Chemistry , Meteorology , and the Function of Digestion Considered with Reference to Natural Theology . By . William Ront , M . D . &c . Henry G . Bohn . The Heptameron of Margaret Queen of Nacar-re , Translated from the French , with a Memoir of the Author . By \ Valter K . Kelly . Henry G . Uolin . A Letter to t / ie Right Honourable Sir Benjamin Hall , Bart ., President of the General Board of Health . By John Snow , M . D . John Churchill . Outlines of Mythology , forthe Use of Schools . By a Scholar of Trinity College , Dublin . John W . Parker and Son . Cleon . By Robert W . Thorn . Hamilton , Adams , and Co . Hardwicke's Shilling Baronetage and Knightage , 1853 . Compiled by Edward Watford , M . A . K . Hardwicke . Principles and Rudiments of Mineralogy , Botany , Zoology . By C . R . W . Watkins .
K . Hardwicke . Russia as it is at the Present Time ; in a Series of Letters . By James Carr , a Working Man , lately Returned from the Interior yf that Empire to England . ( Second edition , revised and corrected . ) Whittakcr and Co . Chambers s Journal of Popular Literature , Science , and Arts . ( Tart XIX , ) W . and R . Chambers . The Errors and Evils of the Bank Charter Act of 18-14 , as Divulged by Lord Overstone in his Lordship ' s Evidence before the Select Committee of the Houses of Parliament , Appointed to Inquire into the Cause * of the Commercial Distress in the year 1847 . By Lieutenant-Colonel J . II . Macdonald . Richardson , Brothers . Outlines of MilitarySurgery . By Sir George Ballingall , M . D ., &c . ( Fifth edition . ) Adam and Charles Black . Introduction a la Philosophic de IfegeL Par A . "VeYa . . W . Jeffs .
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FRENCH CRITICISM OX ENGLISH PICTURES . * SECOND AND FINAL ARTICLE . ( See the Leatler , No . 274 . ) "I am avrare that Mr . Maclise enjoys great popularity in England . His oil-paintings are in as great favour as Mr . Lewis ' s water-colours ami Madame Tussaud ' s wax-works . But I do not think that Art has anything to do with these singular successes . Mr . Maclise has had the luck to treat national subjects ; Mr . Lewis the good fortune to paint foreign ones : the first appeal to Saxon patriotism , the second to curiosity . The minute
execution of petty details gives to the paintings of both a preciseness and dryness highly satisfactory to all those unimaginative minds who are lovers of legerdemain , enthusiasts of cocoa-nut carvings , fanatics of pen-and-ink sketcnes , and who admire wondcringly a ¦ writing-master ' s drawing " Androcles and his Lion " with a single penfui of mk . Mr . Lewis ' s watercolours , like Mr . Macmse ' s oil-paintings , are mado up of details grouped together without any reference to ensemble ; the dryness of tho drawing is enlivened only by a cacophony of colouring , of which the history of painting offers no previous example .
And yet , in spite of what I say , Mr . Maclisk is a clever man , and there is a great deal of cleverness in Mr . Lewis ' s water-colours . So much the better for those gentlemen , so much the worse for painting ! Cleverness is killing Art in England , and the beautiful has no more dangerous enemy than this cleverness . Mr . AVkusteh has cleverness more than enough . His picture called " Football" is coloured coldly , drawn carefully , and composed with extrcmo cleverness . Imagine a troop of ruddy , healthy . children , well furnished with teeth , in good condition , and fed upon meat underdone ( viantle suitjnantc ) . These little roast-meat enters , villagers by trade , are in pursuit of a ball which has maliciously led them into the midst of a bush of thorns . Tho three most eager ones have passed through the danger without leaving much wool behind them ; the rest have
fallen in a heap , one upon the other , in tho midst of the thorns and brambles 5 tho head only of one is to be seen , the contrary end only of another ; one has his hat knocked over "his eyes , another his stockings falling over hid shoes ; one is feeling his head , another his arm , a third his knee ; one opens his mouth and shuts his eyes , another opens his eyes and shuts his mouth ; the first seizes the hair of the second , who pushes the third , who fastens on to the arm of the fourth ; there are kicks and blows from one end of the picture to tho other ; the cleverest tactician of the troop has ingeniously made a circuit , has got in advance of tho ball , and is waiting for it . Will he catch it ? Mr . Wkhstjer will no doubt tell us at the next univorttal exhibition ; for at the foot of these picture fcuilletons might bo written : " To bo continued in the next number .
In "A Village Choir" tho samo artist has amused himself by gro 11 ping some twenty perfectly national grimaces . This pninting is of groat interest to collectors anxious to compare all tho varieties of tho English type . His " Two Portraits" is a pleasing little picture , Tho man's faco appear * to me somewhat vulgar ; but tho snowy head of tho old woman is perhaps the finest thing that Mr . Wmustbii has sent us . Between Mr . Wuustku and Mr . Goodacx thoro is only tho science of
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^ g . THE LEADER . [ No . 282 , Saturday ,
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* Thoso lively and olovor chaptors aro taken from M . E . About ' n Vvyaga a VEfposition , publiahod in Paris this week by M . HncUette .
F^Llip ^Iris ^Kyi) ** Avmai *
€ jie M % .
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Leader (1850-1860), Aug. 18, 1855, page 798, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2102/page/18/
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