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Xfttvatm.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Xfttvatm.
Xfttvatm .
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Iir the year 1770 a wild and magnificent youth arrived in Strasburg to comp lete his education , and , amid various studies of alchemy , law , medicine , and lovemaking , to penetrate into the mystery of the art which erected the Strasburg Cathedral . This youth bore the name of Wolfgang Goethb ; and his enthusiasm for Gothic Art , which expressed itself in a little tractate , D . M , Erwvl ' ' A Sleinbach , a tractate shortly afterwards published by Harder in his book Von Deutscher Art und KunsL , is among the earliest indications of tLat potent revival of the love of Gothic Art , which not only gave interest to the Romantic School , but which has in one shape or other run through Europe modifying European criticism and European thought .
' "What the Germans have done to establish and propagate this enthusiasm for the Gothic is known , one would think , to all persons of culture , by hearsay if not by direct knowledge . That the revival commenced in Germany , and was mainly established in Germany , is one of the truisms we should scarcely venture to repeat did not the astonishing and amusing presumption of the French force the repetition . The French are not content that Paris shall be called ( by them ) the centre of civilisation , the brain of the " universe" C a Frenchman seldom limits himself within narrower bounds than Vunivers ) ; they are not content to call themselves the first in every department , but with perfect sincerity believe that nothing is ever done , worth doing , until they have done it . Even in so trifling a matter as the
introduction of hippopotami to the gaze of Europe , they claim precedence in the face of the most glaring evidence . After we had our' hippopotamus drawing thousands of curious gazers to the Zoological Gardens—after Potty had been drawn , modelled , written about , and had every possible publicityafter his portrait had appeared in the French Illustration—two years of notoriety are insufficient to prevent the French from boasting , and when at last they had secured a rival for their zoological gardens , declaring that la France could now for the first time present to astonished Europe , &c , &c . No wonder then that Gothic Art was first revived by Frenchmen . In M . Michblet ' s last work , La Renaissance , we read , with a smile , that to Victor Hugo and himself this revival is due . He tells us that the architects flocked
to them with amazing fanaticism pour nos doctrines . He mentions Goethe , indeed , in passing ,- but only thus : " J ' essayai de donner la loi vivante de cette vegetation ; Goethe l ' avait dite cristallisation . " Except this passing allusion the reader has no hint given that any one but Chateaubriand , Victor Hcgo , and Michki-et , had the slig htest claim in the matter . Michjexbt las now given up his fanaticism in favour of the Gothic . He is as severe now as he was enthusiastic then . He sees that he has been playing into the hands of the priests . He sees that compared with Greek
Art the Gothic is in every way inferior . He is eloquent against its system of perpetual supports from without , its eternal scaffolding for eternal repairs . Take away those scaffoldings ; let the domes support themselves : they cannot ! " Elle exige qu ' on entretienne autour d ' elle un peuple de medecins ; je n'appelle pas autrement les villages de macons que je vois etablis au pied de ces Edifices , vivant , engraissant la-dessus , eux et leurs nombreux enfans . " In this style ho fulminates against his ancient enthusiasm ; as unjust in attack , as he was extravagant in applause .
The whole book indeed fatigues with its rhapsodies and caprices . A finer subject than the Renaissance could hardly solicit the historian ' s attention . But instead of history , Michelet gives us a rhapsody . What is to be expected from a man who answers the question " Why did the epoch , named Middle Ages , live three centuries after ~ its denth ? " in this style : — " Son terrorisme , sa police , ses buchers n'auraient pas sufli . L'esprit humain eut tout brise . L'Ecole le sauva , la creation d ' un grand peuple de raisonneurs contre la JJaison . Le n 6 cmt Jut f 6 cond , crea . " When ambitious trash of that kind can be deliberately offered as History , or as anything else that is serious , there is great hope for the dull dogs ; there being no Dryasdust dulness which has not its value as a relief from such writing .
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Can one imagine the feelings of a man who , having made a great discovery , and for six years enjoying European renown , not to mention more solid advantages , in consequence of his discovery , suddenly hears that a rival has arisen , not , as in ordinary cases , to rob him of his glory by transferring it to another , —not to prove that centuries ago the discovery had been made by one whom the centuries have forgotten , whom the centuries did not understand , —not to prove the discovery a plagiarism , but to prove it a mistake ? Human nature lias not yet acquired a dose of philosophy sufficient to
withstand such a shock na that . Let us hope , for his sake and for the sake of science , that Cjuaude Beiinard is not doomed to such a trial . The reader probably knows that the gre atest discove ry of the last few ycara in Physiology is that made by M . Bernard respecting the office of the Livor as a sugar-maker . Ho proved ~ that the animal organism has the power of making sugar over and above the quantity contained in the food ; and ho proved that the organ in which this transformation into sugar took place waa the Xiiver . But latoly the Acad&mie des Sciences has boon thrown into commotion
by the startling arguments of M . Figuier , who maintains that M . Ber ' nabd ' s evidence is fallacious , because , although it is true that no sugar can be traced in the vessel which carries the blood to the liver , as it can in the vessels which carry the blood from the liver , yet , he says , this arises from the fact that the sugar is masked by the presence of a particular substance albuminose , which is removed in the passage through the liver . Considerable discussion has taken place , and up to this point we confess that
M . Bernard seems to have the advantage . But a Commisssion of Inquiry has been appointed , and we shall inform our readers of the decision . Should it be against M . Bernard , we shall not only regret it for his sake ; we shall regret it because science will then nave fresh researches to make to find out the organ in which the sugar is made , and because the upsetting of M . Bernard ' s theory will throw doubt on many other theories which one hoped were settled . A regret natural enough , but of course trivial in comparison with the satisfaction which will afterwards arise at thinking we have freed ourselves from an error .
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Besides the malice natural to man , and the delight in foreboding evil , there seems to be a peculiar facility in anticipating catastrophes indulged in by those who have no malicious motive whatever . We constantly hear that such or such a manager is utterly ruined and " can ' t keep his theatre open this season ; " that such or such a periodical is " going to stop , I am told ;" that such or such a paper is to be "given up . " And on inquiry we find , first , that our informant has no knowledge whatever of the thing he speaks of ;
and secondly , that the undertaking of which he speaks so despondingly is in a perfectly flourishing , successful condition . We were led into this remark by hearing that the Westmirister Review had " changed hands again , " which , considering that the Westminster Review has under the present management risen to an importance it never had since John Mill resigned the editorship , and has , moreover , become a profitable speculation , which it never was before , seemed to us * rather a foolish rumour ; and on inquiry we find the rumour to have no better foundation than the malice , or love of catastrophes ,
before alluded to . This anticipation of catastrophes , this making a present reality of what is as yet in the limbo of futurity , is , though despicable in prose , often used in poetry with fine effect . Thus Keats , in his Isabella , describes the brothers as They rode to Florence with the murdered man , that is to say , the man whom they are about to murder , and whom the prescient imagination of the poet looks on as already murdered . In precisely the same spirit Euripides , in his Hecuba , makes the Shade of Polydorus say
that his mother comes from the tent of Agamemnon , ' ¦ ' ¦ dreading my apparition : " < pavrao-fj . a dei / xaipovo- ' € / xov ; that is , she would look on it with dread , therefore he withdraws . In the Ajax of Sophocles there is another turn given to this mode of emphasising . Menelaus speaks of Ajax as his murderer . Upon which Teucer , very properly astonished , exclaims : — KTfivaiTa ; deivov y' etnas , ft kcu £ 17 $ duvcov . Thy murderer ? O marvel ! then the dead man lives ! And Menelaus then explains that a God saved him , but for Ajax he is still as one dead— "for him I have utterly vanished . "
Linking one recollection on to another , we rccal the famous sentence which " convulsed the house , " and " brought down the roar of laughter and hisses which condemned the tragedy produced by Macready with so much pomp of expectation—a tragedy memorable to play-goers on account ol this very sentence . Macready , in what waa intended for the thrilling situation of the piece , exclaimed : " There stands my murderer ! " The audience shouted , and the author did not bend from his private box , as he mig ht have done , in imitation of Voltaire , who , when the parterre hissed his play , exclaimed : Barbares ! e'est du Sophocle !
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BADEN POWELL'S INDUCTIVE PHILOSOPHY . Essays on the Sjnrit of the Inductive Philosophy , the Unity of Worlds , and the Philosophy of Creation . By the Rev . Baden Powell , Saviliau Profossor of Geometry at the University of Oxford . Longman . This is a work to which every philosophic thinker , and every friend to the progress of science , should give a welcome . It has already been tounu " heterodox" by the sensitive prescience of orthodoxy ; nor will the position of the author , us clergyman and Oxford Professor , prevent the cry of heterodoxy being raised in many quarters ; for so completely have theological ideas mingled with and directed the speculations of scientific philosophy ,
so dominant 1 ms the theological direction been in inquiries where theology lias properly no place whatever , that any und every attempt , from Bacon downwards , to isolate science from theology , has produced 11 wild outcry from theologians . The attempt made by the llev . Baden Powell is strictly Baconian , lie desires , in the first place , to isolate science- from theology ? both directly and indirectly , and to have science pursued solel y on inductive principles , based upon exact knowledge ; and no desires , in tho secon place , to ahow tho uniformity of creation and the laws of creation , consequently tho unity of the sciences . Ho banishes those " barren virgins , jinal causes , on tho same grounds as Bacon did so . Ho refutes tlio < i ° " trine of intuitions , and " necessary truths antecedent to experience . * f relegates mysticism to tho domain of mysticism , giving it no citizenship > philosophy . He separates theology from p hilosophy , and emp hatically < ' »»• cards tho popular method of solving scientific problems by tho liW ' Comte " with a bishop in tow , " or Bacon , obliged every now and thenii make an obeiaanco to the Church he wua undermining , will s omewuu
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Giitics are not the legislators , bat the judges and police of literature . They do not xt ^ e laws-rthey interpret and try to enforce them . —Edinburgh Revtew .
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gff S THE LEAD EB . Saturday ,
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Citation
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Leader (1850-1860), May 19, 1855, page 472, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2091/page/16/
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