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stfL (ft I Vl>ut JUXlS*
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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THE LONDON PULPIT . The London PvipiU By James Ewing Ritchie . Simpkin and Marshall . A . oood book might be written on this subject , but we are sorry to say the present author has not achieved that desirable entity . It is rather astonishing that he lias not done so ; for he has a fair knowledge of London congregations and London preachers , and he has a genuine reverence for pulpit elociaence—ihe spoken word of piety—in any or in no sect . From Dr . Dale and Mj . Maurice , through various forms of dissent , down ( or up ) to
Johannes H . onge , ~ the most distinguished London preachers are described and criticised . The writer's mind throughout seems to oscillate between a serae of the funny' and a sense of the Infinite , and to be without the faculty of expressing either . It is not possible to joke more heavil y or more inopportunely than our author ; or to give an air of insincerity to real religious feeling more completely than he has done to his own , Stlch a man cannot be a good critic ; but he gives congregational opinions impartially . Mr . Montgomery and Dr . dimming are , of course , facetiously
dealt with eWery small critic in these days throws stones at those recognjsed humbugs . But being recognised as L-umbugs by thinking people out of their own congregations , there is no necessity for wasting 'words upon them . Of the latter Boanerges , our author ( who is ever ready to say the good he knows of a preacher ) might hare told what he has told of Dr . Dale , viz .: that he is active and ' charitable among the poor—giving and causing others to give lime and money to help those who want help , " irregpective of -the religious sect of the recipient . "
The different chapters of this book appeared originally as articles in the Weekly News . The nature of the subject will give it a certain amount of popularity , but it is -without literary merit , and therefore cannot live long .
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BOOKS ON OUR TABLE . The Statistical Companionfor 1534 . By T . C . Banfield , Esq . Longm an , Brown , Green * ""' ¦ '; ' ^ * -. ^ ;¦*" ¦ ; ' ' ¦ ' '¦ "• " . " " \ _ " " ' .. '""' ¦ ' ¦ ' and Longman . The Presents Stale of Moroccos a Chapter of Mussulman Civilisation . By Xa \^ er ^ P * u ^ Xk ^ , Longman , Brown , Oreen , and Longmans . ^^ . 0 oijot » i ;? rithe Advantages of Ots Savings' Bank . . Long&an , Brown , Green , and _^ £ ' ' ¦ ' ¦ ¦ ¦¦ ' " « ¦¦ - -. • - ' . / .. . Longmans . TktCast&an , on Historical Tragedy . By T . N . TWourd . Edward Moxdn . Tfo one Primeval LMngwue ^ traced experimentally through AncientInscriptions . By fife ^ J ^^ IMrtes > Fowter , B . J > , . . \ Richard Bentley « T » Kba or ' - Loj ^ . -Ditty , By JBmilie Flygare Carina . \ Eichard Bentley , Eifcuimj . a& rat ^ ^ , Sdmplrin , Marshall , and Co . T ^ Na ^ i ^ of Russia and Turkey , and ( heir Destiny . By Ivan Golovin . TrSBner and Co . The Life of Mrs . Sheneood . Edited by her daughter , Sophia Kelly . Darton and Co . Zemo , d WOe of ft * Italian War . By James D . Horrocks . John Chapman . Bmsiaas it . it : Us Court , its Government , and Us People . By John BeyneU Moreli .
titii u > ¦« ¦ ¦ . ' George BouUedgeand Co . ^ f ^^ ' George Boatledge and Co . The Lancash ire Witches . George Boutledge and Co Critical and Bulorical Essays . By the Bight Hon . Thomas Babington Macanlay , M . P . ¦ -. ¦ :- ¦¦ ; ., Longman , Brown , Green , and Longmans . T ^ Cheery of Coinmon L ife . W . Blacksrood and S ons . Household Medicine . W . S . Orr and Co-Counterparts ; or The Cross of Love , By the Author of " Charles Aachester . " 3 vols . ' ¦ " ¦' ¦ ' ¦ .. . Smith , Elder , and Co . A Volunteer ' s Scramble through Scinde , the Punjab , Bisdostan , and the Himdayah Moun-. tom # . Bjr Hugo James . 2 vote . W . Thacker and Co .
Wight and the Soul A Dramatic Poem . By J . Stanyan Bigg . Groomtridge and Co . TheB aUad of Babe Christabel Third Edition . By Gerald Massey . David Bogue . Angelo . . A Romance of Modern Rome . 2 vols . Richard Bentley . The English Cyclopaedia . A New Dictionary of Universal Knowledge . Oondncted by Charles Knight . Part XII . * Bradbury and Evans . Poetical WorJcsof John Dryden . ( The Annotated Edition of the English Poets . ) Edited by Bohert BelL Vol . TU . - John W . Parker and Son . Collected Eiiiwn of the Writings of Douglas JerrolcL ( Plays . ) Part XLL Punch Office . The Newcome * . Memoirs of a most Respectable Family . Edited by Arthur Pendennis , m E « q- No . VIII . Bradbury and Evans ! Tke National ' Miscellany . Office , 1 , Exeter-street . Chambers \ Journal of Popular Literature , Sd « qcey and Art . Part IV . _ , Xj W . and R Chambers . Househol d Narrative of Current Event * . Office , 16 , Wellington-street North . Oper * Legisla £ ion . By Herbert Spencer . ( Chapman ' s Library for the People . )
a rx j * n . John Chapman . A Defence of Religion . By H . W . Crosskey . { Chapman ' s Library for the People . ) rt i t- i-r John Chapman . Catholic Uman . Essays towards a Church of the Future , as the Organisation ofPhilanthropy . By F . W . Newman . John Chapman . The Glasgow University Album for 1854 . Edited ly the Students . Richard Griffin and Co . Jack and the Tanner of Wj / mondham . By the Author of " Mary Powell . " Arthur Hail , Virtue , and Co . The Cardinal */) Daughter . By R . M . Daniels . { The Parlour Library . ) T . Hodgson . Beauchamp . By G . P . R . James . ( The Parlour Library . ) T . Hodgson ] Nicholas I ., Emperor and Autocrat of All Vie Mtissias . B y the Rev . Henry Christmas ' ™ It \ ¦ J . F . Shaw . The Worthies of the Working Classes , and their Friends . By S . Bannister , M . A . T . C . Newby . The Land We Live In . Part II . W . S . Orr and Co .
The Art Journal . George y irtue and Co Hoggs Instructor . Jamea Hogg THus Illustrated London Magazine . Piper , Stephensoa , and Spenco Bentley ' s Monthl y Review . Piper stephensoo , and Spence The Northern , Tribune . * " ' Holyoako and Co Thm Prospect ™ Review . John Ch Q
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THE ROYAIi ACADEMY . ITibst Notice . The influence of tbe war does not yet show itself on the walla of the Royal Academy . Nature , as it is there reflected , is tranquil to a degree of stillness , yrhich is as little mere self-possession—strength in repose , as the constrained and mincing manners of English society are the manners of quiet after-action . Art must reflect nature , but only as it is felt by the artist ; and the artist can only feel according to his condition and training . He cannot paint that -which he cannot enter into ; and if ie- cannot undergo something of the emotions -which present the great types of human action
and feeling , he cannot reproduce them on the canvas . The weariness of English society re- appears on this painted mirror . Those things which are still most alive amongst us have also their most vigorous life . here . The notion of battle is still the official idea of Mr . Jones , R . A ., the librarian , who has taken the "battle-field for his department , and supplies this year the " Battle of Hyderabad . " We should have action enough here , and it comes early in the series . The catalogue tells us that there is the Poonah Irregular Horse in green uniform ; that there are parties of the Twenty-second led by Major George , making their way over nullahs and ramparts ; there is Lieutenant Smith mortally wounded ; and Trumpeter M'Phelan taking a
standard from a Belooch : -with more stirring incidents of the : same kind . And accordingly , on reference to the picture , it is easy to identify the Poonah Irregular Horse , Trumpeter M'Phelan of the Twenty-second galloping over the nullahs . The figures are in the attitudes appropriate to their purpose . But it is a diagram , less living even than the tableau of a theatre . Infinitely more grip of the task in hand , more stir of soul , " more action in short , and even passion , is displayed in Johnstone ' s " Tyndale translating the Bible into English . " The left hand keeps ' watch upon the place , the countenance" intent upon the original , the right hand ready to fasten down the idea , the whole figure knit to its purpose , although well settled in the scribe ' s attitude . Bat in this country we do understand
something of the struggle over the desk ; we see and feel the action and the passion that go on over the dry wood ; and nature—as we distort it—reappears -well enough upon tie canvas . There are , indeed , other passions that survive amongst us , and Stone has he old , old tale—that tale as it is often told . A youth | comely , * and after the artist's own type , is whispering his tale into the ear of a blushing girl , who looks singularly pleased . It is a pretty pair , but yet we have a convicion that the story is often told in a much more impressive manner . Perhaps his couple are too young to typify the passion in its strongest form . It looks more like a fancy , which does not move them deeply ; neither of them looks even serious in-face :
" Nor grow they pale , as mortal lovers do . " There is infinitely more true passion in Hunt ' s ' Conscience Awakened , ' and here again the vice of English society tells . An inane animal or a wellconditioned gentleman , who might be a blonde guardsman by his cut , has had a young girl sitting on bis knee , and has been singing to her , " Oft in the stilly night . " Near them , in the well-furnished drawing-room , is a bird out of its cage nearly caught by a cat . The young guardsman as lolling
back m his chair with some laughing cajolery to the girl , whose back is towards him , as she has risen from her seat ; her hands ' are clenched together , and her countenance is convulsed with the agonised sense of her danger , which can be well understood , looking at the low character of the beast of prey to whom she has nearly fallen . So , the best piece of true passion that we get out of the Academy exhibition , is taken from the depraved side of society , as if it were only there that nature is suffered to exist in its full force . What an entanglement of ideas does the picture suggest !
Life , in the sense of vegetative existence , abounds in Frith's view of " Life at the Sea-side . " A crowded beach , with the heterogeneous gathering that can alone be collected there , as it might be viewed from a passing boat . The old gentleman sweeping the sea with his telescope , the genteel child dabbling with its ankles in the water , the moustached young buck lounging in sultry ease , looking with vacant eye upon the waves , and half listening to the women near him , the fat old lady surveying the prospect , the child , shrinking from the bathing-woman , the belles , the beaux , the savants , the tradesmen , the sailors , all the oddities and commonplaces of society "brought into one view—without the deep moral of Hogarth or the
caricature of Buss ; in short , with nothing more than the plain transcript of life as it is , which Dickens gives in pen-and-ink . The spectators crowded round this picture as they would round a looking-glass , and ard charmed to recognise life as they know it . Such is life in England—and at the Royal Academy . There is , indeed , an attempt to rise to history , and the artist strives to effect his purpose by an established process . Numbers of figures are collected together and composed into something of symmetry —one side balancing the other . Portions of the figures are shown naked , or nude , as it is called , and the muscles are strongly defined . Much antiquarian furniture is collected from the curiosity -shop ; the whole is finished with great force , and a subject is chosen .
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4 * 8 THE LEADER . [ Saturday ,
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Leader (1850-1860), May 6, 1854, page 428, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct2037/page/20/
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