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deeper , the great mystery of this world presents other aspects underlying those classifications , and we see how everything , from the lowest to the Whesfc , moves towards Life . Death is a name we give to a change ; but Mature knows no Death ; what we call dead matter , and ignorantly despise , is only dead to our dull senses . Look where we will , we only see Life abounding , Life aspiring , Life triumphant !
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A BATCH OF NEW BOOKS . T is no easy task to keep pace with the rapid publications of the " season , " even in . journals specially devoted to literature ; in our own restricted l imits the thing is obviously impossible ; and yet as our readers are kind enough to have some confidence at least in the integrity of our judgments , it is but right that they should have some such brief indication of what to buy , what to read , and what to avoid , as we can contrive for them . This is peculiarly a book-buying season , and from the mass upon our table we select a batch of very various works , addressed to very various wants The Children ' s Books we will speak of next week .
Among the wants of the season are sumptuous Gift Books , appealing to the purses of godpapas , aunts , and other reminiscent relatives , and claiming a place among the elegancies and graces of a drawing-room . The season has not been so prodigal of such books as heretofore ; but among those produced let a place be reserved for The Poetry of the Year , ( Greorge Bell , ) an elegant and poetic volume , sumptuously got up with all the appliances of the engraver ' s , printer ' s , binder's various arts . It consists of passages from English and American poets , descriptive of aspects of nature and English life during the four seasons ; and illustrated by twenty-two coloured engravings , from the designs of Cox , Duncan , yVeir ,
Muller , L . E . Barker , Creswick , Hemsley , Weigall , E . V . B . Birkett Poster , Davidson , and others . The designs are of unequal merit , some having the real artistic feeling , others being conventional repetitions of forms and expressions . Birkett Foster charmingly touches oil the " Spring and playtime of the year , " when little villagers gather kmgeups in the thick grass ; and Harrison Weir , with his group of cattle and sheep in the shady summer place , carries us heart and soul into the country . Creswick gives us a glimpse of Windermere , which in itself is a poem . Hemsley rivals Hunt
in" Little Torn and roguish . Kate Swinging on the meadow gate . " David Cox makes us young again with his " June Day . " The volume is handsome to a fault ; a little less costliness would have increased our comfort ; at present we are so afraid of " soiling it , that we handle it " gingerly . This applies only to the external . A book of more substantial merit and beauty , and one which with all its splendour invites rather than intimidates , is the new edition ot Wordsworth ' s Greece , Pictorial , Descriptive , and Historical , ( W . S . Orr andUo ., ) which the publishers have rightly judged to be an excellent Grift tfoolc . This is more then a new edition of the well-known work . It has been revised and re-arranged by the author , and is enriched—we use the stereotyped phrase with a meaning—by an introductory chapter on ^ reek Art which in the space of seventy pages , illustrated with one hundred and seventy-nine engravings from vases , statues , &c , presents an historical milling of the nroL'ress of Art from its origin to its decline . Here the
aid of Mr Scharf , so well known by previous works on this subject , has been called in by the publishers most efficiently . As it now stands Wordsworth ' s V ' ictorial Greece is a work of value , as well as a work ot beauty ; it is to be read , nay , studied , and yet it will be conspicuous among the elegancies of the table . There is a sobriety and a taste in the cottinff up which will make it as distinguished among its gaudy rivals , as the plain black coat of Castlereagh was at the Congress of Vienna , amidst the star-covered ministers and ambassadors of other courts . The same publishers send us another Gift Book , of a very different kind , and addressed to a different class , Cuvwrs Animal Kingdom m one large volume , edited by Dr . Carpenter and J . O . Wostwood . It would bo difficult to name a better book to present to young men , to students ,
to lovers of natural history , to the whole class ot readers , in short , who care for substantial excellence more than for elegance . It is not for the drawing-room , in unite of its many hundred illustrations ; but lor the Btudy whore it will bo a delight and a constant reference . Corners lleane Animal acquired its popularity at once , and has never been superseded ; but , of course , in so progressive a Hcience an that ol zoology it has been necensary , from time to time , to ( correct and enlarge by notes the mistaken and omissions inseparable from no vast an undertaking . Iho way this ban been done in tho edition before us is admirable mid should bfollowed in all similar cane * Cuvier's worl < ih translated ; the original , i and the of
« . as regarT I ^ ntS « retained ; additions instead be . ng thrown into fbot-neleH ( always a distracting plan or the reader ) , , s in « ori . m-nfi » 1 info the text but designated by brackets , which enclose them ; on oU : 'l ^ er correclLn . ar ^ in brie f " footnotes Tho whole HU . vjeet 1 ms boon distributed among four zoologists-Mr Blyth uiidertaki « the Mammalia . HirdH , and . Keptiles ; Mr . . Kobert M »«! , « I . he J ^ J and lUdiata ; Dr . < ieor K « . Johnston the Mollusen ; ami Mr . 1 . O Wch w < k 1 the Insect * . J * y U . oir aid many of the dosses and orders havo n i - iiive » tiirnted , and many new sprees added . Dr . Carpenter and Mi . ta hI iu this edition have « o . ie over the work of the . r predecessors
and brought it down to the latest discoveries . On looking over ,, illH RiniL Museum of Natural History , we exclaim with Marlowe h . lew" Infinite richer in a lit . tlo room , " and think with a fli tf h , what heaps of books that have en ^ ed our time would we ' bave exchanged for this ! What a book , t would have hoen ( or our boyhood ! " What a treasure foe our hIikIioiih youth ( omparod with tho valL of mich a of Natures wlu . t are Annuals and keepsakes ,
survey ( i \ tl Hooks , and the rent , will , their furtive splendour o ( K dt and eiij ? nivinir ? Respected Reader , if you are opening your purHeOrHon . etlMi . fr more than ostentation , and if v » u want ; to benefit your K o « Iho .., nephew , ( Ffiindsoit or brother , open it for a Cuvicr I .. . , k iCSlg from the Gift Books par excellence to thono that may bo
bought , borrowed , or stolen ( ad libitum ) , there is a pretty little volume ofEdqar Poe ' s Poetical Works ( Addey & Co . ) , with an editorial preface by James Hannay , and some illustrations by Wehnert , Hulme , Grodwin , and Weir—good , bad , and indifferent . Of the Essay , m which Mr Hannay sketches the leading traits of the poet ' s life and genius , we must express but a qualified opinion . It is livoly as an essay , and rmdly enough presents some of the main features which the reader ot Foe will bo called upon to consider '; but the tone is questionable , and the defence attempted to be set up for Poe ' s drunkenness and dissipation is a violation of all ethical judgments . Poe was a man who could not restrain himself . Lord of himself and his own greedy senses he was not . Let the thing be
owned ; let it be judged with as little harshness as may be possible ; but let no shadow of ' defence be set up for it on the ground that he was a poet and a passionate worshipper of the Beautiful ! If sottishness and disrespect of duties are to be reprobated in sots and scamps , they are doubly hideous in men who , having within them the refining fire ot genius , are not refined—in mon who , loving the Beautiful m their poems , realize the Ignoble in their lives—in men " who know the right , . yet tho wronS pursue . " We touch this point , we will not dwell on it . I he estimate V Poe ' s genius formed by Mr . Hannay strikes us as exaggerated , and he is peculiarly unfortunate , we think , in calling the verses to " Helen Horatian in their finish . Finish is scarcely the term for verses that have
imperfections in metre , laxity in rhyme , and an obscurity in expressionfaults which the second and third of the three stanzas possess . lne volume is a curious one , and deserves its place on poetical shelves . _ Professor George Long is editing a scries of Grammar School Classics ( Whittaker & Co . ) , which promises to be a series of considerable value . He is a ripe scholar , a man well versed in the requirements ot school editions , a man of sharp , imperious , independent judgment , who nas , moreover supreme contempt for verbose annotations and critical trining ; and his edition of Ceesar's Commentaries , now before us , we can emphatically commend as brief , practical , careful , erudite , and adapted to its aim . desired in the sh of portable voLume ot
Nearly all that can be ape a elegant extracts is contained in the Bead-ings in Italian Prose Literature , hi a Aubrey Bezzi ( J . W . Parker & Son ) , with the biographical sketches appended to them ; and we have rarely seen a more useful work ot the kind than Dr . Bernays' German Conversation Booh ( J . W . Parker & konj , which consists of scenes from the German prose dramatists , accompanied by translations on the opposite columns . If it will give the beginner but a dreary idea of German comedy ( true , though dreary ) , it will initiate him into the real language , and not mislead him , as " Conversations usualldobhrases and idioms never heard out of such books .
y , y p The Letters of an Englishman on Louis Napoleon ( H . G . Bohn ) were worthy of being reprinted , for their remarkable vigour and eloquence , no less than for the manly protest they make against the disgraceful spirit which has animated the coup-d ' etat . Speculation is busy as to the authorship of these Letters , and all sorts of impossible names are suggested ; for the benefit of future inquirers anxious to establish the identity of the modern Junius , we will make one remark . The writer is either a Frenchman or a man who has lived so long in France , and amid French ideas , that his style ( otherwise so brilliant ) is , so to speak , tmpregnated with
Gallicisms . From the firsflettcr we select these : speaking of the Republican party , he says , " France will always have to count with it , " which is not English . Again , he says , " They consigned foe primary teachers to absolute be ^ ary " meaning teachers in the grammar schools—Scales prtmatres Louis Napoleon he calls " the proscribed of the Monarchy—the recalled of the Republic ; he bad given , indeed , few gages to order ; and Napoleon ' s instruments , " reckless men , of as desperate fortunes as those of the Elyse ' e itself . " These , and hundreds of similar phrases , read like translations from the French ; but the following is not only French in
expression , it is intensely French in thought : " The logic of crime is retribution . " We cannot close this hasty notice , however , without giving the reader a specimen , Avhich may be placed beside almost any passage in Junius : — " If this man \ s reign is destined to continue , even for a brief duration , the world will witness the most heterogeneous jumble of despotism and ot demagogy , of socialism ami corruption , that history ban ever chronicled . The bribery of Walpole , the theories of labour of Louis Blanc , the stockjobbing of the worst days of Louis Philippe , the ferocity of Alva , the deportations of the Czar , the razzias of Algeria , will all meet in one marvellous system of anarchy , that will be called Imperial Government . Its great aim and object " are to gag the country and to ' rig' the market ; and under ( his patent of tranquillity and order France will be one vuat military hell , with Louis Napoleon for it « croupier . "
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COIUiKI'S UFIO AND ACTS IN IIUN (; AR . Y . My TJfo mid Acts in ( lumjarj / , in Uu : Xcurs IH 18 and IH Li ) , liy Arthur Corgni " Two voIb . ' ' Uoguo . A . Refutation of some of tho I'riuci / xtl . Missttttumtints in ( Hh't / f-i ' s " Lifa and Acts . " ' By dit'oriiti lvinH , y , ' liilo dlcmoml in tho 11 imjmriuu Army of Imlopoinloinro . [ conomi imtcu a ittu : i . !¦ :. ' ]• In tho two previous notices of ( Jorgei ' n book we have traced the remarkable career of its author from Szolnolt to Sehwechat , from that disastrous day to the retreat upon ( Hen , and from thence across the Danube to Waizen . Here we found him issuing a proclamation to Ih ' h h-oopH of a character hostile to that national government to which ho owed allegiance , and netting up distinctly , under the rover of legality and patriotism , the standard of personal ambition as tho Ihimih of a . military party . From Waizen we tracked him through the defiles of Mm mountain towns , and defending thenco into the southern connli . 'M . We left him " dcHpainn / jf , on the threshold of n reckoning wilh the pant , " while tho dashing bmverjr of ( Juyou was forcing tho lh-anyi . Mzl < o |> hhh alone , with a , mere handful of mon ! At this juncture , the perception of tlnngerH near nt hand had put hope to Might in the heart of ( Jortfei , mul lie stood Hell-reliant in despair . Ho
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Boo Loader , . Nob . 1 U 8 and I'M ) .
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Pb cbmbbb 25 , 1852 . ] THE LEADER , >« W
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Leader (1850-1860), Dec. 25, 1852, page 1237, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct1966/page/17/
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