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j Cmratitte.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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If you want to know what Austria Proper has contributed , you will find that it is principally furniture—even that is in great part due to her Italian slaves ; but she seems to offer with a less doubtful title nicknacks , pipes , and linendrapery . At the Exposition , Austria appears decked in the borrowed plumes of Venice , Bohemia , Milan , and her subject states . We doubt whether she can exhibit , as a home manufacture , even the tools of her tyranny . Seeking for her arms , unless we overlooked them , we discovered nothing worth notice . Arms indeed we did find , but we bad passed the border of " Austria" on the one side into " Belgium , " on the other into the « ' Zollverein . "
Even her living tools of the first class are not indigenous : Radetzky , if we mistake not , is the blot upon a Polish pedigree . " The contest will be short / ' was a prophecy for the moment only : the contest is enduring . An empire thus constituted , with parts greater than the whole , cannot keep together . The greater imprisoned within the less must incessantly struggle until it bursts its prison . The Exposition of Austria is the shame of the nations tied to her chariot wheels ; it is for them an humbling exposure ; but it may suggest the moral : if those ubject Peoples were brought together in council , as they are here in the great sample-house , the
crowned and official conspiracy at Vienna would no longer be able to hold them down . If Austria had exhibited her true resources , the instruments by which she holds down the subject provinces , it would have been the conscripts of those subject provinces used the one against the other . She should have shown " the machine for holding down Bohemia "—an Italian soldier ; " engine for reducing Hungary "—a combination of recruits from Germany and Italy ; " the Italian screw "—formed of Hungarians and Croats . If the provinces were in council , if they understood in each other ' s interests their own , they would see , collectively , that they are lending their own power to a State lower than themselves in the scale of nations : that to be
free , in fact , they have but to revoke themselves . That lesson they must sooner or later learn ; but , whenever it comes about , that victory alone can be the end of " the contest . "
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POOR IiA"W PROGRESS IN COVENTRY . Coventry must be added to the list of places moving in the right direction , and moving well . The Directors of the Poor have taken steps towards establishing schools for the children . Industrial training is to the young what industrial employment is to the adult , and we look forward to the time when Coventry shall have both halves of sound Poor Law management ; the more so , since there resides in the place the power to enforce the true doctrine with pen and tongue , in the best style . To that fact indeed must we attribute the progress of the ancient city—not yet ended .
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A RESTORATION WITHOUT A . REVIVAL . It is done . We read in May , 1851 , the astounding intelligence that the old Germanic Diet is again silting ia Frankfort . Restored , but assuredly not revived , this effete body has stepped over the chasm of three years , and meets again to work the will of the plunderers of Poland , the usurpers of Hungary , and the oppressors of Italy . The rising and gibbering of skeletons is not a resurrection of those who died . Germany cannot accept
this solution of the Unitarian question . No deeds of a galvanized corpse can efface the facts of ' 48 and ' 49 , nor , in the long run , keep the German People from enjoying the fruits of their suppressed insurrections . So let the Diet sit in peace , and let " Lord Cowley , armed with full powers from England , " hover around it . In its heart is the canker of rottenness , and the iron has entered into its soul . Retribution is but delayed—not averted .
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TIIlKnH A SOCIALIST . Who will believe it ? We have been accustomed to read , " Thiers on Socialism ; " but it would be novel to meet with the phrasr , " Thi < rs / or Socialism . And yet we have before u « a circumstantial account of an alleged interview bntwren M . Thiers and the rreridents of tlie Working Men's Associations at Tans . M . Thiers himself solicited the interview , at his own house . Ho was Btruck by their polite behaviour and well in fnctis said to have
thought out plans . M . Thiera , , told the story to a numerous company of friends , and finally to have expressed himself as follows : — " I am decidedly convinced that , these associations existing , you could never accomplish the destruction of the workmen a societies , nor snatch from them the Republic . " Xhe result of the interview , it is as well to state , was that M Thiers expressed a desire to be present at a meeting of the AHsooiaiiontj , and to take part in the discussion ; and that u special meeting wm to bff arranged for that purpose . Whether he is sincere or not , " Thiera for 6 oci » H « m " would create a panic in " the party of order , "
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The Exposition , which empties theatres , lecture rooms , dioramas , and is to force Parliament , they say , to give up its hopeless efforts—the Exposition , which seems to prosper beyond all calculation , and to defeat all calculation in the " ruin" of other speculations , keeps Literature of course unusually dull . Macaulay himself might publish his two next volumes and only find a few famished critics to read him ; Tennyson might pout forth the wail of another sorrow as deep and as persistant as that
whiqh gave eternal substance to the volume In Memoriam , not a tear would moisten the page unless it were from a reviewer ' s eye . ( Did you ever see the tear of a reviewer ?) The indifferent public gads away to the Exposition , and leaves Genius to fling its clamorous ai ! ai ! upon the air , without pausing even to listen to these woes . Hence our office of Literary Jackal—or Gossip provider to his Leonine Majesty the Public—becomes extremely onerous , and not at all successful
If one could but invent a few facts now ! Or , in default of the requisite invention , if one had the requisite credulity to believe all that is reported Thus Jules Janin , who has fallen in love with our fog and kindliness , announces to all France the joyous news that there will be no Waterloo banquet this June : the flag of France floating over the Crystal Palace suggests to the Duike that the banquet would be a breach of hospitality , because it would recal such " cruel souvenirs ! " Janin
believes that report ; or at least prints it , which is to give journalistic credence to it . We are sorry to think how " cruelly" France will be disappointed ; and we are amused at the excessive preoccupation of Frenchmen with this said battle of Waterloo . It is the ineradicable belief of every Frenchman that we in England are in a perpetual self swagger about Waterloo . We are prodigal of the word upon omnibus , shop , street , and road , because we wish to humble France at
every corner . Waterloo - house is an insult Waterloo-bridge a defiance ! Wellington boots an outrage ! Every step you take you trample on the national pride of France , for with " insular arrogance " you walk in bobts named of Wellington or of Blucher ! We are intoxicated with our success at having beaten the French ; never having drubbed them before , from the times of Creesy , Poictiers , and Agincourt , down to the Peninsular Campaign ! This one success of Waterloo —( which , after all ,
was not a success , as France clearly gained the battle , only she quitted the field in disgust!)—we cannot forget ; we cherish it , we riot in it ; we blazon the name everywhere to flatter our national pride and humiliate the foreigner . And , curious enough , the foreigner is humiliated ! He turns bis head away as be passes Waterloo-house ; he declines crossing Waterloo-bridge , or crosses it in a passion ; and even his national dread of rain cannot induce him to ride in a Waterloo omnibus .
Of all the many profound misconceptions of English society current in France , none , we venture to Bay , is more completely baseless than the belief in the English feeling about Waterloo . Though it would be impossible to persuade a Frenchman that omnibus proprietors , hotelkeepers , and , builders were guilty of no national swagger in using the offending word " Waterloo . "
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It has been a painful reflection that the various Mechanics' Institutions throughout the country should have fallen so low as they have generally fallen , not because they were superfluous , but because they were ill-managed . The main cause of failure has universally been a want of thoroughness . They have been turned into concert-rooms and lounges , instead of preserving the austerer dignity of educational institutions . From the report of the fifth
annual meetingof the Edinburgh Philosophical Institution , we observe with pleasure that the affairs of this body are unusually prosperous , leaving a balance of more than six hundred pounds , and giving the directors fresh courage for the future . The new arrangement of lectures is calculated to produce a more permanent influence than the old system ; it admits of equal variety in the choice of subjects , yet gives something like coherence to the whole .
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On Thursday the great satiric painter of social life—the Fielding of our times—commenced at Willis ' s Rooms the first of those Lectures on the English Humourists of the Eighteenth Century , which many months ago we announced as in preparation . We have never heard a lecture that delighted us more . It was thoughtful and picturesque , with some wonderful traces of pathos and far-reaching sentences . Dwelling upon the moral aspects of Swift ' s position
and career , rather than attempting a criticism on his works , Thackeray held his audience from first to last . He gave a vivid picture of the early life and loneliness of the great satirist amidst the exasperating servilities and insults endured from Temple ' s household , as also of the turbulent political bravo coming up to London to carve for himself a pathway among lords whom he despised . In this part of the lecture it was felt that , while satirizing that condition of political corruption which made Swift a bravo and used him as such , the censor still touched upon , living foibles—at the
allusion to the South Sea Bubble , with its Railway parallel , we observed some fair shoulders wince ! Nor were religious cant and formalism untouched in the admirable picture of Swift ' s sacrifice of his life to an hypocrisy . The audience was of the elite—Thomas Carlyle , Macaduy , Mjlman , Milnes , Sir Robert Inglis , the Duke and Duchess of Argylk , the Duchess of Suthehland , Lady Constance Levkson Gower , Lady Lichfield , with many others , not a few lovely women , and several men well known in Literature and Art .
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COMPANIONS OF MY SOLITUDE . Companion * of my Solitude . rickorinp . A More thoroughly charming companion for solitude than this volume we cannot readily name . It made the whole day happy when we opened it , read every sentence , marked a great many , and finally closed it with the feeling of regret similar to that accompanying the close of some solemn yet dulcet strain 6 f music . Wherein specially eonHists the charm of this book we cannot say—probably in the mingling of thoughtfulnesH and humour , with , a certain pensiveness tinging the experience of a man of the world—probably , also , in the Htyle—or it may be in the rare qualification of being perfectly free from nonsense , paradox , wilfulnesH , over-aeuteneJsfi , affectation , or good
downright " stupidity ! ... ^ The book is as peculiar in form as it is m spirit : — *• When in the country I live much alono : And , us I wander over downs and commons fttid through lanes with lofty hedges , many thoughts come into my mind . I find too the « au » o on « s come wgain and again , and are spit itrtd companion * . A « times ( thuy insist upon being with me , nnd are resolutely intrusive . 1 tiunlc
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May 24 , 1851 . ] JJfle ILtaXftV . 489
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Critics « fe not tbe legislators , but the judges and police of literature . They do not make laws—they interpret and trj to enforcethemv—Edinburgh Review .
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George Saivj i * seems decidedly to have , turned to the stage . Another drama , signed with her illustrious name , has appeared at the iwaitii . Its title Mdlitre suggest *) a new sphere for her artistic power ; but the piece disappoints that expectation . Instead of an historical ( lraiina we have the ideas and quarrel « of ^ the day under the masks of historical personages j and she has so completely falsified the real position , of Molibrb and the two BkjaktA , that one wonders why she did not tako
fictitious names for fictitious characters . One sentence in the critique on this play by Hector Berlioz will probably amuse those readers who have heard George San » always libelled as an immoral writer—it is the complaint that all the persons in this piece are so virtuous they become tiresome : " Ils sont tons vertueux et ennnyeux hfaire fr&mir"
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Citation
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Leader (1850-1860), May 24, 1851, page 489, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/vm2-ncseproduct1884/page/13/
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