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6S8 The Saturday Analyst and Leader. [Ju...
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NOTHING LIKE :HOME.=* npHE present volum...
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* Our KnullMli Home. Its Early History a...
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THE HORSE AND ITS PIASTER.* W E arc taug...
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• The Illustrated Horse Doctor ; being t...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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6s8 The Saturday Analyst And Leader. [Ju...
6 S 8 The Saturday Analyst and Leader . [ July 28 , 1860
Nothing Like :Home.=* Nphe Present Volum...
NOTHING LIKE : HOME .= * npHE present volume is devoted to a study and description of JL English antiquities , dating from the remotest period of our national " history . The author aptly observes in his preface , that this branch of research-must necessarily possess "in the eyes of Englishmen an interest not inferior to that formerly felt by the learned in the classic remains of the ancient world . Hitherto , in order to arrive at any satisfactory information relative to the past condition of our island home , its" heirlooms , architectural remains ..
& c , it has been necessary to wade through so many erudite compositions , as might well have the effect of deterring even the most industrious from making- the attempt ; now that difficulty is removed by the zealous aid of collectors of Mediaeval and Renaissance art , who have thrown their collections open to all who choose to take advantage of the facilities they afford . This work is intended lisa slight contribution to such as are entering for the first time into this field of inquiry , and contains a great deal that is both valuable and interesting * to the reader , so much so indeed , that we shall proceed to give a slight analysis of its contents . tionof the habitations of the ancient
The book opens with a descrip ' . Britons , which . it appears ; were far superior to those of most barbarous nations , though they were iiot ,: of " course , constructed with a view to many of the comforts of domestic life . We are , however , told "that the Britons understood the art of working metal , of shaping timber , of moulding clay into pottery , of making cloth and manufacturing articles of dress ; " but it does not appear that they applied the knowledge of these arts to many useful purposes . ' When the Romans evacuated Britain , they left behind them many traces of their civilization ; but this part of our history is so welL known that the author passes lightly over it , and comes directly to an account of " Homes in Pagan Saxondoni . " History does not throw much light \ ipon tins particular era , and the information we possess concerning it is chiefly contained in the song of Beowulf , which , composed by a Saxon minstrel , may be
considered as a truthful exponent of Saxon manners and peculiarities . The author thus describes the celebrated '' mead hall . " or" Heorat , " built by Herothgar , chief of the Saxons ; and which descriptionisof course taken fi-om the poetical , effusion above alluded to . It ; v . as approached by stairs , and when Herothgar spoke he stood ujjcu the steps , and" saw the steep roof variegated with gold . It rose aloit ? and was " *" high , and- carved with pinnacles : " the doors ! were hung on hinges , and made strong ' and fast with bands hardened ; in the fireT The floor , liTte the roof ; was variegated-, the wooden walls were made fast within and without , with bands of iron curiously wrought . The interior , was furnished with many a mead bench ; golden tapestries hung upon the walls ,, and were things of wonder and admiration to all who gazed _ upon their refulgent beauties . " This hall was dedicated to the god ofmne , and the festivities which were held in it were of the most riotous
and uncontrolled description . : : . ' .- ' -. ' We now pass over to the period of Christianity , when the ecclesiastics introduced a more elevated style of . architecture in the erection of churches , which was in many instances successfully imitated in the construction of domestic buildings . Still the hall was the principal , and , only too often , the sole apartment in a Saxon lininP , - » VidT Kpitft of the admonitions of the clergy , was still devoted
to purposes of drunkenness and revelry . With the Jyorman conquest commenced an entirely new era of things . " This period , " says the author , " was one of slow but gradual progress ; step by step , by rude efforts of invention , by slight improvements upon ancient contrivances , and by a partial encouragement of art , something more was gained in the appliances and adornments of home , than was required by the mere promptings of necessity . " We have then a graphic description of the mannern and customs of the middle ages , some of which are so obnoxious- 'as to cause us to dwell with peculiar satisfaction upon the cultivated tastes of the
nineteenth century . For instance , in speaking of the banquet halls belonging to the baroniulcastles , which , instead of being boarded or paved , as is the case in all modern habitations , were simply strewed over with a slight covering of straw and rushes , the author says , ' the straw was allowed to remain so long that , mingled with the refuse of the table , it often became rotten and offensive . Nor was this . the only annoyance to which the inmates were subject ; it was complained that even the hall of the king * was insupportable from the stench arising from an uncovered drain , which passed almost under the noses of the guests as they sat at table . "
It is somewhat curious to note the extraordinary hour of the day at which our ancestors considered it fashionable to partnke of their ]) rincipal meal , being , as it is , so entirely opposed to modern usages . In the days of Queen Elizabeth , the gentry never dined later than cloven o'clock a . m . ; before her reign an hour earlier , the exact period at which wo consider it fashionable to breakfast . We never read of lato dinners in thq olden time , unless , indeed , as a freak , or from eccentricity . The ceremony of spreading the cloth in the iniddlo ages is somewhat ludicrous ; wo have it thus described : —
•< Twa ushers entered tho httllt-thoy-botk-knelt-down , and , unfolding the cloth , commenced spreading it on the table at the lower end ; when they reached the middle of the board , they again made a low obeisance " , mul on arriving at the top they knelt a third time with tho ino * t profound reverence .. This ridiculous ceremony was performed cvl'u if the lmll was vacant . " The author then goes on to enumerate , i \ nd give tin a slight history of the different articles of utility , luxury , and refinement , which , at different periods , made thoir ' appeavance in tho houses of our aristocracy and gentry . Ho also presents us with an interesting sketch of tho social condition of
the trading classes , peasantry , & c , during the fifteenth century , none of whom could he said at that time to derive much benefit from the numerous inventions and improvements which added so greatly to the domestic happiness of their betters . 11 was , however , at the close of the Tudor dynasty thatrthe real era of civilization commenced in England . Men , * in proportion as they began to enjoy the blessings of ir iore liberal constitutions , also engendered a taste for domestic enjoyments . And if . " the exterior of the Stuart homes were less ambitious in style , and the graces of ornament were too readily sacrificed for the useful , the interior could boast of fresh charms and new home attractions . The hall was no longer a
characteristic feature in the English mansion . Hospitality suffered , but men grew more independent , and found a wider market for their labour than of old . " We will conclude our notice of this admirable little work with the closing remark of the author . ** Those innumerable enjoyments which wo pass unobserved , because we have always been familiar with their presence , were in the old times luxuries ,-of which we can find no trace save in the household records of the great ; and it is by no means exceeding the bounds of truth , When we say that the homes of English artizans in the nineteenth century are surrounded with more conveniences , and possess within themselves more of the accessories to comfort , than were enjoyed by the majority of the nobilitv in the vaunted days of chivalry . "
* Our Knullmli Home. Its Early History A...
* Our KnullMli Home . Its Early History ami l'rogrewi . With Notca ou the Introduction of Doiuoptlu rnvonlloim . l . omlon : J . It & JAMKa IVwkkii .
The Horse And Its Piaster.* W E Arc Taug...
THE HORSE AND ITS PIASTER . * W E arc taught in an old book , or rathei in a collection of old books , that daily rises in estimation the more severely it is criticised , and the better it is understood , that " the merciful man is merciful to his beast . " Mr . Edward Mayhew has written a volume on the horse in the spirit of this text , and has called upon man , who dcrivesjsuch services from the faithful , feeling creature over whom he tyrannises so unjustly , to mend his manners as a ruler of the inferior animals , and to act in a . manner more rational and kindly towards them . Ill the closing sentences of his treatise lie tells us that " he lias designedly rather appealed to the reason , of his readers , than sought to enlist their feelings . The
subject was , indeed , a wide one . Man has hitherto been too content to consider animals as something given absolutely to him , to be treated according to his sovereign-will , or merest pleasure . He has not . reflected ¦¦ that , " when be was created lord of this earth , he was invested witlrU title Which has its responsibilities as ¦ well as its privileges . " Mr . Edward Mayhew entered the veterinary profession late in life , and after much exercisers a ^ literary manj and carried into it the feelings and intelligence of his former calling . ~ Hence the noble sentiment which pervades his production ; and . hence its excellence as ^ composition . Besides this , Mr . Edward Mayhew has proved himself capable of some capital artist Work , and has furnished the volume with more than four hundred drawings illustrative of the text .
Mr . Edward Mayhew is not afraid of the ridicule that he may 2 > rovoko by his affection towards the animal that he has so diligently studied . Should he be accused of wishing to institute an hospital for horses , he replies that something like one exists now in the Royal Veterinary College of Camden Town , and that -what he really contends for is an extension of such institutions ; may we add ; lie wishes fhat every stiflsle ^ htr ^ scale . He would take the noble boast , out of the hands of the ignorant , and treat him according to science . What is there really absurd in this ? Yet the interested will answer superciliously , as they have answered Mr . Mechi in regard to his agricultural experiments ^ and probably , as in that oase , demand a sight of his balance-sheet . But it is not always right to " answer a fool according to his folly . " though sometimes it undoubtedly is . But of this the judicious must judge for themselves . They must not suffer tho fools to iudgc , or rather misjudge , for them .
True to his old instincts for the stage , Mr . Edward Mayhew commences his argument in a startling and dramatic manner . He begins with the mad horse , both in picture and letter-press . The former is spirited and the latter eloquent . And , after all , the subject is rightly started ; for is it not proper to commence with tho root of all , " the brain and nervous system ? " Tlio poor animal suffering under phrenitis is violent , but not malicious . " Tho creature strives only to injure itself . It may , in its efforts , shatter and demolish tho structures which surround it ; bnt ^ it does so without intention . That is merely the result of it * being carried away beyond the things of tins world by a mighty anguiftlt . It desires harm to no one ; but it cannot l'einain quiescent , and
endure the torment whioh rages within its skull . There is something more than merely fine writing in this description of the mysterious rapture of tho great agony that pososses tho phrenitic brain . It is only tho extremo of that excitement Which , while genial —( wo use tho word with reference to its root )—1 » pleasurable . Pain is but the opposite pole of an intelligent power whose beginnings and continuationa aro but degrees of dohght , until the fatal limit is reaohed . Mr , Mayhow , in some instances , points to the analogies in the human and brutal developments ; --and suroly these should awaken some sympathies . We are alike kindred to tho animal and the angelic Think of this , and feel accordingly . > Abundant aro tho reasons why , in tho language of tho author , man should establish more than , a brutal mastory over the animal
• The Illustrated Horse Doctor ; Being T...
• The Illustrated Horse Doctor ; being tm necurnto nucl detailed nccount , «« coinpanlod by nioro thnu 400 i > lctorlnl rci > rut «! iita < laiifl < if tho various iIImchhom to which "J " uqulnu nicu nro subjected ; together with tho latest inorto of trentinent , uiki «» *« rtMiulHlio iircsurJiitlt / iix , written hi i > Iuin Kntfllxh .. « y 1 £ i » yard oVIavhkw , M . H . U . v . p . W . II . Allen ami Co .
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Citation
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Leader (1850-1860), July 28, 1860, page 8, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/cld_28071860/page/8/
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