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404. THE LEADEB. [Saturday.
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We should do our utmost to encourage the...
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EUGENIE. Yes, Heaven hath made thee very...
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ROYAL ITALIAN OPERA. A veky satisfactory...
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DRURY LANE AND THE HAYMAKET. The perform...
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Transcript
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
Wanjpeuings In Corsfca. Wanderitiffs .In...
the scenery with some effect , though less vividly than one would wish , is spirited and sympathetic in narrating local customs , is not without the idolatry of hero-worship as he stands in the room where one emperor , three kin"s , one queen , and two princesses played in obscure childhood as one family , and on that most popular institution , the Vendetta , is rich in lore and racy of the soil . The history of Corsica is almost a biographical series : it leaps from man to man . Institutions make some trace , but the institutions are personal and individual , such as the Vendetta and the family feudalism closely connected with it . But adventurers are the staple of Corsica ' s noted menfrom Lainpiero , that iron hero , to that sous-lieutenant of artillery who left Corsica for the Tuileries via Lodi and Marengo . Moreover , the history of the island is a story of strife . You may trace Corsican destinies through the history of Europe by a track of blood . Genoa fought for it , Germany sent it adventurers , France was alternately the patron , the traitor , and the
oppressor , while England from time to time gave it such aid as it gave to Sicily in 1848—the aid of an injurious sympathy ; but all interference tended to the one result—fire and sword throughout the island . This does not , however , diminish the interest of the story . There is artistic " relief " in the fine actions and noble souls that show themselves from time to timeand none , not even the worst , are entirely removed from our sympathies . One of the strange stories of Corsica—reading more like a romance of La Mancha than a portion of history—is the story of King Theodore of Corsica . Early in the eighteenth century the usual strife with Genoa was bein" waged when a new hero stepped upon the scene . He came " one fine morning" ( 12 th March , 1736 ) into the harbour of Aleria , and landed amid the shouts of the populace . He was tall , stately , and commanding . "He
wore a long caftan of scarlet silk , Moorish trousers , yellow shoes , and a Spanish hat and feather ; in his girdle of yellow silk were a pair of richlyinlaid pistols , a sabre hung by his side , and in his right hand ^ he held a long truncheon as sceptre . " The same ship brought ten p ieces of cannon , four thousand muskets , and a supply of ammunition . This was the right divine of the mysterious stranger . The Corsieans were hard pressed by their perpetual persecutors the Genoese , and they received the Baron Theodore von Neuhoif ( a German noble deeply indebted to his tailors in Amsterdam ) as their lord and king . They might have done worse . The new king evinced energy . He organised an army , drove the Genoese from the open country into Bastia and other fortified towns , and routed them again and again whenever they ventured forth . His proclamations for encouraging
commerce and industry were wise and vigorous , and he replied to the manifestoes of the Genoese magnates with considerable sarcasm and success . His coins are to this day preserved as great rarities in the cabinets of the curious . His most successful stroke was the Order of Liberation—a new order of kni g hthood—with the decorations of which he stimulated his people and his partisans . He also created counts , barons , and baronets with a lavish hand . But cares of state pressed upon the hardy adventurer . He wanted money ; he wanted arms ; he wanted ships . He took formal leave of " his subjects , " and visited the Continent , seeking aid . His Amsterdam tailors (" base mechanic slaves" ) threw him into prison for debt , but King and had
Theodore managed to get out . But meanwhile Genoa France arranged a treaty ; and when the indefatigable and gallant King Theodore returned to Corsica , bringing three ships , twenty-seven pieces of cannon , andeight thousand muskets , he found _ his claims set aside . The people were negotiating ' with ^ France , and with bitteFheart he returned to England-. He was thrown into gaol for debt , was released through a subscription opened by Sir Robert Walpole , and died in 1756 . He is buried in Westminster churchyard . Passing on to a more successful adventurer , our author visits the house in Ajaccio , where Napoleon Bonaparte was born . He describes it as roomy , handsome , and convenient . There is now no furniture in the rooms , the decayed tapestries hang from the walls , and the flagged floors are partly
broken . I entered a little room with blue tapestry , and two windows , one of which , with a balcony before it , looked into a court , the other into the street . You see here a wallpress , behind a tapestried door , and a fireplace with a mantelpiece of yellow marble ornamented with some mythological reliefs . In this room , on the 15 th of August , 1769 , Napoleon was born . .... I saw other rooms , the ball-r . oom of the family , Madame Letitia ' s room , Napoleon ' s little room where he slept , and that in which he studied . The two little wall-presses are still to be seen there in which his schoolbooks stood . Books stand in them at present . With eager curiosity I took out some of them , as if they were Napoleon ' s ; they were yellow with age—law-books , theological treatises , a Livy , o Guicciardini , and others , probably the property of the Pietra Santa family , who are related to the Bonapartes , and to whom their house in Ajaccio now belongs . ' .
... __ .. We find in these volumes many accounts and statistics of the Vendetta . Some seem exaggerated . The historian Filippini says that in thirty years of his own time 28 , 000 Corsieans had been murdered out of revenge . Another Corsican historian states that in the thirty-two yeara previous to 1715 , 28 , 715 murders had been committed in Corsica . The same historian calculates that , according to this proportion , the number of the victims of the Vendetta , from 1359 to 1729 , was 393 , 000 . During the first seven months of 1852 the assassinations numbered 99 . The population of the
island is a quarter of a million . Thoautlior considers that the proposed general disarming of the population will not have any effect in suppressing the Vendetta . It will leave the peaceful villagers at the mercy of the bandits whom the gendarmes cannot reach . Colonisation and roads into the interior , and the general spread of peaceful industry are evidently the only safe menns of altering tho savngo habits of the people . Corsica , both by position , soil , climate , and other natural advuntages , should be a most prosperous country . It is now little better than Montenegro , and its people are in the rear of European civilisation . This is a just rcproaeh to that French Government , which can repress thought throughout 1 ranee , but cannot put down the Corsicun banditti .
404. The Leadeb. [Saturday.
404 . THE LEADEB . [ Saturday .
Y Jf^ Ty1*F "Pit I Fit Jl/U T 4-4-Uh-U*
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We Should Do Our Utmost To Encourage The...
We should do our utmost to encourage the Beautiful , for the Useful enccmroc *«« itself . —Gobthe . uurage «
Eugenie. Yes, Heaven Hath Made Thee Very...
EUGENIE . Yes , Heaven hath made thee very fair ! Content in thine own sphere to move , Amidst thy willing subjects there An Empress thou hadst been—of love . Of love , and e ' en perchance of fame—Perchance some poet of the free Had link'd with Laura ' s deathless name , The gentle name of Eugenie . But thou art now a tyrant ' s bride , Bride of a bed where love is not : And freedom ' s blood thy pathway dyed To that unblest , Imperial lot . What shall be given to her who took The paltry lure of tinselled state—To her , whose shallow heart forsook Love ' s freedom for a crown of hate ? A courtier ' s smile , a people ' s moan , The homage of the lip and knee , The crowd where still the heart is lone—This be thy guerdon , Eugenie . This , and perchance the deathless shame Of some court poet ' s venal rhyme , " Who sells a tyrant present fame , And damns him in the after time . Imperial splendours round thee play , Imperial honour crowns thy brow ; Thy flatterers ( once th y friends ) may say , Happiest of womankind art thou . But widows that thy tyrant ' s hand Hath made , and banished men that pine Upon Cayenne ' s infected strand , Have yet a happier lot than thine . One chance remains to clear thy name , Spurned by the good , the true , the free—When comes the tyrant ' s hour of shame , Live , and be still his Eugenie .
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Royal Italian Opera. A Veky Satisfactory...
ROYAL ITALIAN OPERA . A veky satisfactory performance of Ernani , at the Royal Italian Opera , oa Thursday evening , introduced the new baritone , Signor Graziani , to the English public . Signor Graziani is a young man , with an engaging countenance , and a presence prepossessing . Unfortunately , he has still to learn ease and gracefulness of gesture on the stage ; at present , his attitudes are displeasing to a sculptor ' s eye , the movement of his arms is angular and embarrassed , and he has that peculiar way of standing which suggests a sensitive consciousness of weak knees . _ But all tiiisjmay be corrected ; and , on the other side of the account , we may place a voice fresh , clear , "" powerful , and sympathetic ,-at once manly and tender , which Signor Graziani employs with judgment ana feeling . He sings with marked intelligence : in the recitatives , with dignity and pure expression ; in the airs , with elegance , correctness , and refinement . J- ? is no- hazard in pronouncing Signor Graziani a dramatic artist of abundant promise , and a singer of rare powers . Tamberi , ik , Tagliafico , and Mademoiselle Bosio make up a brilliant ensemble . We confess to a weakness tor tne abused operas of Verdi , who , whatever may be the verdict of those severer critics whose purism denounces equally the " music of the future and tue music of the day , has at least this rare merit : his operas beat with the puises of Italy . It is well enough for a public sunk in indifference , apathy , ana lassitude , invoking despotism as a cure for the difficulties of freedom , to asK iot more enervating strains . For the Italy of our day Art itself is an aspiration airer independence , a menace to tyrants , a call to arms . And such is the music w Verdi .
Drury Lane And The Haymaket. The Perform...
DRURY LANE AND THE HAYMAKET . The performance of the Barbiere at Drury Lane by the Italian company bid ? fair , under judicious management , to ensure the success of the enterprise . « would have been considered an excellent performance at Covent Garden , » Druhy Lane , at playhouse prices , it deserves to be recorded as one of tnei very best and cheapest entertainments of the kind ever set before an English public . Madame Gassier , who was so unlike Amina , is not easily rivalled m itosim what with the Andalusian eloquence of her fan and her eyelashes , she >¦}»«¦ ports U 3 bodily into Seville ; and her singing of the music is a marvel ° * «"""« and ingenious embellishment . Signor Betxini , who was so tamo andmwar as Elvino , is even too vivacious as Almaviva . Once or twice lie / f « f , ! fi ^ 9 " in tocracy of the Count , and , what is worse , sacrifices the score to busin < £ ' ™ tho drunken scene , for instance ; but from the first note to "f J » " ' J ^ J ^ y sweetly , so correctly , so elegantly , that the audience is . ^ ^ 'J 2 audience is by a pure tenor voice with taste and feeling in ww B « jb Barlolo and the Basitio ( Signora Subini and FormjuVmo V » te oquu l tourer usual representatives ; and Monsieur Gassier , if we take exce P tlon t 0 " . ^ ™ exuberance of motion , which does not make up for 8 P ° » tane ° " J 3 e ' Tho a very efficient and respectable Figaro—as a singer , more than ™ W ™™^ p 0 . orchestra , too , accompanied with marked discretion , and tho J J ™ f 0 JJ Bitively seemed to enter into the spirit of the scene . A word of cmni » me ™ cognition ia duo to tho fact that the music was given unmutilated ,, « s J ¦ »« given at the Oieua . How is it we bo seldom hear Jo ton i . ^ V ™ jng to most exquisite of serenades for a tonor , that aends half tho whence » h » ° JJll"s . their beds ? In the concerted pieces at Diiury Lane , tho effect , was most grav
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Citation
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Leader (1850-1860), April 28, 1855, page 20, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/cld_28041855/page/20/
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