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m& THE LEAPEB. [Saturday ,
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THE ROYAL ACADEMY EXHIBITION. It is unfo...
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THE AMATEUR MUSICAL SOCIETY. The last co...
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THE OPERAS. Madame Grisi reappeared on M...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Papers Of Lord Metcalfe. Selections From...
arms produced a general feeling of discouragement in the native soldiery , and destroyed their faith in our invincibility . Still more recently , the Afghan and Sikh campaigns seriously impaired our prestige , and inspirec the masses with a wild hope that our downfal was at hand . The only real hold upon the fidelity of the sepoys is the regularity of their pay—assisted , nodoubtj by the mutual jealousies of Hindoo and Mussulman , and a consciousness of the superiority of the British troops . It is therefore highly necessary that an imposing European force should be maintained in the the vast surfacebir Charl
country , but not too widely scattered over , es repeatedly insists upon this point , and the vast extension of territory since his time greatly enforces the argument . For it must be borne in mind that the British Empire in India is broken up into detached portions , and that independent states , of very doubtful good-will , are mixed up with the central portions of our dominions . A powerful and efficient army is Sir Charleses grand specific for the maintenance of our power ; and he strongly advocates the expediency of increasing the number of European officers with native regiments- The expense is admitted to be great , but the
necessity is a paramount consideration . ^ With . respect to the comparative advantages of Queen ' s or Company s government , Sir Charles Metcalfe expresses himself in favour of the former , provided that it do not degenerate into " government by a parliamentary majority , " for in that case " our tenure of the country would not be worth ten years' purchase . " The Europeans settled in India would naturally prefer the former , because to the latter they " attach the notion of monopoly and exclusion , and consider themselves comparatively discountenanced and unfavoured . " The invidious distinction between Queen ' s and Company ' s courts of justice would thus also be removed , and the complete amalgamation of the two military services would follow as a necessary consequence . The idea of a Russian invasion is treated almost contemptuously , unless that power had first succeeded in becoming master of all Central Asia . And even then we could bring overwhelming masses to guard the passes through Indus
the mountains of Afighanistan , and to line the banks of the . Uur real danger is from within , though even that might be greatly reduced by the gradual annexation and absorption of the independent states , whose very existence is a standing monument of the incapacity and irresolution of the magnates of the India House . Until one only colour be spread over the map of Hindostan , our dominion will continue unstable and precarious . But time and space would fail us were we to attempt to notice all the different points connected with the civil and military government of India , which are treated of in these " selections . " Much less can we pretend to pass in review the many interesting documents illustrative of Lord Metcalfe ' s administrative policy in Jamaica and Canada . Too much praise in
cannot be given to Mr . Kaye for the judgment he has displayed selecting the pearls of great price from among so much that was truly valuable . There is not a single letter , or minute , —not even the protest against Sir GeorgeJBarlow ' s " fundamental principles , " though written at the early age of twenty-one—that is not impressed with a strong , healthy virility , with sterling good sense , and with the straightforward honesty of a true English g entleman . There may lack the indications of an original or a brilliant genius , but there is abundant proof of practical ability of no ordinary cha-~ of the most scrupulous recti
racter , of the most persevering industry , and - tude . It is impossible to rise from the perusal of Sir Charles ' s Indian papers without a deep feeling of regret that the absurd and interested prejudices of the Home Government should have deprived that country of a ruler who thoroughly understood its wants and requirements . But ministerial patronage , and all-powerful precedent , demanded that a Governor-General should be sent out from Europe , whose chief and only recommendation should be an entire ignorance of the peculiar duties he was suddenly called upon to discharge . As it was in the beginning , so is it now—but shall it ever be ?
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The Royal Academy Exhibition. It Is Unfo...
THE ROYAL ACADEMY EXHIBITION . It is unfortunate for the Academy , considering the badness of the exhibition ¦ which the members have got up this year , that Mr . Ward has not helped them with one of his admirably dramatic pictures from English or French history . Engaged , we believe , on works of importance which require extra time and consideration for their production , he only sends to the present exhibition a small full-length portrait of " General Hearsay , in the dress of the Irregular Native Cavalry , E . I . C . S !"—a picturesque man in a picturesque uniform ; and a most refreshingly-original picture to turn to , after looking at the yards on yards of conventional portrait-painting which encumber the walls of the Academy exhibition-room . Mr . Webster has two pictures of boya and girla— " The Race , " and " Spring , "—painted in his usual manner , works of decided merit as nleasant sketches of character , but marred by this artist ' s inveterate defects of
feeble and timid execution . Mr . G . Richmond has deserted water-colour portniit-painting—in which he was without a rival—and has taken to oil , in which , to our thinking , he succeeds but badly . He exhibits a " whole length" of " The late Sir Robert Ingliu ; " and a " half length" of "The Bishop of New Zealand . " Our deep attachment to the Establishment makes us protest against seeing a bishop painted—as Mr . Richmond has painted Doctor Sklwyn—with his eyes and face bathed in cold perspiration . Mr . Horsley , in his " Scene from Don Quixote , " has advanced as much in healthy choice of subject and in the art of composition , as Mr . Cojpe haa retrograded in both those qualities Mrs . Ward ' s bright little picture of " The Morning Lesson , " is the most successful piece of painting which that lady has yet produced . It is in treatment merit true to nature in effectMr
bright and transparent , and oriously . . Phillip ' s " Collecting the Offering in a Scotch Kirk , " wo omitted to mention last week in the terms of approval which it deserves . In treatment it is rather hard and meagre : but in study of character , it possesses some rare and genuine merits . With this work our present remembrances of the good figure-pictures come to an end . As for the bad , is it after all worth while to take up time and space in condemning failures which condemn themselves ? What usoful purpose could it serve , for example , to point out the faults of that monstroiiB picture from Exodus ( No . fi 40 , " The Prayer for Victory" )—in which the Patriarch Mosice , with arrowy fireworks blazing out of his brains , is hold up in a very slippery utato ogainet an impossible lump of stone by two officious minor patriarchs , who would bo doing excellent service to art if they would only let Mosus Blip
out of the picture altogether . Is there any use in criticising such an absurdity as this , or other absurdities not much better?—None whatever . Let us get on to the Landscapes . Looking at the landscape painters in general , it is impossible not to be struck by the want of ambition , and of any high conception of the real scope of their art which their works exhibit . The majority of the artists seem to go on year after year content with manufacturing studies of foliage and puddles , which require nothing but careful plodding and mechanical practice , and whi ch sugg est as little as possible to the mind * of the spectator . If we want to look at pictures which really grapple with difficulties , and which aim at representing the more striking , vast , or exceptional aspects of Nature , we must look , with hardly more than one or two exceptions , to the elder of our landscape-painters , not to the
younger , who have still reputations to make . Mr . Lear's " Temple of Bassse " deserves to be first signalised as a worthy effort in the right direction by an artist who is making his way to a high place in his profession . In this instance , at least , the landscape subject chosen is a grand one , and the treatment sho ws high purpose and real power . Mr . Zahneb ' s " Landscape near Rome" ( No . 299 ) , and Mr . T . Danby's " Poet's Hour , " both also show real poetical feeling , and a fine appreciation ^ f Nature in her noblest moods . Mr . Anthon y is unfortunately not equal to himself this year . His picture of " Stratford" is weak in effect , and the left hand side of the sky , though well in intention , is most unfortunate in execution . However , Mr . Anthony has real feeling for the grand in nature , and , in his happier moments , great vigour and originality of execution . We hope to see him vindicate himself next year .
The pictures just referred to really comprise the only landscapes by the rising men which we can remember as worthy of criticism . We must refer to the elders of the profession , if we want to mention a few more genuinely-fine works . Mr . Danby has one magnificent picture this year , " The Lake of Wallenstadt . " The evening sky is exquisitely aerial and beautiful in its dim , solemn lustre ; the still , deep water is marvellously true and fine in colour and execution ; and the whole effect of the picture , from whatever distance it may be viewed , is grand and imaginative , without the smallest sacrifice of fidelity to nature . Mr . Danby has a second work ( No . 287 ) , which we do not like so well . Mr . Creswick , besides the charming landscape ( No . 440 ) to which we alluded in our opening article , has an admirable picture of " Morning at the Mouth of a and
River , " in which he has caught the still , grey atmosphere deep pervading calmness which precede sunrise with rare felicity . Mr . Roberts ' s fine view of " Rome , " with the crimson of the sinking sun just touching the distant housetops , is one of the best of his works—the painter has conquered immense difficulties with his usual mastery and success . Mr . Stanfield ' s brilliant and elaborate picture of " St . Sebastian during the Siege in 1813 , " being most discreditably hung in the worst light that could be selected for it , we must content ourselves with warning our readers not to blame the picture , but the place the picture occupies , if they feel a little disappointed with Mr . Stanfield this year . He has produced a really fine work : and the Hanging Committee have treated it in a manner which—considering Mr . Stanfield ' s deservedly high position in his art—is simply audacious .
As for the Miniature Room , we have no space ( and even if we had , no heart ) to go into any particulars in relation to the hundreds of small portraits which it contains . Sir William Ross is still first , and Mr . Thorbcrn still second , while the miniatures of Mr . H . Gray and Mr . Wells occupy prominent places in the third rank . Favourite drawings and portraits our readers will discover for themselves . We have a parting word of advice to give them when they go down into the Sculpture Room . Whatever else they may overlook , let them by no means miss Mr . Durham ' s " Sleeping Child , " Mr . Macdowell ' s " Bust of Lord Beaumont" ( why has Mr . Macdowell no statue this year ?) , and Baron Marochetti ' s beautiful female head , No . 1480 . With these last " words to the wise , " we take our leave of an exhibition which is , upon the whole , the worst we remember to have seen since the building in Trafalgar-square was first opened to the public .
The Amateur Musical Society. The Last Co...
THE AMATEUR MUSICAL SOCIETY . The last concert for the season took place at the Hanover-square Rooms on Monday evening , and was the best of the series both for the selection and the performance of the music . The room was crowded , and among the audience there was an unusual gathering of critics and connoisseurs , attracted , we believe , by the fame of a fair pianiste , who created some sensatio at a former concert . On the present occasion this young lady , whose name—as it has appeared in other journals—we may be permitted to mention , Miss Poland , exhibited a very high and pardonable ambition . In Hummell ' s long , and as we think not very interesting , Scptuor , she played from memory , and with a quiet mastery , a self-possession , a finished delicacy , a precision , which may well have excited the surprise ariti admiration of the audience ; especially of those who were able to estimate the difficulty of the piece , even played wi th music . In the case of an amateur performance , there is often the greatest difficulty in obtaining sufficient study of the concerted music ; the performers are so apt to sible
come too late , or to have engagements elsewhere , that it is almost impos to obtain diligent and attentive rehearsal . The consequence is , that at the last moment unsteadiness and uncertainty are likely to prevail . The Scptuor , however , went uncommonly well last Monday : each movement was listened to with evident delight , and warmly applauded , and not a little charm was imparted to the performance by the modest grace of the pianiste , a grace beyond the reach of art . Miss Poland must have studied very earnestly and very devotedly to have been able to accomplish a feat which few but Liszt we believe would have attempted , and the success justified the ingenuous audacity of the attempt . In the second part of the concert , a four-part song , " The Sun of the Morning , " composed by the pianiste of the Scptuor , beautifully sung by Messrs . Foster , W . Millais , Cooper , and Taylor , revealed an intimate acquaintance with the science of musical writing , as well as a refinement of feeling , a natural aptitude and a maturity of accomplishment not often met with out ot the profession . The part song was heartily encored . Altogether , it was a most agreeable concert .
The Operas. Madame Grisi Reappeared On M...
THE OPERAS . Madame Grisi reappeared on Monday evening in La Favorita . Her reception was gratifying , but not enthusiastic . In the last act , however , she took tlio house by storm , and made us all forgive the disappointment of hearing her again . Her last last appearances are to bo ten only , after which she will positively retiro to her Tuscan villa , which is so pleasantly alluded to in the bills . Jjon Giovanni is announced for next week . " Why , " says the critic of the Times , is the part of Don Ottuvio taken from Signor Tamhkrlik ? and why is Mademoiselle Nky , iuHtead of Madame Giusi , to bo the Donna Anna r" Echo answers , Why ? and we Hay , Why , indeed ? JVorma was produced at Drury-lank last evening , with a now Pollto ,, a . new Norma , and a new Oroveao . The house was densely crowded . Wo shall Have something to say of tho performance next week .
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Citation
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Leader (1850-1860), May 26, 1855, page 20, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/cld_26051855/page/20/
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