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August 16, 1856.] THE X, EADEB, 785. . —...
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^jv* x i JLTI£rilTHl X?
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? Critics are not the legislators, bub t...
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7" It Las always been interesting to Eng...
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I Journalists occupy so prominent a plac...
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MATERIALISM IN GERMANY. Der JSfaterialum...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
August 16, 1856.] The X, Eadeb, 785. . —...
August 16 , 1856 . ] THE X , EADEB , 785 . . — - ^^^—^^^^——^———^— . —
^Jv* X I Jlti£Rilthl X?
? iCitmitmt-
? Critics Are Not The Legislators, Bub T...
Critics are not the legislators , bub the judges and police of literature . They do not make Iaw 3—they interpret and try to enforce them .. —Edinburgh Review .
7" It Las Always Been Interesting To Eng...
7 " It Las always been interesting to Englishmen to read the criticisms of Frenchmen upon Shakspeake . For many years these criticisms had a splendour of absurdity which made them the delig ht of every one whose sense of the ludicrous was keen . Of late years we have seen this source of amusement gradually disappearing ; its place has been filled by a graver interest—that of watching the serious judgments of able and well-informed
men on works which have rarely since their first appearance been judged without absurd partialities . Shakspeaue , in England , in Germany , and in France , has been the subject of more criticism , and worse , than any other poet since poems were first written . This should always be remembered in speaking of any attempt to judge him . If the modern French critics fail to satisfy us , we are forced to confess that no English nor German critic has succeeded better . An air of unreality , and something also of insincerity , vitiates them all ; and M . Taine , in his remarkable essay published in the Revue des Deux Mondes , says with strict accuracy that " il est si populaire , qu'au lieu de le jugcr on 1 ' adinire : " and in place of criticism we have dithyrambics . Even M . Taine constantly forgets the purpose of his essay , and
makes it the mere starting-point of rhetoric . He has studied Shakspeabe with care , and he interests us by his remarks ; but he shows too plainly the desire of the writer to write brilliant paragraphs with small regard as to the fitness of what he says . Phrases fall from his pen which are merely phrases , and not expressions of his real meaning . For example , when he speaks of Shakspeake's inspiration as " superieure a la raison par les revelations improvise " es de la folie clairvoyante , " and , elsewhere , lays so much stress on the feverish delirium of the poetry —( " on s ' arrete avec stupeur devant ccs metaphores convnlsives , qui semblent ecrites par unz main Jie ' v reuse dans uiie ? iuii de delirf )—he is using the cant language of Young France , which cannot conceive poetic exaltation except as delire , which cannot admit genius without madness . There is something so essentially opposed to French taste in the
works of Shakspeare that we ought not to be surprised if , accustomed to the sobriety and precision of their classic authors , Frenchmen should pause u avec stupeur" before such extraordinary productions . M . Taine justly compares this sobriety of the French classics with the profusion of the English poet , in whom three images constantly do the work of one . The French poet employs an image to render intelligible the idea he has to express . Not so Shakspeare . He thinks in images . He gives you one to express his meaning , and that one calls up another , that other a third ; and debVhtin"' in these images for their own sake , he scatters them prodigally along his path . The French poet employs an image as a proposition : the English poet employs it for its own sake , delights in it because it is an image , and indeed cannot express himself otherwise than by images .
"While M . Taine is endeavouring to make his countrymen appreciate Suakspeake , Mr . H . Denison , late Fellow of All Souls , has been endeavouring to persuade his countrymen to translate Shakspeare—into Latin ! and published a version of Julius Cccsar as a sample of what may be achieved in this direction . Of all languages known to us Latin is the least adapted to render Shakspeabe : a meagre language , having no virtue but its characteristic brevity , a language for epigrams , inscriptions , and aphorisms ; it is incompetent , even in the hands of a master , to reproduce the luxuriant overgrowth of Suakspeauean style , so prodigal yet so felicitous , so crowded and at times so simple , and always flexible with the grace of strength ; in the hands of a modern Englishman no approach to success is possible . W will give one specimen of Mr . Denison ' s attempt , and it shall be a passage full of brief sentences and free from Shakspeark's peculiarities : — Ct 8 . —Let nio liavo men about mo that , are fat ; Cos- —Qui milii aslant , Antoni . obcsi Sleek-headod men , and such as sleep o ' nights : *> i » t ; beno curatfl . cute ; qui noctem Yond' Cassius has a lean and hungry look ; edormiunt . Cassias isto nsyectu macro Ho thinks too much : such men aro fenxorouo . SiSSSXirX * ' 8 """^ Ant . —Jb ' ear hiui not , Cccsar , he ' s not dangerous ; Ant . —Ne ilium motuas , Ctcsar ; non Ho is a noble lloinan , aud well given . est illo oavendua ; btmo natus cst , C «& . —Would ho were fatter : —But I fear him optimo afFectus . not ; CUts . — Utinain pinguior cssot : —nihil Yet if my name wcro liablo to fear , metuo tuition : sin autem Oicaaris no-T ( Iniinf Irnmv Mm rrinn I nhmild n . vowl U 1 U " aliquid CUII 1 fomildlllO COmmUllC I do not know tlio man 1 snouia avoid css . cfc llullliucm novi quein usque vi tan-So soon as that spare Cassius . Ho reads much ; dum ju , iicarem , no macrum istinn Cas-Ho is a great observer , and he looks aium . Multa legit ; notat multa ; acta Quito through tho deeds of men : ho loves no plays , hoininuin usque ad itnum perspicit ; As thou dost , Antony { ho hears no music : ludos non , ut tu , Antoui , frcquentat ; Seldom ho smiles ; and smiles in such a sort musician fastldit ; raro feolom in risuni A . if ho mock'd himself , and . oornM his spirit gg *; ^ l ^ K ^ u ^ l That could bo mov'd to smile at anything . contemptu , qui ad hoc ulloniodo mo-Such men as he 1 ) 0 never at hoart ' a ease , veri pohmL . Talon dumper asgro foriuit , ¦ Whiles they behold a greater than themselves ; si qu an do alium nibi ip . sis supcriorom And therefore aro they very dangerous . aniiuadvorteriut : idcireo iinpriiniH <; a-I rather toll thoo what is to bo fear'd . vo"di Kllllt" , Qllod v . K ° niotuoudum Than what I fear for always lam Cosar . ^ S ^^^ ' "SjTXTil Como on my right hand , lor this ear is deaf , doxtrum , ultoi ' a oiiim aure surdior num . And toll mo truly what thou think ' st of him . et Uio muii quid do illo vero cl-iiDoivh .
I Journalists Occupy So Prominent A Plac...
I Journalists occupy so prominent a placo in France that the trial of one of ( them for libel ia thought worthy to fill nearly tho wholo of a newspaper . , Strange indeed mo tho revelations made in the proces Jujlks Lrcomtk . i
Our readers may perhap s have occasionally read in 1 JIndependence J & el ge , a very flippant and very worthless feuilleton , or " Courrier de Paris , " signed 'Jules Lecomtb . " This man , who has been thrice before the criminal court , who has forged , and been condemned to the galleys , according to the evidence of the trial , has had the strange audacity to bring an action for libel against some other journalists , and to demand 20 , 000 francs as damages from one , and lesser sums from the others . The jury , after hearing the whole case , award the sum of 25 francs without costs ! Will the IttdS pendance continue to put forward as a principal contributor one whose honour is estimated at the sum of 25 francs?—a man whom even in France nobod y will fight with , because , as Ddmas told him when they quarrelled , "Je ne me hals pas avec vous , parce que vous etes nn escroc /" _
Materialism In Germany. Der Jsfaterialum...
MATERIALISM IN GERMANY . Der JSfaterialumus : Seine Wahrkeit und Sein Irrihum . Von Dr . Jnlius Frauenstadt . D . Nutt . This is the latest of a series of works issued during the last two or three years , which have made great stir in Germany . The origin of the battle , which has since waged fiercely , was Rudolph Wagner ' s ill-judged attack on Vo ^ t . Vogt , one of the most distinguished of German zoologists , and also one ° of the " extreme left" in the Frankfort parliament , has expressed himself ¦ with a plainness amounting to crudity respecting the nature of the soul and the origin of the human race . In the scientific views maintained by him the vast majority of scientific men in Germany are unanimous , and when Rudolph Warner ventured to open a discussion at a scientific congress
respecting the existence of a peculiar " soul-substance" ( or as we in England should term it , " the immaterial principle superadded to the brain" ) , he could get none of his brethren to espouse his cause . It would have been wiser had he been quiet after this rebuff ; but , unhappily , personalities of a bitter kind , had already passed ; Vogt had ridiculed and attacked both him and his views ; he had retorted ; the quarrel became fierce , pamphlets abundant . We have no space to write the history of this quarrel ; but we may briefly indicate its nature . Apart from all personalities , it is the ancient quarrel between Theology and Science ; the endeavour on the theologian ' s side to coerce Science " withiu the doctrines Theology is willing to admit . Such an attempt we may unhesitatingly declare to be in its principle unphilosophical , and fatal in its resultsobstructing Science and not advancing Religion .
, The attempt is , however , one which under other forms continually presents itself as an obstruction to the progress of discovery . It neglects this fundamental canon of all sound philosophy , namely , that no speculation should be controlled by an order of conceptions not presupposed by it . The canon may be most strikingly exemplified in the absurdity of controlling Poetry by Mathematics ; and in the necessity of controlling Physical speculations by Mathematics . The very reason which makes Physics amenable to Mathematics absolves Poetry from all such authority ; the speculations of physical philosophers imply , and are dependent on , Mathematical laws , consequently by these laws they must be controlled .
Truth is always consistent . Any fears on our parts of the " consequences " to which a true proposition can lead or be supposed to lead are as unwise as they are unworthy . A true proposition cannot legitimately lead to false consequences and instead of permitting our anger and our terror to alight on the proposition , we should resolutely set to work first to see if the dreaded consequences are legitimate and inevitable conclusions from the new proposition ; and next , to ascertain whether , if this be so , it will not on the whole be better to give up our old conclusions in favour of the true . It is of no use screaming , " This leads to Toryism ! " or " This is rank socialism ! " both isms may be very hateful to you , but the thing you are called on to decide is , whether a moral or economical principle is in itself just and true . Having settled that , the ism will shortly settle itself . © _ — -mm t iiliJf / T" ¦ 3 _ Z * totalldifferent order of
... Theology , we need scarcely say , belongs to a y conceptions from those which constitute science . Its aims are different , its methods are different , its proofs are different . Not presupposing the evidence of science , it cannot be controlled by science . Neither can it control science . The two are as distinct as Mathematics and Poetry . In theology , there may be debates between Catholic and Protestant , Lutheran and Zwinglian , Presbyterian and Quaker , because all these systems proceed from one starting point , all invoke the same evidence , all employ the same methods . But what should we say to Lutheran botany , or Low Church chemistry ? to Presbyterian optics , or Evangelical physiology ? These dissonant phrases express the discordance of the ideas . We are justified , therefore , in the assertion that Theology and Science ought to be kept utterly distinct ; the teachings of science cannot be invalidated by anything taught by theology ; if the two clash , we muat ascertain their noint of contact , and izive to each its own . This has been more or less
consciously maintained in England for years ; many of our eminent scientific men having been cither clergymen or orthodox believers . They have , indeed , been ut all times ready to decry novelties on the ground of " dangerous tendency . " They like to use the arm of the Church as a weapon of offence ; but for all established truths , or theories , they are willing to let science have credit . This is very much the position maintained by Wagner . In his work Ueber Wisscn . und Glaubcn ( 1854 ) , he said : " In matters of Faith , I prefer the plain nnd simple creed of the charcoal burner ; but in / natters of Science , 1 belon « to those who are most sceptical . " The p hrase produced an uproar .
Vogt replied , in u terrible pamphlet entitled Kohlerglaiibe und tYissenscnajt . We think there is a good position to be made out for Wagner , but it is certain that he failed to lnuke one for himself . lie tried to support scientific opinions by Scripture ; and he was liberal in accusations against tho * ' consenueneca" which would ensue if the opinions he opposed were to prevail . This tone would not succeed with the Germans , although it is eminently successful with ud . Tho Germans think more of truth and less of consequences . Long ago , Leasing , writing to his brother , said : — " With Orthodoxy we wcro hitherto on comfortable terms ; a line of demarcation had
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Citation
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Leader (1850-1860), Aug. 16, 1856, page 17, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/cld_16081856/page/17/
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