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:¦' . "¦ ' . ' : ' - THE EARTH A2iTP MAN...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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The British Hospital In Smyrna. Ismeer, ...
^^^^^ SKfitafif- lSlSSt wefe taunted with . our mismanageme ? t , with our jae-wintwwi o thrown in our teeth as a national disgrace that " u ? SSf ^ pe ^ W £ ta ££ * We nobly redeemed ourSves iathe SSJS SowlS , then , that the absolutist system , of conducing ? _* 3 . * v *• sL ^ M >* n ~ i }>* r t « aftorr erovernment m some eyes--presents the fol-It
, iowJn ^ ctareT was taken a ' short time before the articfes of peace were signed : — __ _^_ _ „ ,. _ . The French are sufferers very much- I say this not from hearsay , but having both witnessed it and personally known some of the © ffifers . From bad food , want of vegetable diet , insufficient clothing , and exposure under tanta . lying on the damp ground , J * edie & the same circumstances have taken place as in the British army last year , under similar conditions . Scurvy ; in its worst form , followed by dysenteryy diarrhoea ! and , ' iatterjy , typhus of a most virulent form , has been sweeping them off bVS ^ d 8 . ^ Iw «^ a 8 So > ed by a French officer , ; that the loss of their medical offieeraalone ; was so great , that the whole number attached to the army have been ¦ ¦
twice rep laced from home ¦ ¦• • •• -: - ? r- -- ' - . - ? . ^ e ei < Mtent S anitary ccmditidn of the"En ; glisli an ^ t gar ) aim ^ tf fosses ; ijfc this twae is T ^ ell known . "With this contrast tye close ; " our , notace of the book . - ¦ .. ¦ - ¦ . ¦ ,. ¦ ¦ . ¦ ,.,. - ' . . •¦ ..-... -.- ¦ ¦ ¦ -. ¦ :.- ¦ . :. ; ¦ ¦ .,- ¦ . v
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:¦' . "¦ ' . ' : ' - The Earth A2itp Man...
: ¦' . "¦ ' . ' ' - THE EARTH A 2 iTP MAN ^ ^ The Genesis of ike Earth and Man . By Reginald Stuart Poole , M . B ^ . I * . _ _ ¦ . - ; ¦ ¦ - ¦ ¦¦ Edinburgh : Adam and Charles Black . The object of this essay is to maintain the hypothesis of many original pairs from which the human race hasf descended . Mr . Poole devotes his first chapter to explanations of the incongruity that exists between the Mosaic . account of the creation and the results of scientific , discoveries . Starting ; -with thesupposition that the whole Bible is a Tevelation , he endeavours to show ••* that revelations of this kind * of which the subjects
are events , were " generally conveyed in repres & ttation * to this sight" and thai ; therefore the Mosaic account of creation must be regarded as a record of appearances . With Professor Lee , he thinks . that the narrative ^ j ttifee ^ ormaifion- of the first woman ' mearis ' ^ simpW thaJb ^ the ^ creatioH ^ olif ^ ve * ' WM . ' xeyealed to Adam , who , in , a . , " deep , . sleep *' or ..-eqstflsy ,-and thai ; lie might thus have seen God take one of his nbs , make it ataman , and bring it fd nun ; Mr . Poole also argues from ' citationsi ofSJcriptiird that the six days of creation may refer to six visions . He further contends , that tfcereis a close analogy between natural days « m | the ^ greairgeo logicalperiods ; that the former term . is frequently used to signify life , and that intlie latter instance it may also be used for--the epoch occupied by the enexgiaakig spirit of the Creator in calling into existence the several elements of the earth . . ' ¦ ' ' i " ''' .. '¦ '' ¦ . ¦ ¦ ''¦"¦' . .- ' . . .. ' . ' ,:..: •¦' . _ ¦ . ¦ : ¦ ' ¦¦ ' ¦
JEC is unnecessary-, t $ fellow Mr . ? opl 6 thrftugh the argument m support of- bis hybotheais thai tJbere was a prse-Adamite race of human beings ; - If Gain . heiS banished to tiie land of 'Hod , had a mark put upon himihat nunstu & ik Hkwiw Kim , it may fairly be asked , " What men P Evidently not the . imldtten of Adam and Eye ; they could scarcely have peopled whole regions 3 n about three generations . : TSfr . Poole ' s theory , then , is that man was , created as soon as the earth was fitted for his habitation , which may have been thousands of yeara ± > efor the creation of Adam ; that the equatorial region of Africa was the scene of his birth ; in fact , 'that the ' trUe'Vegro , the aboriginal inhabitant of Nigritio , is the orimary variety of our species ; that branches fro « ntb 4 « stock gradually overspread the valleys of the Nile and other rivers ' , the southern portions ^ of into the PeninsulaChinaIndiaand Arabia
Africa , and extended Malayan , , , . Mr . Poole agrees with Dr . Barrow ! in perceiving a striking resemblance between the Hottentots and the Chinese , and hence concludes that both sprang from the TMgritian stem . The same hypothesis supposes that from the Chinese sprang all the Mongolian or Turanian races , extending from the Uinitsof the Malayan region , through Asia and Europe ,, to the coldest limits of the habitable earth and throughout the American continent * , pervading every zone . The Malayan variety , it is conjeetune 4 »« MiPg firoro a branch ' of the Mongolian or Turanian stock , nearly allied tiMPP Chinese , and by degrees entirely supplanted the older iNigritiaa serafero eastward of the African continent , excepting a few instances . The prflafcfpal or * these exceptions are to be found in the mountainous parts of theMalayanpeninsula , the islands of Luzon and Tasmania , New Guinea , New Britain . iNew Ireland , and Australia . Mr . Poole does not think _ it from
necessary that we should suppose that these races sprang one pair , hqWevetf ^ much the marriages between brothers and sisters , which prevailed in Egypt , may seem tosanetion the idea . He would rather infer that it commenced with two pnirs , because " the marriages of brothers and sisters are contrary to the laws of the Creator , to whose moral government we have no right to impute inconsistency ; " and because the differences of the black an 4 brown and tawny races may be most easily accounted for by the supposition of physical differences , however small , in two pairs of protoplasts . We now . , ar # vie at the Caucasian variety , which , we are told , was brought into existence after all the other varieties had become developed , commencing with Adam * and dividing into two branches , namely , the race of the exiled Cain ; wtich degenerated by his own and his children ' s marrying with descendants of , the primitive stock ; and the race of Adam ' s other sons and daughters , who may reasonably bo presumed to have produced a progeny uncorrujptod by intermarriage with inferior races , and , therefore , more properly be termed the Adamite race . ^ JK ^ hia the theory Mr . Poole wishes to establish . He has incorporated i » fo ^ anrurnent a variety of chronological , historical , and philological de-* $ ¦• Mgd ^ e re commend his book to those who may be tempted to pursue
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/ .: ; ' "' ., : - " [ . ''¦ ' MS 1 X ) RI AS BOSMlJNliA ^ - ! ,:. » , r ' , . ,. > .. ,. . ,. ,. \ Ax-boik , King of the Lombards , having slain Cbmtmdo , the father of Jtosmunda , makes her drink blood out of her father's skull . ^ l » ot « ift ^ slain in turn by Almachilde , who marrieari ^ MmtMidbi and : tlien defeats Ci e ^ the defender < rf the murdered £ tboin s cause in battle . Alfjbb ^ s play opens whilst the Bounds . « ofthi « battle « re heard in the distahce . Romilda , the daughter of Alboia and tRommnda , her step , mdther , are conversing together . ThisHomMda is detested by Rotmunda , not only because she is the accursed daughter of Aibov ^ the impious : remnant of his house , but because Rosmtmda suspects that her new husband , AZmacMCde , loves
her . Jiosmunda , therefore , dooms the Princess to the embrace of Alaric . To condemn the young Romilda to so ruthless aaotd « urprises even the rough Almachiide . ' But ^ oa ^ wmtio . has spoken , Her word is law . Almachildemust usei hia sword at the will of hi « imperious mistress : but , vengeance and , pojlicy are . hers . In the battle which gave Almacbdlde the victory over Clqfi , ItdovalcU ) saved the life of hia chief . How can that chief reward him ? . Let , Ildovatdo dernand what he pleases , and he shall have it . - lidovaldo confesses his love for Homitda . That confession is wormwood to AlnachiZde , for , as Rosmunda suspected , he himself U deeply-entangled by her charms ,,. But Romilda loathes him for haying murdered het father , and will hardly condescend to ask him ta aave her ^ ono .- 4 / orw . Nevertheless she does nrefer this reauest , and JinacA ^ ipromisaph . ms ; support .
But in vain they appeal to Rosmunda * * pity . She is inexorable . IldavaUla , therefore , rows he will emancipate = Rom * Wo . . . ., ... At length Almachilde openly confesses liis love for Romilda—but his passion is spurned . Rosmunda , enraged at the thought of Almachitde ' s love for RomtMa "being requited , is suddenly transported with joy when she learns from RojiuXdtfs lips that lidovaldo—not Almachilde--is the object of her affections . A touch like , this in the hands of Ristori could , not fail to evoke delight . . Fired with an unquenchable hate for Almachilde ^ Rosmunda abandons her design to marry Rpmildd to Alaric . She will use lidovaldo to accomplish her vengeance . If he can conquerAlmachilde , let him take Romilda by force . And yet musJ ; it be that this cursed , daughter ef ^ Jboin , the murderer of Rosmunda s father , shall be made happy by Rosmunda herself ?
Lieta?—nol sei tu ancora : —io vivo ancora . Happy?—Thou art not happy yet : —I still live . Just as lidovaldo has arranged the escape of Romilda , Almachilde appears— -he offers to fight his rival , so that he who isvictorious shall have the Frineess . Tne offer is rejected , and lidovaldo is disarmed . Rosmunda releases lidovaldo . There is a battle . Hdovaldo , consumed with impatient love of Romilda , leaves the com . mand to his lieutenants , and returns to claim the hand ^ f his bride ; out instead « f that"han * - * fr meets with JfcwfRttmfaYeontempt for not having accomplished her corBtntod— -the death of Almachilde , , JVIeantime Almaehilde has been victorious oirer ' if dov ^ tdo ' s soldiers , and returns triumphant . Rosmunda , seeing the twornvafloverar' & the- haplesa victim both pr ^ ettt ,: aB ( a : unUed only in their desire to rescue her , sweeps her away—like some beast of prey—and stands prepared to plunge the dagger to her heart ; The two rivals are compiled in turn to disarm themselves , and to dismiss their soldiers . Rosmuitda snmmous hetai and then stabs Romilda . ¦ lidovaldo falls by her own hand . But Rosmunda ^ vengeance is but begun—Almachilde lives ; • . .. stort
Such , is a slight sketch of Aifibri ' s Rosmunda , ^^ in which Madame Bi has played her part . Though it is impossible not to admire the ingenuity of the author in having constructed a play of fire acts with only four characters , we must confess that the impression produced -upon us vas that which might be produced by a dramatic exercitation . It is true , as Alfibri himself says , that until the close of the play it is quite impossible to say which is the principal character , or what will be the issue . The puzzle is complete . Lake a wellshuffled pack of cards , there is absolute uncertainty where each card is to be found . We confess that this peculiarity , whilst it exalts our opinion of Alfibri s fooulty fir the . mosaic ijf the drama ,-has the effect of rendering the characters somewhat artificial . Nevertheless there Is considerable power lri ^ flle work ^ Jtt is not that there are any very toe passages which can be torn from thecontex ^
hut there is a boldness , a rough-hewn grandeur about some of the characters . Which demonstrates power . Rosmunda is no mere fury . SH © has suffered cruel wrongs . She is a woman of commanding temper . She is bent upon vengeance , and applies herself to the accomplishment of her design with the sternest will . Altnachtlde is a brave soldier , but it is obvious that his character is too weak to resist either the imperious force of Rosmunda , or even the fascinations oiRomtlda Nor is his moral sense strong enough to oppose his path to crime—when crime becomes a necessity . Romilda , though the daughter of a barbarian , is full of noble thoughts .. She maintains a settled dignity-. She Would Sacrifice all for l idovaldo , and yet she would not abate one jot of her hatred for Almachilde , even to win her lover . lidovaldo is a soldier of tried loyalty—of a noble , loving nature .
He is the victim of circumstances . No character can better suit tho genius of Ristoju thai ^ Rosmunda . Her dress and figure are always admirable . Bat the prominent point , as , it »« e « Kd to us , of her acting ix * this part was the marvellous way in which she seemed to lord it over every creature with whom she came into contact . If she failed to control by her moral power , she hesitated not to employ physical forcQ . ^ tnuffiii / de , the partner of her crimes , had long recognized her influence , and seerqed to aink in her rebuke . When he explains to her the danger of outraging Romilda t It was excellent to watch the patronizing sneer on her countenance as she gently told him that , whilst the sword was his , policy and vengeance were hors , and then , placing her hand upon his shoulder , led him off the stage like a corrected child . Nor was the touch less striking when , with an imperious air , she holds him in her grasp , and , with a stern rebuke , bids him leave Romilda f—
- ~— pat dost thbu , ' my consort , Differ from me ? and darept tjiou talk to too ? Must I before them discuss with thoo , Reasons of state ? Let us go ; come : Leave him a little time to reflect . Leave her , I say . But the last scene of all , in Which she exhibits her power , is perhaps one of the most surprising exhibitions of dramatio art ever witneBsod on tho stage Tho incident of tho two lovers standing at bay is said to be borrowed from a , French novel , L'JIomme de QualitS . It is somewhat melodramatic ; but tho perfect art with which RiSToni demonstrates by her every gesture her fixed determination to revenge is worthy of all praise . She seems to clutch the poor Jiomilda with her avenging fingers—to encumber her with a terrible embrace , which makes the spectator tremble . It is the Laocoon in spirit . Throughout the play , indeed , there are not many delicate touches of character .
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Citation
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Leader (1850-1860), July 12, 1856, page 20, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/cld_12071856/page/20/
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