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¦yAarom^ - IOy lSSfr.J . THE I^ E> A D E...
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MEMOIRS OE KICHARD CUMBERLAND. Ifeirioir...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Eoeus.Andjbla^Iabists: Alexander. Smith ...
lake ; to a . diver inijhe pearly seas , She like a swimmer who las found his Forward he stoop'd over the airy shore , giotrad ,. And . plunged . alL noiseless into the deep Game rippling nip a silver strand of cloud nighfc ( "Hyperion . " ) Andiplunged from the other side into the night . ( p . 52 : ) THis is . very close . Yet there are touches of originality .
- •© Sorrow , ¦ y . dost . borrow Alas tliat years should harry . The natural hue of health . fromvermeiL Gloss from life and joys from lips , lips ? ...... Love-lustres from the eyes of Glari ! Tha lustrous . passion from a falcon eye ? ( p . 61 . ) C'Endymlon , " B . 4 . ) "Z" may discover plagiarism in this , as he does in so inany other instances ; We leave him- in , full possession of such sa . ga . city . Of . the same character-are tlie following from Shelley : —•
- ——A Power Thou art a rock , Girt round , ¦ with ¦ weakness . ... I a . wealc wave would break on tbee and A ^ breafcing ! billovr 5—even whilst . we speak ; die . ( p-3- ) L » it not broken ? ( " Adonais . " ) ——All deadly sbape 3 were driven Across thy soul dark herds of demon Tuurultuously across her sleep . dreams . ( p . 180 . ) ( " Marianne ' s Dream . " ) And this , from Leigh Hunt : — The . birds-.. . . As darts a . bright bird in and out the Sung and . dkrtedin ; and ; out ; the boughs- leaves . ( p . 159 . ) _ (" Birninj , " B . iii . ) N-oone , of course , ever observed a bird darfc in and out of trees until Leigh Hunt observed it ! But so resolute is " Z" to " refer to their original sources ? ' any passages or words he iinds in Afexander Smith , that he actually instances the folLowing" as examples .:
—ECere are ( inr ore out' of ' season ) Jove , Bacchus , Mercury , Dian , Cupid , Venus , Apollo , Hercules , Orion , — -Caesar , Marc Antony and Cleopatra ; Hero and Leander , — Bacchanals , Nymphs , ISFaiades , Memnon , the Sphynx , Egypt ' s Gods , Adam and Eve , Mows ' s- Serpent ; Loves of the Angels , Jacob and Rachel , Absalom , Satan , Dives , — Paradise , Hesperides , Labrador , Ind , Indian air , Gauges , Indian morn , Cub of Ind , — lutes , timbrels ; swans doves * falcons , larks , panthers , leopards , fawns , water-lilies , daisies on graves ' , " like April unto May , " " populous witb bees , " " bathed in sunset , " moon whitening o ' " paled sheaves , " wine-cups , heart-pants , queenly maidens , crowns , palaces ' , haunted springs , worlds of greenery , purple nights , blue days , thro-bbing starsj spooming seas , old gods , old kings , great queens , earls , " wild-eyed " persons ; singing- rills , ancient woods , windy woods , brooding thunder-eaves , braying trumpets , —orbing , ringing , reeling , broadening , far-splendouring , grandeuring , — mlghtf Bards , Poets of the Age , Poets' deaths , Poets' fames , " O Fame 1 Eame ! Farae ! "" " Poesy 1 Poesy ! " <& c . & c . Is "Z a lunatic ?
Eronx Leigh Hunt . three passages are said to be plagiarized—a charge winch we are quite sure the veteraa will energetically disclaim . They are very fine passages , and Alexander Smith ' s passages , also fine , bear a faint , very faint , ressmblance to them ; but if such be plagiarism deserving public reprobation * "woe upon the poets to corue !—And flung — . — scattering . The foam beHrhd , as though he scorn'd "With scornful breath the kissing , flattertbe sea ; (*• Hero and Leander . " ) ing foam . ( p- 179 . ) The wind is mad upon the moors , The terror-stricken rain And comes into the rocking town , Flings itself wildly on the window-panes , Stabbing all things up and down , Imploring shelter from the chasing wind . And then there is a weeping rain ( p . 208 . ) Huddling ' gainst the window-pane . ( " Captain Sword and Captain Pen . " )
ghastly prison , that eternally An old fort like a . ghost upon the hill Holds its blind visage out to the lone sea . Stare in blank misery through the blind-( " Power and Gentleness . "^ : ing rain . - ( p . 237 . ) We cannot go through the list of examples ; but we have given specimens of all kinds , and now we ask our readers what they think of a writer producing sucli evidence , and on the strength of it sa ying : — In all these instances the appropriation is simple and' direct . Mr . Smith has not troubled himself to smear the faces and change the garb of the stolea-children . But a favourite secret of his composition seems to consist in taking three or four passages from various writers and marrying them together—not in immortal verse . ° Was our interference in such a case justified , or not ?
¦Yaarom^ - Ioy Lssfr.J . The I^ E> A D E...
¦ yAarom ^ - IOy lSSfr . J . THE I ^ E > A D E U . 4 g
Memoirs Oe Kichard Cumberland. Ifeirioir...
MEMOIRS OE KICHARD CUMBERLAND . Ifeirioirs of Rukard Cumberland . Written by Himself . " With Illustrative Notes by Henry Wanders . TrUbner ami Co . The Memoirs of RicJiaH' Cuml > erlcuid—Gouvt \ evy Poet , Dramatist , and Philosopher—were published some years before his , death , but never reached a second edition . They , or © largely interspersed , with anecdotes of the men of his time , with most of whom he was intimate ; The cumbersome style , however , in which the events he has to record , and the gossi p he has to narrate , aro placed before the . reader , condemned the work . to an oblivion from ybnchalittlo humour and sprightlinesawould have rescued it . In vain we look fthe
or witty aur of Walpolo . Another characteristic which the work possesses is not calculated to detract from , its dulnoss . It is evidently written with a view to apologize for the author ' s many ill successes ; and a work written to patch up a man ' s character must always be tinted with a false colour-in" - In America , however , the " Memoirs" have been revived . They are recommended , in the short notice which prefaces this edition , as bcin ^ peculiarly interesting to the American student of history , inasmuch ns * thoy relate the episodical career of Cumberland as British envoy in Spain at a time When the ex-President ; Jay , wns-Ministor of the struggling republic at the same court . x CumberldndL ' reccived his early education at Wes-tminster , where he lmd Warren . Hastings ,, Column , Lloy . d , and Vincent as schoolfellows ; From
Westminster he removed to Trinity College , Cambridge , and , whilst only a student , had the good fortune to obtain the office of Private Secretary to Lord Halifax , then First Lord of Trade and Plantations , and afterwards Lord-lieutenant of Ireland . This connexion with his lordship procured him the offer of a baronetcy , , which ,, being but , a hollow honour , he declined . On the death , of Lord Halifax , he received the Secretaryship of . the : Board of Trade , and . signalized himself by a steady discbarge of its formal duties . His next step was a failure : Being sent on a mission to Lisbon to treafc .
with the Spanish court , then at war with us , on the articles of-a peace , he exceeded his instructions , and proceeded to Madrid . Considerable mystery bangs over the causes which led to his recal . . Some affirm his advancing into Spain was the real ground ; others maintain that he was not sufficiently ' firm in carrying out the injunctions of the Ministry ^ the cession of Gibraltar being laid down by them as the basis of any negotiation * Whatever was the cauBey . it is generally admitted , that he was harshly treatedboth in his recal and on bis return . He therefore retired to Tunbridge Wells ,, where he spent the remainder of his life in writing plays , epics , and operas .
How difficult is it to keep silence under a delusion of wrongs ! The account of the " Spanish Mission" affords many a complaint wiich might find a parallel in the heart-burnings of our late gallant Baltic A-flmiral . Cumberland , receives letters from the Foreign Office . — - " If the enclosed letter was not altogether what I hoped for , the covering letter vvas most decidedly what I had not deserved , for it conveyed a more than implied reproof for my having written to the Spanish Minister , and at the same time acknowledges that my paper was cautiously worded , and that I had most certainty succeeded in my argument . " Again : — "If , in any one part of my conduct or conversation , I had . advanced a step beyond the line of my instructions , or varied from them in a single instance , 1 should not have sought to shelter myself under the peculiar difficulties of uny situation \ I must have , met the reproof I merited . " But whether under the lash for his political or literary conduct ^ Cumberland always manifested a most sensitive disposition—so sensitive , indeed , that he was nicknamed by Garrick " the man without a skin , " caricatured by Sheridan in the character of" Sir Fretful Plagiary . "
Cumberland ' s public life presents three distinct phases—its . political , its dramatic , and literary phases . His political life threw him into the society of the court politicians of the day , and we have in " The Memoirs , " as has already been observed , sketches of many characters known to history . His dramatic and literary career is that upon which his reputation will longest last . By his connexion with the stage and the press he became acquainted with Garrick , Foote , Kenible , Bannistei-j Mrs . Siddons , Miss Farren , Johnson , Burke , Goldsmith , Reynolds , and others . It is unnecessary to enter deeply into the merits of Cumberland as an author . He tried his hand at almost every kind of composition in prose and poetry . He wrote an . epic , making Milton his model ; but who ever hears of the " Calvary" now ? He gained great eclat as a Greek scholar and essayist , and his " Observer" has been
incorporated into the popular edition of the " British Essayists- ; " but since it has become known how-much he was indebted to Bentiey ' s MSS ., even his character as a . Greek critic is no longer sustained . " Axundel , " a story in two volumes , principally sapports his claims as a novelist , and at the time of its publication obtained a considerable circulation . His principal reputation , however , is based upon his powers as a dramatic - writer ,, and on this it will continue to be based . In this branch of composition he exercised his inclination for variety , and produced pieces of every description , from tragedy and comedy down to the broad farce and the light vaudeville . Of his numerous productions , however , only " The Brothers , " " The West Indian , ' " The Jew , " and " The Wheel of Fortune" are noiv to be found in the repertoires of theatrical managers .
Here is a characteristic anecdote of Johnson , which we give as a specimen , of Cumberland ' s style : — At the tea-table he had considerable demands upon bis favourite beverage , and I remember when Sir Joshua Reynolds at my house reminded him that he had drunk eleven cups , he replied , " Sir , I did not count your glasses of wine , why should you number up my cups of tea ? " And then laughing in perfect good humour , ho added , " Sir , I should have released the lady from any further trouble if it had not been for yourrcmarks , but you have reminded me that I want one of the dozen , and I must request . Mrs . Cumberland to round up my number ! " When he saw the readiness and complacency with -which my wife obeyed his call , ho turned a kind and cheerful look upon her , and said , " Madam , I must tell you for-your comfort you have escaped much better than a certain lady did a -while ago , upon whoso patience I intruded greatly , more than I have done on yours ; Imt the lady asked-mo for no other purpose but to make a . zany of me , and set me gabbling" to a parcel of people I kuew nothing of ; so , madam , I had my revenge oh her , for I swallowed five-and-twenty cupa ; of hertea , and did not treat lier with as many words . " I can only say my wife would havo made tea for him as long as the- New llivcr could have supplied her with
. In the following , both Garrick and Foote figure : — I remember full well when Garrick and I visited him , poor Footo had something worse than , a dull man to struggle with , and matter of fact brought home to him in a . way that for a time entirely overthrew his spirits , and most completely frighted him from his pToprict 3 ' . Wo had taken hinx by surprise , and of course were with him some hours before dinner , to make sine of our own , if wo had missed of his . He seemed overjoyed to-see us , engaged us to stay , walked with us into his garden , and read to us some scenes roughly sketdied for his u Maid of Hath . " His dinner was quite good enough , and his wino superlative . Sir Robert Metohcrwho had nerved in
, the East Indies , dropped in before dinner , and made the fourth of our party . When we had passed about two hours in perfect harmony and hilarity , Garrick called for his tea , and Sir Robert rose to depart : there was an unlucky screen in the room , that hid the door , and behind which Sir ltobort hid Mmself for some purpose , whether natural . or artificial 1 know not ; but Footo , supposing him gone , instantly began to play- off his ridicule at the expense of his departed guest . I must confess it was ( in the csmt phrase ) a way that ho had , and jiiat now a very unluck y way , . for Sir ltobort , bolting from behind thoscreen , cried out , U I am not gone , l'ooto ;; spare mo till I am out of hearing ; and now , with your JeAve ,- I will stay till these gentlemen depart , and then you shall amuao mo at their cost , as you hayo amimeiJthem at mine . "
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Citation
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Leader (1850-1860), Jan. 10, 1857, page 19, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/cld_10011857/page/19/
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