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flb. 472 , Aprii. 9, 1859^] THE LEADER! ...
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LIFE'S FORESHADOWINGS. Life's Foreshadow...
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ELLEN RAYMOND. Ellen Raymond; or, Ups an...
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Hugh Miller's Lectures 0$ Geology. , Ske...
the present aspects of scenes familiar to his auditors and which represent in their formations the se veral stages of patseontological history . Doubtless much of elementary geology is taught to the reader , ere he has reached the end of the lectures ; but in a discursive and , to some extent , an unmethodical and unscientific way . We cannot therefore but regard the title as a misnomer . Hugh Miller ' s mind was led to the study of geolo gy , and to the enrichment of geological science with many gains all his own , just as many sculptors have been led to the art of statuary . Many men , trained in the handicraft of niullion or cornice carvinghave caught , while they carved ,
, the conviction of higlier forms of beauty and of bio-her capacities of plastic art : and they have taught their chisels to ci'eate and perpetuate the sacred innocency of cherubs and the graceful forms of nymphs . Hugh Miller ' s , earliest operative days were spent down m the' recesses of a quarry whose lowest rampart ,. were of venerable red sandstone , and whose topmost layers were deposits of red boulder clay . The mind of artistic bent is led forward from the fashioning of the rock into routine and useful fabrics , to the forming it into new and unborn shapes . Hugh-Miller ' s , speculative mind was led backward from his toil , into inquiries into the
origin and history of the sandstone in which ever and anon he unexpectedly came upon a cavity exactly representing in its form some curious unknown . reptile , or of" the boulder clay in which he found pebbles polished to the smoothness of enamel , and rutted with lines which seemed to have been impressed by gnome or genii gravers . Under . any circumstances , in any age , Hugh Miller woiild have been a geological inquirer . The inquiring mind , situated as his was , would always have . been awakened into curiosity and speculation by the phenomena placed before his eyes . Luckily for liimself , he came into the world ,
and began to philosophise in his quarry , a " sufficient number of years after other men ' s minds had begun to speculate in the same line , to have at his disposal the fruits of the first expeditions , into the wilds of tellurian , history—certain ascertained facts and deductions , which guided him in his further inquiries . For geology this man ' s mind was utilised in maxima , lie arrived just at the right time . Fifty years earlier his cravings would have been unsatisfied , and his observations turned to no scientific account . There was just enough of geological truth radiating to C ' romarty , when he began to hew slabs from the
formation he has made his own forever , by the unassailed ri g ht of exclusive conquest , to light him some solacing steps on his way ; . but its glimmer was just fhint and short , —reaching enough to display without illuming still further recesses of research . and speculation . One curiosity was allayed only to beget others more enthralling . Hugh Miller began to philosophise in the natural and spontaneous way ; that is to say , he began , untutored as he was , to wonder what were the causes ofwhathesaw around him . To students of any science ^ in any stage other than that of the very earliest development , this way of philosophising is
impossible . Progressive science is only possible tinder the condition of each student beginning where the last loft off . For the positive gain of the increased radiance , and under illumination of a truth in science , wo pay the penalty of removal further and further from the fresh wonder nn « l delight of the pioneers oa whose eyes its rays first dawned . In the sketch of geology , which Ji hcso six lectures contain , Hugh . Miller conducted his auditors , and now conducts his readers into every erratum of the earth ' s substance , especially the fossiliferous-. formations , in the fresh and natural method of unformal and primitive philosophy . His whole method is
touches of £ in a sketchy way , some of the more obvious and interesting of minor details ; and then satisfies the curiosity he has incited as to their causes , by vivid and "imaginary descriptions combining all the circumstantial reality of a verbal Pre-Raphealitismwith the gi-andeur of an apocalyptic vision , of the processes and states tlirough which coal , porph yry ^ or limestone have passed . As an illustration of this plan , we shall summarise for our readers , the popular view he gives , in the last lecture , of the . primary rocks , that is , those deposited and done with , ere life was readers ai
borri into matter . Many of our -e , doubtless , familiar with the scenery of the Western Highlands . Take your seat , then , once more , with Hugh Miller as fellow-passenger , on the coach that runs between Glencoe and Loch Lomond . In the glen you are in a region of primary porphyry , itself dingy , and made all the more sombre by the dark heath which covers without clothing it , and by the long shadows cast by its masses over the vale . Igneous these rocks must be . Their semi-columnar structure betrays their origin ; arid their . towering pyramidical form tells the same tale . .
We emerge from Glencoe , and the scene entirely loses its chai * acter . We have just left towering masses , broken into dizzy precipices . [ Now , that first mountain that breaks upon our sighty is " a mere hummock , magnified into a mountain , and wrapped round by a continuous caul of brown heath . " And just beyond , the scene rolls-out into one of the dreariest moors in Scotland . We have passed from porphyry to granite , and to granite largely composed of feldspar . Feldspar contains a large pro }) ortion of potash , which decomposes readily , and thereby accounts for the rounded form , at once , of granite boulders , and these granite hills .
We pass from granite to a region representative of the staple scenery of the Highlands . " Its swelling hills are rolled , like p ieces of plain drapery , into but a few folds , " and its . valleys arc ong and withdrawing . The hills are broad of base and squat , as if they were well begun ,, but interdicted in the building , and wanted upper stories . They are mountains- " of one ^ heave ; " whereas , all the grander Scottish mountains , such as Ben Lomond , and Ben Nevis , are of two heaves , at least . We have been journeying through gneiss . We pass from gneiss , and become aware , by the peculiar contour of the hills miles before us , that formation The rocks
we are approaching a new . are grey , of a silky lustre ; curved , wrinkled , and contorted , like pieces of ill-laid-by satin . The outlines of the hills are tubcrclcd : projecting knobs and sudden recesses break , up their surfaces into picturesque wildernesses of light and shade . The decomposition of the rock evidently forms a soil favourable to the production of grasses , and the common dicotyledonous trees . For , as Sir Walter says , in the " Lady of the Lake , " with his invariable absolute truthfulness of local description : — •' Nor wore theso earth-born cnwtlos bare , Nor lacked they many a banner fnlr \ For from their uhlvored brows ( lltspliiyou , Far o ' er the unfathomable yliulo , All twinkling- with tUo dow-drop ' a sheen , The briar rose full in streamers fjn ; en , Aacl creeping- shrubs of thousand dyort , Wiiv'd lu the west wood ' s summer slyliB . " Loch Katrine , the Trosaohs , and Bon Lomond are in a mica-schist district . And so wo travel on through the clay-slate of the encroaching low-laud scene , between Loch Lomond and Dumbarton , sacred to the momdry of George Buchanan and Dr . Tobias Smollet .
The above is a fair specimen , allowance being made for the unavoidable marring in the transcript and condensation of tho general style and treatment of the lectures . To those who wish to acquire by rote tho skeleton of geological science and nomenclature , tho book is not appropriate , It is all that can bo desired by tho hourts of those who would place themselves , with thy alacrity of joyful disciplodhipat tho feet of onowho Imh mastered many oi
, nature ' s darkest and moat wondrous aocroU ; whoso s ot ^ l has risen and expanded with tho theme ) _ who has taken unto himself strength and sovereignty over ovory now domain of discovery , anil who possesses tho rare faculty of enkindling , u » a teacher , the enthusiasm and tremulous awo ho felt himself when first ho cronsort tho portals of tho past , and stepped upon the virgin shores of tho old rod sandstone epoch .
analytical , Instead of starting from the bowels ol the earth , ns a systematic grammarian of geology would , and leading you through rod-hot gneiss ami schist , enigmatic Silurian bands , cinctures ot ' poat hardening and blackening into coal , seams 6 t lias i * ioh in shells and lizard scales , tilted up on tho slopes of Scottifih mountains , or enriching , as a subsoil , tho hops which wnvo over tho Woald of Kent . and so through chalk and tertiarics , up to tho alluvial soil , on whioli ho , tho geological grammarian , and you , the oramming student , stand ; instead of adopting this , tho dry , but logical synthetical method of Uidiictio science , Hugh Miller adopts just tho opposite plan . Ho first describes to you olntraotoristio iondsoapo features of certain formations , then
Flb. 472 , Aprii. 9, 1859^] The Leader! ...
flb . 472 , Aprii . 9 , 1859 ^] THE LEADER ! 46 l
Life's Foreshadowings. Life's Foreshadow...
LIFE'S FORESHADOWINGS . Life ' s Foreshadowings . 3 vols . Hurst and Blackett . We are presented in the preface with a gratuitous key to the " aim " of the author of "Life ' s Foreshadowings . " If the author has met with' the characters in real life pourtrayed in these remarkable volumes , then his or her experiences ¦ must have been somewhat exclusive . The passion of love is presented to us under two widely different modifications of its influence and action , in neither of which is it very probable that living typos could be found , even in this commonplace world ; of ours . Certainly the scene is laid in Ireland , and the characters are Irish . This may account for a good deal of the talent and much moro of the eccentricities that unquestionably display themselves in this work . The first portraiture- of " love "is shadowed forth in the history of Mr . Pierce Henderson . " Annie Brandon . The gentleman is more than middle-aged , bald , anything but good-loaldng , cold , selfish , an unnatural son , a hard , unfeeling husband , a severe father when passion is up ( he horsewhips his daughter over her bare- shoulders ) , a spendthrif t bankrupt ; and to all this " intolerable quantity of sack " the only redeeniing morsel oi " bread , "—if there be any redemption at all— -is r pleasant voice and a great command of shallow small talk . And yet Annie Brandon , a lovely ,
wealthy , talented young creature , / who has beer brought up to view Pierce Henderson in the light of a second father , falls in veritable love with thi ? elderly piece of masculinity ,-and consents to become his wife . The match is broken off , however , because Annie Brandon becomes acquainted with the contemptible character of hevjzcuicc ; but no sooner does an . apoplectic attack—herniplegia , so it is described by the author—reduce this elderly ladykiller to a slavering semi-idiot , with features hideously distorted andlimbs paralysed , than the love oi
young Annie Brandon revives , and becomes so intense that she marries- him as soon as tho doctor can get himnpon a pair ofcrutches . It is true that the author , in order to cover what would otherwise be the revolting aspect of this 'affair , ' restores the paralytic cripple to a moderate share of health ; still it is difficult to reconcile such , a marriage to notions of propriety , to" nature ' s workings , or to life ' s foroshadowings . The other love passage lias reference to Christie Roach and Jay ilontlerson , daughter of Pierce Henderson . Roach id a
penniless man of plebeian extraction , gif tcl , however , with strong mental faculties , and devoted to abstruso science . Jay Henderson is a fairy in beauty and accomplishments , well-born , and her father ' s -heiress . ' She , when a'mere child , falls in love with Clu-istic Roach , then her latho-r ' s . agent ; Roacli loves Annie Brandon , and runs-daft when he finds his . hopes in that quarter are vain . Poor and . ugly , and not over clean , he still has attractions in the eyes of Jay Henderson , who would marry liim , nothing loth , did her worldly-wise parent consent . Cllristie Roach becomes eventually an astronomical and scientific luminary in Paris ,
acquires fame , name , and money , comes to Ireland , and marries Jay Henderson , even thou quite young enough to b . o his daughter . Those are u few of " life ' s foreshadowings " in this work . We must put tho author on his or her trial—empanel a jury of the reading public—and having , as critical judge , given our charge , leave thorn to pronounce the verdict . We will not close this-notice without a word or two of positive approbation . Thu author has a fine , cultivated , elegant , but somewhat , crotchety mind , and a pictorial and fascinating stylo . u Life ' s Foreshadowing" wo assume to bo a first production , but it snows so' much real promise that wo fool confident tho writer , if ho or she chooses , may become a celebrity .
Ellen Raymond. Ellen Raymond; Or, Ups An...
ELLEN RAYMOND . Ellen Raymond ; or , Ups and JDown * . By Mrs . Vidp . 1 . 3 vols . Wnltl ., JCMor . andCo . Tins horoinu , Ellun Raymond , in tho foivmost character in tliw work—very handsome vory clover , very decided . Slio id throughout Hul . jectod to a series of trials and mirmdvonturos , tho consequence of not beiiur properly umloratuod ? sliu is placeil in 5 tii 2 onB rillidr critical fur horpurUy oi character ; si . o is nwtmhioU from vinilicutim , horse 11 by obl & nitioiw which ury not clearly defined ; she i * luatlu Llio victim of circumstances and wifcuations which jippcar in some respects averHtnunod , ; but slio HunnouiUH all her trials with dignity and decorum . TUo interest is made to oonoontrata
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Citation
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Leader (1850-1860), April 9, 1859, page 13, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/l/issues/cld_09041859/page/13/
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