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416 THE PICTURES OF THE SftASOtf.
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
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The tendency to over-refine among the elder artists is very evident this " Vesuvius year in and Creswick part of ' s the " A Bay relic of of Nap Old les Times from the , " and Mole Stanfield . ' The ' s
free , bold handling * of Sir Edwin Landseer ' s " Flood in the Highlands " is a great charm to all wholike ourselves , have felt
, of 6 f gildin late years g * refined that gold the / hi ' gh finish of his pictures was not unlike
Mr . Danby the elder has an imaginative picture , " Phoshus rising from the Sea / ' which judged on its own grounds must be
accepted as a very poetical rendering" of a poetical thought . The lightfleecyrose-tipped clouds of earliest dawn and the gentle
sensuous , ripp , le of the waves are in delicious harmony , and transport one to the land of dreams which Phoebus is already rising to
disperse . T . S . Cooper , leaving the sunny pastures in which he usually delightsgives us " A Snow Driffc at Newhig-gin Muir , East
Cumberland / ' with , such veri-similitude that we feel the chill of the dense , opaque atmosphere , and shiver with the shepherd in his plaid .
The Misses Mutrie are more intimately allied than ever with the life and _sjoirit of the flower-world they delight themselves and
others by depicting with such feeling and truth . " Heather , " by Miss Mutrie , is especially charming . J . Phillipin " The Marriage
, of the Princess lloyal , " has grappled well with a difficult and thankless subjectbut it is in " Prayer" that we recognise his
, legitimate work . Phillip stands alone in his power of representing men and women as they are , and we delight in his warm
fleshand-blood creations , solid and not over-refined though they be . At M . Gain b art's exhibition of French pictures , Rosa Bonheur
does not shine . The two paintings she contributes , " A Mare and Foal " and " Fawns in a Cave , " are scarcely worthy of her pencil .
At the German Gallery , M . Gambart has afforded the public a great treat by a collection of Mademoiselle Bonheur's Scotch and
Spanish pictures , which , though very generally known , have proved unusually attractive , both to sight-seers and lovers of art . The
spirited grouping of the Highland cattle is beyond praise , —there is life in the vivid eyes and the moist nostrilscharacter and expression
, in every limb and hair . It is a pity that this great artist did not remain long enough among us to master the secrets of mountain
and heather , as she has , in years of study , mastered those of the brute creation .
At the French Gallery , Henriette Brown _' s fine picture of the * _' * Sisters of Mercy" has again been on exhibition , confirming the
favorable opinion it elicited at first . It is a tender and womanly theme , expressed with vigor and truth , and while far _removed
from , sentimentality , is full of sentiment and pathos . Madame Brown also contributes two small pictures , " Children with Game "
and ** A Sister of Mercy Writing . " The most remarkable picture of this exhibition is , " The scene
at the Conciergerie Prison during the Roll-call of the last Victims
416 The Pictures Of The Sftasotf.
416 THE PICTURES OF THE _SftASOtf .
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Citation
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English Woman’s Journal (1858-1864), Aug. 1, 1860, page 416, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/ewj/issues/ewj_01081860/page/56/
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