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98 THE POSITION OF WOMEN IN FRANCE.
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
.., , —• —•**- - - France Muchbelow , Wi...
five she cop was ies a of favorite it were at ordered court , . and From it became this time quite her fortune a fashion lovel was made to voice be ,
painted and often by sang Madame 1 to the Lebrun royal party . She , by was whom gifted she with was receive a d y quite as a friend . In her own salon she received the most distinguished distin
the guished society evenings , men counting , and to societ celebrated among y . Until its beauties members the . great , The princes and and days , terrible successful she princesses devoted revolution , life to art but - ,
broke out in Franceshe led this brilliant , then the very honors , she enjoyed , her her familiarit life and y she with the obli royal ged
to famil fly land y . and Her and the reputation aristocracy had , endangered others preceded she painted her everywhere the portrait , was she of went Miss to Engamong many
Pitt as Heb , ewhich portrait was considered her chef d _' ceuvre . At les she painted , Lord Nelson ' s LadHamilton as a Bacchante .
Nap y member Everywhere of the she Royal was Academy well received of Painting ; at Florence . She she went was to Vienna made a ,
Berlin Catherin , and receive St . d Petersburg her with especial h ; at the distinction latter cap and ital gave the her Empress a suite
e , received of apartment did not s in produce an imperial the least palace effect . upon All her the hard flattery working _'which and she
to simp her le own character dearl . At beloved the end Paris of nine and years resumed ' exile she her returned position again as a
fashionable portrait y painter . She , restoration painted all she the women honored of with the
the sittings Buonap Duchesse arte from famil the de y Bourlbons Berri , and under and . it In the was 1824 evident she made her a was lovel power y portrait had not of
diminished . In her ei , ghtieth year she continued to paint , and she terminated a long and successful life in 1842 , being female nearly student ninety .
showing Such , an how examp a combination le must encourage of hard work every and youn talent g , without fortune ; , without family influence , may raise a woman artist to one of the
hig There hest social have positions been in Prance in the world a large . class of women who have land
allude held great to those power women , of a who kind have almost been unknown centres in of Eng society , : and we
who have collected round them distinguished and powerful men literary and all the women literature judgment ; women and s were art who passed of have the upon held day . a books Th kind . e French , of plays social , call pictures court this , , to in where hold fact
a salonandin the days when there were no newspapers , the influence , which , these ladies exercised , is better represented to the editor
Eng and lish critic mind than b any y the thing idea else of . that One wielded lad Gazette y was by a a another newspaper sort of Madame Madame
Athenaeumanother a Madame Literary , a wom Saturday an of Heview , society , we and wil so l on tak . e As Madam the type e _GoefFrin of what , because we will she call had the
no artificial aids to give her influence , slie was not beautiful , nor
98 The Position Of Women In France.
98 THE POSITION OF WOMEN IN FRANCE .
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Citation
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English Woman’s Journal (1858-1864), April 1, 1860, page 98, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/ewj/issues/ewj_01041860/page/26/
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