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NOTICES OF BOOKS. 421
Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
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Note: This text has been automatically extracted via Optical Character Recognition (OCR) software. The text has not been manually corrected and should not be relied on to be an accurate representation of the item.
Additionally, when viewing full transcripts, extracted text may not be in the same order as the original document.
^».Reprints Hall. . B Mrs Y Ac . Graskel...
home " . I have always been glad before , except once , even then I was cheered . But this time joy was not to be the sensation . I felt that
the house was all silent , the rooms were all empty . I renieinbered where the three were laid , in what narrow dark dwellings , never
more to reappear on earth . So the sense of desolation and bitterness took possession of me . The agony that was to be undergone , and
_tvas not to be avoided , came on . * * _** * I do not know how life will passbut I certainly do feel confidence in Him who has upheld
, me hitherto . Solitude may be cheered , and made endurable beyond what I can believe . The great trial is when evening- closes and night
approaches . At that hour we used to assemble in the dining-room , we used to talk . Now I sit by myself , necessarily I am silent . I
cannot lielp thinking of their last days , remembering their _sufferings , and what they said and did , and how they looked in mortal affliction .
Perhaps all this will become less poignant in time . " We may imagine with what feelings slie resumed the " sorrow-broken " thread
of her story ; the pathos of the " Valley of the Shadow of Death _" chapter is explained now . We may imagine with what feelings she
turned again to the portrait of the dead Emily in her heroine , relaced it on the easel , and put the finishing touches to that dim record
of p the lost . Very mournful to think of are her lonely pacing to and fro in the little Haworth parlor .
When Mr . Bronte made that eccentric trial of his children ' s knowledgeputting a mask on each in turn and bidding them speak
, boldly from What under is the cover best book of it , in the the question _world ? " which i ( The he Bible asked " answered Charlotte was
Charlotte , . " And what is the next best ? " asked Mr . Bronte , . " The book of nature / ' said Charlotte . These two best books she never
ceased to study . " Elle _Stait nourrie cle la Bible" said M . Heger of her . Tlie book of nature she read and understood as few have the
gift of reading and understanding it . One of the points which the critics fixed on for praise in " Jane Eyre , " was the " singular felicity
in the description of natural scenery" which its writer possessed . For truthof detail in descriptions of nature , Miss Bronte is
unri-, valled : she has inaugurated a new school in that way . Her wordpainting too is perfect : she analyses a landscape as she analyses
people , ( or engravings or whatever came within her reach , ) discovers the particular points which give it its character , and then clearly and
definitely describes these points in the only words -which can describe them . She paints with equal truth the fiat swampy Belgian
lowlands and her own hilly moors . This power is derived firstly from her ift of analysisand secondly from her felicitous choice of
language g . But besides , this truth of description we find in her "books another manner of dealing with nature . This latter is not
new : most writers , whether expressly or by implication , have connected the elementary powers of nature sympathetically with ,
hube manit innat y . e in man idea . Hence this sympathetic arose in . par connection t the systems , would in appear nature -
Notices Of Books. 421
NOTICES OF BOOKS . 421
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Citation
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English Woman’s Journal (1858-1864), Feb. 1, 1860, page 421, in the Nineteenth-Century Serials Edition (2008; 2018) ncse-os.kdl.kcl.ac.uk/periodicals/ewj/issues/ewj_01021860/page/61/
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